(A reminder of the People’s Choice plan. Once a month, I shall list the four oldest books on the TBR, then the next four, and so on, and each time you will select the one you think I should read, either because you’ve read and enjoyed it, or because you think the blurb looks good. And I will read the one you pick within three months! If I begin to fall behind, I’ll have a gap till I catch up again. In the event of a tie, I’ll have the casting vote.)
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OK, time for the next batch of four! Still working through books acquired in 2015 – this was definitely a year when I had no control over my book-buying addiction at all! As usual, I’m planning three months ahead so the winner will be an April read. An odd bunch, this time, I think. Blacklands is the first in a trilogy – I also have book 2 which I acquired at the same time. Belinda Bauer is one of those authors I often love and sometimes don’t, so it could go either way. The Ocean at the End of the Lane was acquired while I was having a brief but passionate love affair with Neil Gaiman. Cold Comfort Farm was a recommendation from L. Marie, though in what context I’ve long forgotten! I love Megan Abbott’s books where she explores the dark hormonal side of teenage girl angst, but Die A Little sounds very different – noir written by a woman is still quite unusual. I haven’t kept a note of it, but I suspect Margot is the culprit for adding that one!
I’m intrigued to see which one you pick…
Blacklands by Belinda Bauer
The Blurb says: Twelve-year-old Steven Lamb digs holes on Exmoor, hoping to find a body. Every day after school, while his classmates swap football stickers, Steven goes digging to lay to rest the ghost of the uncle he never knew, who disappeared aged eleven and is assumed to have fallen victim to the notorious serial killer Arnold Avery.
Only Steven’s Nan is not convinced her son is dead. She still waits for him to come home, standing bitter guard at the front window while her family fragments around her. Steven is determined to heal the widening cracks between them before it’s too late. And if that means presenting his grandmother with the bones of her murdered son, he’ll do it.
So the boy takes the next logical step, carefully crafting a letter to Arnold Avery in prison. And there begins a dangerous cat-and-mouse game between a desperate child and a bored serial killer . . .
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The Ocean at the End of the Lane by Neil Gaiman
The Blurb says: Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn’t thought of Lettie in decades, and yet as he sits by the pond (a pond that she’d claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.
Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.
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Cold Comfort Farm by Stella Gibbons
The Blurb says: Winner of the 1933 Femina Vie Heureuse Prize, COLD COMFORT FARM is a wickedly funny portrait of British rural life in the 1930s. Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.
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Die a Little by Megan Abbott
The Blurb says: Shadow-dodging through the glamorous world of 1950s Hollywood and its seedy flip side, Megan Abbott’s debut, Die a Little, is a gem of the darkest hue. This ingenious twist on a classic noir tale tells the story of Lora King, a schoolteacher, and her brother Bill, a junior investigator with the district attorney’s office. Lora’s comfortable, suburban life is jarringly disrupted when Bill falls in love with a mysterious young woman named Alice Steele, a Hollywood wardrobe assistant with a murky past.
Made sisters by marriage but not by choice, the bond between Lora and Alice is marred by envy and mistrust. Spurred on by inconsistencies in Alice’s personal history and possibly jealous of Alice’s hold on her brother, Lora finds herself lured into the dark alleys and mean streets of seamy Los Angeles. Assuming the role of amateur detective, she uncovers a shadowy world of drugs, prostitution, and ultimately, murder.
Lora’s fascination with Alice’s “sins” increases in direct proportion to the escalation of her own relationship with Mike Standish, a charmingly amoral press agent who appears to know more about his old friend Alice than he reveals. The deeper Lora digs to uncover Alice’s secrets, the more her own life begins to resemble Alice’s sinister past — and present.
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(Click on title and then remember to also click on Vote, or your vote won’t count!)
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NB All blurbs and covers taken from Goodreads or Amazon UK.