Where there’s a will…
😀 😀 😀 😀 🙂
“They found Seth Hubbard in the general area where he had promised to be, though not exactly in the condition expected. He was at the end of a rope, six feet off the ground and twisting slightly in the wind.”
Seth Hubbard was dying of terminal cancer and in extreme pain, so it was not altogether surprising that he had chosen to end his own life. Much more surprising was that, the day before, he had handwritten a new will, leaving the bulk of his substantial fortune to his black housekeeper and specifically cutting out his own children and grandchildren. He had also left clear instructions that he wanted Jake Brigance to be the legal representative for his estate and to fight any challenges to the will ‘to the bitter end.’
This book takes up the story of Jake Brigance three years after the end of the Carl Lee Hailey trial (A Time to Kill). Jake still hasn’t recovered financially from the loss of his house, and the expected rush of clients after the Hailey trial hasn’t materialised. So the idea of a case like this, with a guaranteed generous hourly rate for his work, strongly appeals. And when it becomes clear that Seth’s family intend to throw everything they have into challenging the will it looks like it’ll be a long case. Jake’s determined to take the dispute before a jury, mainly because he loves the thrill of a court appearance.
The question of why Seth would have left such a will is a matter of hot debate, with the majority view being that Lettie Lang must have been something more to him than just a housekeeper. But Lettie seems as bewildered as everyone else and maintains that their relationship was never more than that of employer and employee. So Jake’s old boss, Lucien, and Lettie’s daughter Portia set out to investigate the past…
Grisham shows all his usual skill in this book – a great first chapter that hooks the reader straight away, an interesting plot, strong characterisation and the suspense of a jury trial with both sides pulling unexpected ambushes at the last moment. As in A Time to Kill, race is a major theme – the general feeling that Seth should not have cut out his own children is compounded by a belief amongst some of the white people that no black person deserves to have been left so much money. Greed figures prominently too – the greed of Seth’s unloving children scrambling for their share, Lettie being inundated with requests for help from relatives she wasn’t even aware she had, and, not least, the greed of the lawyers all trying to manipulate the case so that they get a healthy cut of the proceeds of the estate.
There is a but, though. Which is that, enjoyable and well-written as this is, it has nothing like the depth or impact of A Time to Kill. Something very strange has happened to Ford County in the last three years – attitudes have changed so dramatically that it seems as if the gap is more like the 24 years that actually exists between the two books. Here, not only is there no threat of the Ku Klux Klan and no real fear of race-related violence, but even the language has changed. In my review of the first book, I mentioned the frequent use of the n-word, which generally puts me off reading a book, but which in this case seemed relevant to the story. Three years on, not only do people not use that word any longer, but Portia is actually shocked by it on the one occasion it comes up. What happened in those three years to entirely change the culture and attitudes of this small town?
It’s obvious that Grisham has projected modern sensibilities back onto his characters. I can see why he’s done it – readers today are even less likely to accept the kind of blatantly racist language and attitudes that would have just about been tolerated in the eighties. But it means this book doesn’t have the power or authenticity of the first – it’s all rather sanitised. And it means the fear and racial tension of the first book is almost entirely missing from this one. I’m sure it wouldn’t have struck me so much if I hadn’t read the two books back to back, but I couldn’t help feeling that this would have worked better if Grisham had set it ten or fifteen years later so that we were dealing with a different generation.
However, as a standalone, this is a very readable and enjoyable story. The twists were a bit obvious, I thought, meaning that the ending didn’t have as much surprise value as I feel Grisham intended, and the last chapter was pretty saccharin even for Grisham, as well as seeming a bit too rushed and neat. But the quality of the writing, the characterisation and the contrast of darkness and humour mean that this still stands up well as one of Grisham’s better books, leaving me hoping he will revisit Ford County and Jake Brigance again in the future.