Scabs and kidnappers…
😀 😀 😀 😀 😀
As the miners’ strike of 1984 dragged on, the miners and their families were increasingly desperate, relying on donations of food from sympathisers and collecting wood for fuel. A group of miners from the Fife village of Newton of Wemyss secretly left one morning to make their way to Nottingham, where the pits had re-opened, worked by men who were considered traitors – scabs – by the men of the National Union of Mineworkers. That morning, Mick Prentice disappeared too, and it was assumed he had gone with the men to Nottingham. Now in 2007, his daughter has an urgent need to contact him but can find no trace, so she reports him as a missing person. Because of the length of time since he was last seen, Karen Pirie of the Cold Case Review Team takes on the investigation. But she’ll soon be distracted by another cold case that has resurfaced.
Long ago, the daughter of local business magnate Sir Broderick Maclennan Grant was kidnapped with her baby son and held to ransom. The pay-off went wrong – Catherine, the daughter, was killed and no trace has ever been found of the child, Adam, nor were the kidnappers ever caught. Now an investigative journalist, Bel Richmond, has happened across something while on holiday in Italy that may provide the key to the mystery. Sir Brodie uses his considerable influence to have the case moved to the top of Karen’s priority list…
When Val McDermid is on form, as she is here, there are few authors to touch her in terms of telling a great story. This series, by concentrating on cold cases, allows her to revisit aspects of Scotland’s past and she does so with a deep understanding of the effect of events on the lives of the people caught up in them. The miners’ strike was a major turning point for Scotland, and for Britain more widely, as the Prime Minister nicknamed the Iron Lady (Mrs Thatcher) and the most powerful union leader in the land nicknamed King Arthur (Arthur Scargill) met head on in a battle for supremacy: a battle in which, as always, the foot soldiers – the miners and their families – became little more than cannon fodder. McDermid doesn’t delve deeply into the rights and wrongs of the dispute, but she shows with devastating clarity the impact the long-running strike had on mining communities, causing major hardship, testing old loyalties, straining marriages to their limits and dividing families, and leaving a legacy of bitterness that still lives on today.
She doesn’t allow the story to get lost amid the background, however. Karen soon discovers that there’s more to Mick’s disappearance than first appears. As she interviews his wife, still bitter about the disgrace he brought on his family by scabbing, and then the various other people who knew him back then, Karen gradually unearths a very human story with elements of love and betrayal, selfishness and greed, tragedy and guilt.
The other story too, the kidnapping, is just as human. Sir Brodie loved his daughter, perhaps too much, wanting to control her life and objecting to her choices, both in boyfriends and in career. As obstinate as her father, Catherine showed no desire to compromise or yield, leaving her mother trying to be the peacemaker in the middle. Her death left Sir Brodie not only bereaved, but with no opportunity for the reconciliation they might have had if they had been given time. Now, although he has made a new life for himself, Sir Brodie is still driven to find the kidnappers and have revenge, legally or otherwise, and to find what happened to the child – he has never given up hope that his grandson may be alive. He doesn’t have faith that the police will solve the crime after all this time, so he persuades the journalist, Bell, to investigate the Italian connection and, hoping for the scoop of a lifetime, she’s only too happy to oblige.
The book skips about a lot between the various timelines and sometimes following Karen, sometimes Bel. But McDermid keeps total control, so that the reader never feels lost despite the complexities of plot and structure. It’s a fairly lengthy book but never dips or drags – the settings and story hold the attention throughout, and the characterisation is excellent, done with some degree of sympathy for even the least likeable among them. Karen herself is one of the most enjoyable detectives on the contemporary crime scene, not perfect but not an angst-ridden maverick, professional and skilled at her job, but with a life outside work. Here she’s working mostly with her long-term friend and now sergeant, Phil Parhatka, and there’s a welcome lack of the tedious sexism storyline most crime writers seem to feel necessary whenever they have a female protagonist.
One of her best, in my opinion, and considering how good she is, that’s saying a lot. Highly recommended.