Symbolic, but of what?
🙂 🙂 🙂
Macon Dead III has grown up in Michigan, the son of a harsh, property-owning landlord and the local black doctor’s daughter. In the course of the book, he will travel to the South, to Virginia, where he will learn more about the history of his family, his metaphorical roots, and to some degree, find his own identity and the meaning of his life.
Sometimes it depends when we read a story how much we connect to it, and unfortunately I read this at a time when I probably wasn’t giving it the attention it requires. I’m not therefore going to try to write an in-depth review – these are simply my feelings about the book, which I found disappointing.
The prose is very good, of course, sometimes excellent, though never, in my view, with the poetry and power of some of the prose in Beloved. The story takes forever to kick off, well into the second half before I felt I had any clear idea of what the book was attempting to be about. The last third or so was considerably more interesting and enjoyable than the rest of the book which dragged along at a snail’s pace replacing narrative drive with heavy-handed and yet still obscure symbolism.
Most of the characters have Biblical names and I assume that’s supposed to have some significance. I freely admit that, as a lifelong atheist, my knowledge of Bible stories is sketchy, but I couldn’t tie what little I knew about the Biblical originals to the characters at all. Maybe this was a failing on my part, but I can usually cope with religious symbolism well enough. Here I found the names and my attempt to see their relevance a distraction. The symbolism regarding flight and African folklore worked rather better for me.
The other thing that bothered me may well again say more about me than the book; namely, that the lives of the people in this black community seem full of self-created ugliness and near bestiality. Everything is about sex or bodily functions – no-one seems to even try to lift themselves above the animal passions, intellectually or morally. Is urinating on other people normal in black American communities? I wouldn’t have though so, but it seems to be in this one. Maybe that’s symbolic too, but of what? Necrophilia, incest, women suckling their sons in a highly sexualised way, women wanting to kill or die for the loss of lovers, men beating women and each other – I longed for at least a couple of characters to connect on a rational rather than a physical level. To a degree in the early part of the book, Macon and his childhood friend Guitar achieve this, but their friendship gradually distorts into a strange and unconvincing kind of violent hatred.
I wondered if perhaps Morrison was trying to show how the history of slavery and subjugation had brutalised black culture, with perhaps even a call to arms for black people to support and lift each other rather than submitting to the characterisation and caricaturing allocated to them by the dominant white culture. But I felt maybe I was inventing that to give me some reason not to simply be a bit revolted by it all. I reckon if a white author had portrayed black people like this there would have been outrage, and in my view, rightly so. So I gave myself permission to be a little outraged anyway, since I’ve never fully bought into the idea that being part of a culture confers a greater right to abuse and demean it (which is why you’ll never see an Irvine Welsh book on my blog). I found myself asking: if African-American culture is really as universally debased and degraded as this portrayal suggests, how did Toni Morrison manage to rise from it?
And what on earth is the significance of Pilate having no navel?? (This is not a rhetorical question – if you know or have a theory, I’m interested…)
Nope, I feel I either didn’t understand this at all, or else there’s nothing much to understand beneath the over-heavy symbolism and the basic story of the resonating, brutalising impact of slavery and racism; although the eloquent prose made it readable and even enjoyable in parts. Apologies to all who love it. Maybe I’ll read it again sometime when I’m in a more receptive frame of mind. Or maybe not.
