Lost in a labyrinth…
😀 😀 😀 😀 😀
Barcelona, 1945. Young Daniel Sempere is the son of an antiquarian book dealer, struggling to scrape a living in a city not yet recovered from the ravages of civil war. Daniel’s mother died when he was very young, and on the day that he suddenly discovers he can no longer remember her face, his father, as a kind of distraction, takes him to the Cemetery of Forgotten Books – a mysterious place full of labyrinthine corridors where rare and banned books are piled randomly on shelves. There, Daniel is told he should select a book and it will then be his responsibility to ensure that his chosen book survives. Daniel selects a book called The Shadow of the Wind by a forgotten author called Julián Carax. That night he reads the book…
Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations peopled by characters who seemed as real to me as my surroundings. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story’s spell or bid farewell to its characters just yet.
And that almost precisely describes my reaction to this book, with the one proviso that it took me considerably longer than one night to read! It crept up on me gradually and for a while I wasn’t sure whether I was going to love it, but right from the beginning I found the writing compelling and intensely more-ish. And then the story began to darken and deepen, and I found myself lost, wandering the gloomy streets of Barcelona, past the decaying old houses deserted by those who had lost their wealth in the war, past the walls still pock-marked by bullets, searching with Daniel for the truth about what had happened to Julián Carax…
It transpires that there is a man – no one knows who he is – who is bent on destroying all remaining copies of Carax’s books – no one knows why. When Daniel is threatened by this man, he decides he must find out what happened to Carax, who fled Barcelona for Paris and subsequently disappeared. It is said that he returned during the confusion of the war and, like so many others, met a violent death on the streets of Barcelona. But was this random chance? Or was Carax’s death deliberate, and if so, what was the motive? As Daniel searches, he finds that his own life seems to have many parallels to Julián’s – will Julián’s tragedy become his too?
There’s a whole bunch of great characters – Daniel himself, whom we see grow from boy to man over the course of the story; his best friend, Fermín Romero de Torres, a beggar whom Daniel and his father befriend, giving him a job in the bookshop, and who provides a good deal of humour along the way; the evil Fumero, now a police inspector, a man who used the war as an excuse to practice his sadism, and is still corrupt and still feared by the people of the city. There’s the mysterious man who wants to burn all Carax’s books – a man so strange and frightening that Daniel is not sure if he is human or devil. And then there’s the story within the story – Julián’s story – where we meet his friends and family, all of whom play a role in the mystery of his life. Two parallel love stories run through the book – Julián’s long-ago, passionate, forbidden love for Penélope, which is at the heart of the mystery; and Daniel’s new, equally passionate, forbidden love for Beatriz. In both cases, the girls’ families see the men as beneath their class, unsuitable for their daughters. (The female characters are not nearly as well drawn as the men, but I’m not in the mood to criticise!)
The whole tone is Gothic, full of crumbling buildings, labyrinths, exalted love and melodramatic tragedy. And it’s wonderfully done. This is not a sunny fiesta city – this Barcelona is a place where it rains endlessly, where people are poor and afraid, where the scars of war show on the buildings, and on the bodies and in the souls of the inhabitants. Zafón does a wonderful job of depicting a city in the aftermath of civil war, where so many small and large tragedies have happened, and where now people must put old enmities away and find some way to live together again. Fear and death stalk the streets, with the authorities and some individuals still taking revenge against those they see as enemies. And the people who should be symbols of safety – the police – are the most vengeful and vicious of all, led by Fumero, a man who uses torture and death to further his own aims.
But in reality the war aftermath is all an aside – an interesting setting to set up the Gothic tone. First and foremost, this is simply a great story, wonderfully told. And as it slowly, very slowly, unfolds, it becomes mesmeric – every word seems perfectly designed to lead us to the next. By the halfway point I was completely absorbed in the labyrinthine plot – lost, at that stage, but with total confidence that I was in the hands of a master who would lead me eventually to the centre where the truth would be revealed. And when it was, I found it completely satisfying – both stories brought to wonderfully believable, emotive conclusions.
I avoided this book for years because it received so much hype, but for once this is one that fully deserves all the praise lavished on it. If you are one of the two remaining people in the world who haven’t read it, then I highly recommend you do! Marvellous!