Is there an editor in the house?
🙂 🙂 🙂
Three women are staying at Baikie’s Cottage to carry out an environmental impact study on land which is earmarked to be turned into a quarry. Rachael is the leader of the team, and knows the area well – her friend Bella lives on the neighbouring farm. She knows Bella loves her life in this harsh landscape so when she arrives only to find Bella dead, hanged in the barn, she finds it hard to accept the official verdict of suicide. The other two women on the team are strangers to Rachael and to each other. Anne is an extrovert, and has had a string of affairs, most recently with the man who wants to turn the land into a quarry. Grace is the complete opposite – introverted, quiet, clearly unhappy. When a body is found on the land, it will be up to Inspector Vera Stanhope and her right-hand man Joe Ashworth to work out motives and opportunity, and to connect the dots between the murder and Bella’s suicide…
Sometimes I feel like a stuck record, but at well over 500 pages this novel is ridiculously over-long – repetitive and padded to the point where I several times considered abandoning it. The underlying plot is good and Vera is an interesting, if unbelievable, character – another of these detectives one feels would have been quietly shuffled to a desk job long ago since she is incapable of following rules and doesn’t mind putting herself, her colleagues and even members of the public at risk in pursuit of her case. But hey-ho! That’s modern crime fiction for you, and plenty of people seem to like these damaged detectives. At least Vera is functional.
The book starts off well enough, telling of Rachael’s arrival at the cottage, her finding of Bella, and then of the next few days as the three women get to know each other a little. It’s already far too drawn out at this stage, but eventually the body is discovered and we can hope the police procedural element is about to begin. Only for those hopes to be dashed! Back we go to the very beginning, this time following Anne through those same few days, learning more about her life, and seeing things from her perspective. And then… you’ve guessed, haven’t you… we do it all again, this time in the company of Grace. It’s not that any of the three women’s stories are uninteresting in their own right, but to cover the same period again and again had me feeling as if I was in Groundhog Day.
Finally, about halfway through, this introductory stage is at last over, and Vera arrives on the scene. It picks up a bit after that, although there’s so much backstory about Vera’s life interspersed among the plot that the pace never gets out of second gear. Vera’s method is to set the women up to be bait in the hope the murderer will return, while sending these civilians off to ask questions of suspects and bring her back the information. Extremely odd method of policing, far more suited to the Golden Age of the amateur detective than the modern police procedural. However, it’s reasonably enjoyable, and well written.
Overall, I can’t say this one thrilled me much – a crime novel requires far more plot and less repetition to hold my interest for so long. However I see that the next book is considerably shorter (though still longer than a crime novel should be) so hopefully Cleeves reined in her desire to cover every detail three times. I’d consider reading more of them, but I fear Cleeves, with two less than enthusiastic reviews out of three from me so far, is perhaps never going to make it onto my must-read list. Given her huge popularity, I don’t expect that will bother her much!
This was The People’s Choice for March. Thank you, People – I know you meant well… 😉