The Legacy (Children’s House 1) by Yrsa Sigurdardóttir

A great start…

😀 😀 😀 😀 🙂

When a horrific murder is carried out, there’s only one witness, 7-year-old Margrét, but she’s too shocked to tell her tale. So it’s decided to ask the Children’s House to help out – a place that specialises in helping traumatised children. Meantime the police are searching through the murder victim’s background to try to find any reason for her murder, but Elísa seems to have been normal in every possible way: happy marriage, a group of long-time friends, good at her job, and generally popular. And the next victim – because of course there’s a next one – seems equally unlikely. Margrét’s testimony seems to be the only hope…

This is the beginning of a new series for Yrsa Sigurdardóttir, based around Freyja, the psychologist in charge of the Children’s House, and Huldar, the detective in charge of the case. I’m not sure if both will appear in future books or just Freya, but they definitely share the billing in this one. The book is written in third person, past tense throughout. The crime seems to have its roots in the past but we learn about it through events in the present. Personally, I’m thrilled to see a crime book returning to this more traditional format of storytelling – the single time period flows more naturally than chopping backwards and forwards, the third person allows the author to range more widely across the characters without being restricted by what a first person narrator can know, and the past tense is so much more natural and appropriate that I really can’t understand why there’s such an insistence on using present tense. (I have never once seen anyone complain about a book being written in the past tense, have you?) I’m hoping maybe trends are finally shifting again…

As often happens with the first of a series, this one starts off pretty slowly, with much filling in of the backgrounds of the main characters – perhaps a little too much. There are places where it drags a bit and I found myself wishing that the plot would move along a little faster. However, I like both Freyja and Huldar as lead characters. Neither of them are perfect, but nor are they angst-ridden weirdos or drunks. They are both professionals who take their jobs seriously. Freyja clearly cares deeply about the children who pass through her care, but she’s professional enough not to get too emotionally involved to do her job well. This is Huldar’s first time in charge of an investigation, and we see him do his best to keep his team working well together, even though they get progressively more snappy with each other as the pressure mounts and time passes with no real leads appearing.

My one real complaint is that the murders are particularly horrific, and though in fact Sigurdardóttir only lingers over the detail of the first one, she writes so effectively that I found the images that she was putting in my head were too graphic for me, and unnecessarily so. The story is strong enough to stand without the gruesomeness, so that it felt pretty gratuitous to me.

Yrsa Sigurdardóttir

The plotting, however, is great! Twisty, credible (apart from the murder methods), and full of some lovely misdirection – nope, I didn’t get there until it was revealed at the end, but on looking back, the clues are all there, so no ‘cheating’. It is a whodunit to a degree, but it’s actually more about the why of the crime – once the motive is clear, so is the culprit. We see events unfold from various perspectives – Freyja and Huldar, of course, but also through the victims’ eyes, as baffled as we are as to why this is happening to them. And then there’s Karl, a young student and radio ham who has come across a strange station emitting strings of numbers that somehow seem to be connected to both him and the victims. The sections relating to Karl provide both the central mystery and some great characterisation of him and his friends, as they find themselves drawn into something they don’t understand.

Sigurdardóttir’s writing is as excellent as always, and the translation by Victoria Cribb is first class – had I not known it was a translation, I would have assumed it was written in English. The rather slow start and the too graphic murders meant that for most of the read it was heading for a solid four stars from me, but the strength of the last hundred pages or so lifted it – I found myself totally absorbed and the skill of the lead-up to the eventual solution both satisfied and impressed me. So I’m going with 4½, and will certainly be looking out for the next in what I hope will turn out to be a fine series, especially if Sigurdardóttir can rein in her imagination just a little on the gruesome front…

NB This book was provided for review by the publisher, Hodder & Stoughton.

Amazon UK Link
Amazon US Link

TBR Thursday 113…

Episode 113…

Well, the TBR briefly touched the magic 200 but fortunately I managed to finish a few books quickly (not Trotsky obviously – the book is longer than the Revolution).  So phew! I’m back down to 198 and totally confident that a downward trend is just around the corner… if only I could get to the corner past the stacks of books in the way…

Here are a few that will hit the top of the heap soon…

The winner of the Begorrathon Poll

sirenGosh, I think that’s the closest poll I’ve ever held! But this one took the lead right from the beginning and held on all the way through. Thanks to everyone who took part! I’m looking forward to reading and reviewing Siren in March, and will get to the other books over the next few months…

The Blurb says: Róisín Burns has spent the past twenty years becoming someone else; her life in New York is built on lies. A figure from her Belfast childhood flashes up on the news: Brian Lonergan has also reinvented himself. He is now a rising politician in a sharp suit. But scandal is brewing in Ireland and Róisín knows the truth.

Armed with the evidence that could ruin Lonergan, she travels back across the Atlantic to the remote Lamb Island to hunt him down. But Lonergan is one step ahead; when Róisín arrives on the island, someone else is waiting for her…

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Fiction

bright-air-blackCourtesy of NetGalley. I once had the great good fortune to see the wonderful Diana Rigg perform as Medea in a brilliant stage production and have been fascinated by her story ever since. So this book has quite a lot to live up to…

The Blurb says:  In Bright Air Black, David Vann transports us to 13th century B.C. to give a nuanced and electric portrait of the life of one of ancient mythology’s most fascinating and notorious women, Medea.

In brilliant poetic prose Bright Air Black brings us aboard the ship Argo for its epic return journey across the Black Sea from Persia’s Colchis – where Medea flees her home and father with Jason, the Argonauts, and the Golden Fleece. Vann’s reimagining of this ancient tale offers a thrilling, realist alternative to the long held notions of Medea as monster or sorceress. We witness with dramatic urgency Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, and her tragic demise.

Atmospheric and spellbinding, Bright Air Black is an indispensable, fresh and provocative take on one of our earliest texts and the most intimate and corporal version of Medea’s story ever told.

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Crime

the-legacyCourtesy of Amazon Vine. I’ve read a few of Yrsa Sigurdardóttir’s books now and I’ve always liked and sometimes loved them, so I’m looking forward to this one. And it’ll be nice to actually start a series at the beginning for once!

The Blurb says: The murder was meant as a punishment – but what sin could justify the method? The only person who might have answers is the victim’s seven-year-old daughter, found hiding in the room where her mother died. And she’s not talking.

Newly promoted, out of his depth, detective Huldar turns to Freyja and the Children’s House for their expertise with traumatised young people. Freyja, who distrusts the police in general and Huldar in particular, isn’t best pleased. But she’s determined to keep little Margret safe.

It may prove tricky. The killer is leaving them strange clues: warnings in text messages, sums scribbled on bits of paper, numbers broadcast on the radio. He’s telling a dark and secret story – but how can they crack the code? And if they do, will they be next?

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Fiction on Audio

the-tsar-of-love-and-technoCourtesy of Audible. Regular visitor underrunner recommended this book to me some months ago. Although it’s not about the Revolution as such, it looks at the history of the USSR and Russia over most of the last century so I’m hoping it will fit in with my Reading the Russian Revolution Challenge. From the sample, the narration sounds as if it will be great… and isn’t it a fab cover?

The Blurb says: This stunning, exquisitely written collection introduces a cast of remarkable characters whose lives intersect in ways both life-affirming and heartbreaking. A 1930s Soviet censor painstakingly corrects offending photographs, deep underneath Leningrad, bewitched by the image of a disgraced prima ballerina. A chorus of women recount their stories and those of their grandmothers, former gulag prisoners who settled their Siberian mining town. Two pairs of brothers share a fierce, protective love. Young men across the former USSR face violence at home and in the military. And great sacrifices are made in the name of an oil landscape unremarkable except for the almost incomprehensibly peaceful past it depicts. In stunning prose, with rich character portraits and a sense of history reverberating into the present, The Tsar of Love and Techno is a captivating work from one of our greatest new talents.

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NB All blurbs taken from Goodreads.

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So…what do you think? Do any of these tempt you?

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