Mostly about the Other Stories…
😀 😀 😀 😀
This collection is made up of four stories – the novella length title story and three shorter ones. The Turn of the Screw is, of course, a classic of the horror genre, and since I’ve already had my say about it in a Tuesday Terror! post, here’s a brief summary of the others…
Sir Edmund Orme – Our narrator becomes fascinated by a mother and daughter, Mrs Marden and Charlotte, because of what he feels is their peculiarly strong concern for each other. Then, as he finds himself falling in love with Charlotte, the narrator begins to see a strange man, who never speaks, and his appearances seem to coincide with Mrs Marden’s “episodes”. Eventually, she takes him into her confidence and tells him the story of her one-time lover, Sir Edmund Orme.
Despite having a ghost in it, the story really isn’t scary or spooky. It’s strange, however, and a little unsettling, mainly because the narrator comes over as something of a predator who coldly uses Mrs Marden’s fear and Charlotte’s love for her mother to achieve his own ends. It’s superficially entertaining, but left me feeling rather as if I’d been made an accessory to something rather cruel.
Owen Wingrave – the title character is a young man from a military family who is being crammed for the entrance exam to get into Sandhurst, the army’s elite officer training college. However, Owen has different views – he despises war, and believes that politicians who lead their nations into war should be hanged, drawn and quartered. When he drops out of training, his family and friends put pressure on him to think again, and when the girl he loves implies that he is a coward, to prove her wrong he agrees to spend a night in the haunted room of his family castle…
The ghostly factor of this one is well-nigh non-existent, but it’s a good story for all that. It’s a rather poignant look at how military tradition forces young men to seek glory rather than choosing a more peaceful path in life.
The Friends of the Friends – another I’ve written about previously in a Tuesday Terror! post. This tells the story of two people, a man and a woman, who share the distinction of each having seen a ghost. This coincidence makes their mutual friends want to bring them together, but circumstances always seem to prevent them meeting. Eventually it seems they will meet, but it isn’t to be – one of them dies before the meeting takes place. The other one, however, as we know, can see ghosts…
Again unsettling rather than scary, this starts out quite jollily with a lot of jibes about society and so on, but gradually darkens into a story about jealousy taken perhaps to the point of madness.
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While for the most part I found the writing good and certainly effective at conjuring up an atmosphere, I several times came across sentences so badly constructed that they required me to go back and read them again to catch the meaning, and sometimes they were still obscure after that. Perhaps sometimes James was doing this for effect, to add to the vagueness and ambiguity. But truthfully, I mostly felt it was simply clumsy, lazy writing that he hadn’t bothered to revise properly before publication, and as a result I’ve entirely lost the desire to read any of his novels.
Aside from that criticism, each of the four stories is well-structured, and the sense of vagueness that surrounds the narrative intention has the effect of leaving them open to interpretation. I found this tended to make them linger in my mind for longer than most spooky stories, as I mulled over what was beneath the surface. And generally speaking, I concluded that what was there was rather unpleasant – hints of child sexual abuse in The Turn of the Screw, a controlling lover in Sir Edmund Orme, family pressure taken to extremes in Owen Wingrave and extreme jealousy in The Friends of the Friends. Horror stories always tend to be based on unpleasant things, of course, but here it somehow left me feeling more uncomfortable than usual and I’m not sure I know why. Perhaps because the horror aspects are mostly low-key and so the underlying story stands out more than usual, or perhaps because James uses ambiguity to force the reader to, in a sense, fill in the blanks, making it feel as if the unpleasantness comes from inside her own mind. Whatever the reason, it meant that though I quite enjoyed them while reading I found they left a slightly nasty aftertaste – especially The Turn of the Screw. I wonder if that was James’ intention? I suspect it may have been.
You can probably tell that I feel quite ambivalent about this collection. I rated each of the three shorter stories as four stars and The Turn of the Screw as five, but that’s mostly due to my appreciation of their impact rather than an indication of my enjoyment.
NB This book was provided for review by the publisher, Oxford World’s Classics.