And the amazing downward trend continues! The TBR has fallen by another 3 this week to the magic total of 200! Of course, since I’m achieving this miracle by reading all the short books, this means that the remaining 200 are all monsters, but we’ll cross that bridge when we get to it…
Here are a few more that should fall off the cliff soon…
Winner of the Classics Club Spin #24
The Long Goodbye by Raymond Chandler
The winning number is 18 and that means noir! I’m delighted to finally get to this one – the Classics Club Gods have chosen well! The idea is that this should be read and reviewed by the end of September and that should be well within the realms of possibility…
The Blurb says: When Philip Marlowe befriends down-on-his-luck veteran Terry Lennox he gets more than he bargained for. With Lennox’s wife dead and Lennox himself on the lam, Marlowe becomes the target for the local cops and a crazy gangster, while getting mixed up with alcoholic writer Roger Wade and his wife Eileen. Nothing is what it seems as Marlowe unravels the Wades’ scheme to expose the truth behind Lennox’s facade.
The most autobiographical of his novels, The Long Goodbye was considered by Chandler to be his best work. One of the preeminent examples of hard-boiled detective fiction, The Long Goodbye has been adapted for radio, film and television, and received the 1955 Edgar Award for Best Novel.
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Silent Kill by Jane Casey
Ooh, a Maeve Kerrigan novella! Thanks to Eva for giving me the heads up on this one. 😀 I’m adding it to my 20 Books of Summer list since a space suddenly appeared when I abandoned All We Shall Know at the 11% mark on the grounds that the world is quite miserable enough without books like this adding to it. Maeve will cheer me up!
The Blurb says: A teenage girl is killed on a London bus. The case should be simple. The bus was full of witnesses, and there are cameras everywhere.
A hunt for a killer…
But the more DC Georgia Shaw and her colleagues Maeve Kerrigan and Josh Derwent delve into the crime, the more elusive the answers become.
A case that spirals out of control…
It seems impossible that no one saw anything, but soon the leads run cold. Will they uncover what really happened, or will the killer get away with murder?
For fans of the Maeve Kerrigan series, this is a story with a difference. Told from Georgia’s point of view, we see Maeve and Josh from the outside…like you’ve never seen them before.
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Up the Junction by Nell Dunn
Another one from my 20 Books list. I’ve seen the film of this but probably a decade or so after it came out, since it would have been far too adult for me at the time. The film was one of those that kinda defined London in the ’60s, at least for those of us who didn’t live there. I only discovered it started out as a book when Madame Bibi reviewed it…
The Blurb says: The girls – Rube, Lily and Sylvie – work at McCrindle’s sweet factory during the week and on Saturday they go up the Junction in their clattering stilettos, think about new frocks on H.P., drink tea in the café, and talk about their boyfriends. In these uninhibited, spirited vignettes of young women’s lives in the shabby parts of South London in the sixties, money is scarce and enjoyment to be grabbed while it can.
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The White Bird Passes by Jessie Kesson
And the penultimate book of the 20! (Will I make it through them all in time? It’s possible. But then it’s also possible that I could bungee jump from the top of Big Ben…) I know nothing about either author or book except that it shows up from time to time on lists of Scottish classics…
The Blurb says: Set in the backstreets of a Scottish city in the 1920s, The White Bird Passes is the unforgettable story of a young girl growing up in ‘the Lane’. Poor, crowded and dirty – but full of life and excitement – the Lane is the only home Janie MacVean has ever known. It is a place where, despite everything, Janie is happy. But when the Cruelty Man arrives, bringing with him the threat of the dreaded ‘home’ – the orphanage that is every child’s nightmare – Janie’s contented childhood seems to be at an end.
A gritty and moving portrayal of a young girl facing up to hardship and deprivation, written with warmth, humour and insight, Jessie Kesson’s classic autobiographical novel is widely regarded as her finest work.
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NB All blurbs and covers taken from Goodreads or Amazon UK.
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