Film of the Book: The Kite Runner

Directed by Marc Forster (2007)

the-kite-runner-poster

From the book review:

Two young boys grow up side by side in Kabul in the 1970s. Though in some ways they are best friends, they are not equal. The narrator, Amir, is the son of a rich man, whom he calls Baba, and Hassan is the son of Baba’s servant, Ali. Hassan acts as Amir’s servant as well as his friend. But, more importantly in an Afghanistan divided along lines of class and religion, Amir is a Pashtun Sunni, part of the ruling class, while Hassan is a Hazara Shi’a – a group reviled and mocked. One day, during a kite-fighting competition, something will happen that will drive these friends apart, in a foreshadowing of the wars that will soon break the country apart. Many years later, as Amir returns to Kabul from his new home in America, his mission to put right some of the things left unresolved from his childhood mirrors the question of whether this broken country can ever find resolutions to its bitter divisions.

You can read the full book review by clicking here.

 

Film of the Book

 

For the most part, the film is a faithful rendering of the book with all the most important plot points (bar one, which I’ll come to later) and lines of dialogue included. The book is written in English, but the film varies the language depending on location, so that much of it is subtitled. Personally, I’m not keen on watching subtitled foreign language films, but I do think the decision makes sense in this film – it would have felt very false if the boys were speaking English in the Kabul sections of the film.

The two young child actors who play Amir and Hassan are very good, both managing to give their performances a feeling of naturalness. In fact, the casting in general is fine – no performance stood out for me as particularly great, but equally none were bad, so it has the feeling of a true ensemble piece rather than a star vehicle.

the-kite-runner-amir-and-hassan
Ahmad Khan Mahmidzada as Hassan and Zekeria Ebrahimi as young Amir

When watching a film soon after reading the book, I find it can be quite hard to know how well the story is being told. In this case, I felt that I may well not have got the nuances had I not read the book. The story has two main strands – Amir’s guilt over what he sees as his betrayal of Hassan, and the parallel being drawn between the breakdown of their friendship and the horror of what is happening to Afghanistan. Amir’s desire for redemption is a personalisation of the question of whether Afghanistan can ever be put back together again with its own divisions healed. In the film, I wasn’t convinced that Amir’s guilt came over terribly well, meaning that he actually came over as rather unlikeable and unsympathetic. (Admittedly, I didn’t sympathise with him in the book as much as I felt I was expected to either.) But I didn’t think the parallels between the personal and political came over clearly in the film at all, leaving it as simply a story of Amir’s personal journey rather than a symbol of the nation’s struggle.

Homayoun Ershadi as Baba
Homayoun Ershadi as Baba

Part of my problem with it is that, in an effort to condense it to a filmable length, it becomes a series of episodes rather than the free flowing story in the book. The book is narrated by Amir, so that we are privy to his innermost thoughts and emotions – always hard to portray in movie form, of course, and here I didn’t feel the film really captured it. As a result, I found I was distanced from the characters on screen, even Amir – watching their actions, rather than feeling their emotions. Sometimes the script tries to shoehorn in a shortcut to replace the stuff for which there hasn’t been room, and this can come over as totally false and forced. For example, adult Amir and his wife Soraya are unable to have children, which is not only a source of sorrow to them, but is important in their reaction to the child that Amir brings into their lives in the latter part of the story. In the film, this is portrayed by Soraya referring to Amir’s newly published book as “your baby” with heavy significance, rolling her sad eyes portentously and receiving a consoling hug from Amir. Hmm! This was the point where I first giggled inappropriately…

Khalid Abdalla as adult Amir and Atossa Leoni as Soraya
Khalid Abdalla as adult Amir and Atossa Leoni as Soraya

…but that wasn’t nearly as bad as my second bout of unseemly laughter, which I do feel really bad about, since the subject matter certainly isn’t amusing. When Amir has returned to Kabul as an adult, he is trying to contact a man who might be able to help him find Sohrab, the boy he’s looking for. He attends a football match, and at half-time the officials bring on a man and a woman who have been found guilty of adultery. In a scene of horrific brutality, the woman is then stoned. In the book, it’s a particularly powerful moment, showing the utter inhumanity of life under the Taliban. In the film… well, unfortunately, the profusion of false beards suddenly made me think of The Life of Brian… look! Here’s a screenshot… is it just me?

the-kite-runner-crowd

I fear it probably is… but whether or not, it totally destroyed the drama for me as all I could hear in my head was Brian’s mother saying “He’s a very naughty boy!” And I must say, the film’s superficial portrayal of the horrors of the Taliban regime felt about as authentic as Monty Python too.

After that, the film never really recovered for me, I’m afraid. So when, for reasons entirely unexplained, the director chose to turn the major climax into a kind of action thriller scene and followed it up by totally omitting the bit that explains the final trauma which drives young Sohrab into muteness, I wasn’t as bothered as I otherwise might have been, since I’d been thrown completely out of the story by then anyway.

the-kite-runner-kite-flying

I know this sounds as if I hated the film, and I really didn’t. As I said, it’s mostly a faithful reproduction of the book and is worth watching. But, for me, it didn’t achieve either the depth or the feeling of the original, and in the end felt workmanlike rather than wonderful.

★ ★ ★

So the choice is easy this time…

The Winner in the Book v Film Battle is…

the kite runner2

THE BOOK!

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The Kite Runner by Khaled Hosseini

A story of Kabul…

😀 😀 😀 😀 🙂

the kite runner2Two young boys grow up side by side in Kabul in the 1970s. Though in some ways they are best friends, they are not equal. The narrator, Amir, is the son of a rich man, whom he calls Baba, and Hassan is the son of Baba’s servant, Ali. Both boys are motherless: Amir’s mother died in childbirth, while Hassan’s mother ran away not long after he was born, leaving her husband to bring Hassan up alone. Amir is being educated, Hassan is illiterate and likely to remain that way. Hassan acts as Amir’s servant as well as his friend. But, more importantly in an Afghanistan divided along lines of class and religion, Amir is a Pashtun Sunni, part of the ruling class, while Hassan is a Hazara Shi’a – a group reviled and mocked. One day, during a kite-fighting competition, something will happen that will drive these friends apart, in a foreshadowing of the wars that will soon break the country apart. Many years later, as Amir returns to Kabul from his new home in America, his mission to put right some of the things left unresolved from his childhood mirrors the question of whether this broken country can ever find resolutions to its bitter divisions.

The first half of the book, which tells of the boys’ childhood and the event that changed their lives, is beautifully written, full of emotional truth. It is written in the first person from Amir’s point of view and he is a harsh judge of his younger self. He shows himself as weak and cowardly, traitorous even, while Hassan is all that is good and loyal and brave. Amir feels his father blames him for his mother’s death, and is jealous that Baba often seems to show as much fondness for Hassan as for himself.

I became what I am today at the age of twelve, on a frigid overcast day in the winter of 1975. I remember the precise moment, crouching behind a crumbling mud wall, peeking into the alley near the frozen creek. That was a long time ago, but it’s wrong what they say about the past, I’ve learned, about how you can bury it. Because the past claws its way out. Looking back now, I realize I have been peeking into that deserted alley for the last twenty-six years.

While Hassan is a little too good to be true, it feels as if this is deliberate – that Amir’s guilt over his own actions has led him into idealising his childhood friend. And the reverse of that is that Amir’s depiction of himself also has to be seen as being affected by the same guilt, so that while sometimes it’s hard to like him, it’s still easy to empathise – to remember that he was a child and to look at how both boys had the prejudices of their society instilled into them from birth. We also see how Amir is affected by the struggle to gain his father’s affection despite feeling that he could never be the kind of boy his father wants his son to be.

For me, the second half of the book didn’t completely match up to the excellent standards of the first. Amir and his father flee the wars and end up in America. There is a lengthy section about their experiences there, and perhaps I’m just a little tired of the “immigrant experience” storyline now; it seems to have been done too often over the last couple of decades, and I didn’t feel this one added much to either that subject or this story. It feels like something of a hiatus, and a little contrived – a device almost, to allow Amir to return later to Kabul, looking at it through fresh, adult eyes. And when he does go back to Kabul, to show the horrors of life under the Taliban, it begins to verge on the polemical.

     In his rearview mirror, I saw something flash in his eyes. “You want to know?” he sneered. “Let me imagine, Agha sahib. You probably lived in a big two- or three-story house with a nice backyard that your gardener filled with flowers and fruit trees. All gated, of course. Your father drove an American car. You had servants, probably Hazaras. Your parents hired workers to decorate the house for the fancy mehmanis they threw, so their friends would come over to drink and boast about their travels to Europe or America. And I would bet my first son’s eyes that this is the first time you’ve ever worn a pakol.” He grinned at me, revealing a mouthful of prematurely rotting teeth. “Am I close?”
     “Why are you saying these things?” I said.
     “Because you wanted to know,” he spat. He pointed to an old man dressed in ragged clothes trudging down a dirt path, a large burlap pack filled with scrub grass tied to his back. “That’s the real Afghanistan, Agha sahib. That’s the Afghanistan I know. You? You’ve always been a tourist here, you just didn’t know it.”

Khaled Hosseini
Khaled Hosseini

This is a minor criticism though of what is, overall, a great book. I was thinking as I read the second half that it may well have affected me differently thirteen years ago when it was first published – I would have known far less about Afghanistan and almost nothing about the Taliban, and I suspect I would have found the book more shocking and gut-wrenching as a result. Now, if anything, the picture he paints seems a little muted – how easily we become conditioned to horror. Now the first half seems beautifully novelistic, but the second half feels almost journalistic, and the ending didn’t convince me nearly as much as the story of Amir and Hassan as children. I’m glad to have read it, though, and highly recommend it. I suspect it’s a book that will find its full impact again if and when we ever reach a point where this never-ending conflict is past and fading into history.

Amazon UK Link
Amazon US Link

TBR Thursday 92…

Episode 92…

On the one hand, the TBR hasn’t gone down this week. But on the other hand it hasn’t gone up either! Still 177. So I’m declaring that a major success! (Did I hear you laughing??)

Here are some more that will be falling off the edge of the pile soon…

Factual

the magnificent spilsburyFrom my 20 Books of Summer list. This one’s been on my list for ages, since I read and enjoyed the author’s later book, The Curious Habits of Dr Adams back in August 2013. Finally…

The Blurb says: In the dark opening months of the First World War, Britain became engrossed by ‘The Brides in the Bath’ trial. The horror of the killing fields of the Western Front was the backdrop to a murder story whose elements were of a different sort. This was evil of an everyday, insidious kind, played out in lodging houses in seaside towns, in the confines of married life, and brought to a horrendous climax in that most intimate of settings — the bathroom. The nation turned to a young forensic pathologist, Bernard Spilsbury, to explain how it was that young women were suddenly expiring in their baths. This was the age of science. In fiction, Sherlock Holmes applied a scientific mind to solving crimes. In real-life, would Spilsbury be as infallible as the ‘great detective’?

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Factual

sorrow of the earthCourtesy of NetGalley and only about novella length, which is highly unusual for a factual book. Actually I’m a bit baffled as to whether this is indeed factual, or whether it’s a fictionalised account. An “entertaining critique of human cruelty”?? Sounds a bit odd…

The Blurb says: How did Sitting Bull feel as he rode out into the ring of Buffalo Bill’s Wild West Show? The great warrior, veteran of Little Bighorn and Wounded Knee, reduced to re-enacting his defeat night after night, in front of whooping crowds. Buffalo Bill Cody’s world-famous spectacular of horse-riding and sharp-shooting toured all over North America and Europe, even performing for royalty such as Queen Victoria.

But there is another side to this tale: that of the Native America participants in the show, of their humiliation and of the simplification of their painful and complex stories for popular consumption. Vuillard’s short, incisive book is a fiercely intelligent and highly entertaining critique of human cruelty, colonialism and dumbing down.

* * * * *

Fiction

the kite runner2Another one that’s been on my list since 2013, and also on the 20 Books list. I loved And the Mountains Echoed and am just a tiny bit scared that this one can’t possibly live up to my ridiculously high expectations…

The Blurb says: The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacrifices, their lies.

A sweeping story of family, love, and friendship told against the devastating backdrop of the history of Afghanistan over the last thirty years, The Kite Runner is an unusual and powerful novel that has become a beloved, one-of-a-kind classic.

* * * * *

Crime

a rising manNetgalley and 20 Books again! I must admit to being utterly intrigued by the idea of someone of Indian heritage, London birth, and a childhood spent in Glasgow writing a book about an Englishman in Calcutta during the Raj… gotta be pretty much the definition of post-postcolonial…!!

The Blurb says: The winner of the Harvill Secker/Daily Telegraph crime writing competition.

Captain Sam Wyndham, former Scotland Yard detective, is a new arrival to Calcutta. Desperately seeking a fresh start after his experiences during the Great War, Wyndham has been recruited to head up a new post in the police force. But with barely a moment to acclimatise to his new life or to deal with the ghosts which still haunt him, Wyndham is caught up in a murder investigation that will take him into the dark underbelly of the British Raj.

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NB All blurbs taken from Goodreads.

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So…what do you think? Do any of these tempt you?

Five of the Best!

FIVE 5-STAR READS
APRIL

SMILEYS

Each month this year, I’ll be looking back over my reviews of the past five years and picking out my favourite from each year. Cleo from Cleopatra Loves Books came up with this brilliant idea and kindly agreed to let me borrow it. I was a bit later in starting reviewing than Cleo, really getting properly underway in about April/May of 2011, so for the first few months I might have to be a bit creative in my 2011 selections.

So here are my favourite April reads…click on the covers to go to the full reviews, though it must be said my early reviews were somewhat basic…

 

2011

 

pureWhen I reviewed this, I only gave it 4 stars, but remarked that some of the images in it would stay with me for a long time. Indeed they have, and I’ve felt for some time that I did it an injustice and that it deserves the full 5 star status. Set in pre-Revolutionary France, it is the story of Jean-Baptiste Baratte, a young man contracted to clear the overcrowded cemetery of les Innocents in Paris. The sense of time and place in the novel is truly remarkable, and the book allows us to see the build-up of Revolutionary ideas from the perspective of the ‘ordinary’ man. As Miller describes the malignant stench and rotting horrors of the cemetery, parallels can be drawn with the glimpses we get of the corrupt state and political system. My review does it no justice – this is one of the best books I’ve read in the last decade.

 

2012

 

dare meA dark journey into the mind of adolescent girlhood, this book tells of the jealousies and tensions amongst a group of high-school cheerleaders. Abbott’s use of language is innovative, imaginative and often poetic. Throughout the book, she uses the physicality and danger of the cheer stunts to heighten the sense of tension and fear at the heart of the story, and changed my condescending Brit view of cheerleading for ever. When a new coach arrives to lead the cheerleading team, she will prove to be the catalyst for a dangerous reassessment and realignment of friendships that have lasted for years, and will eventually lead both reader and characters to some very dark places. The body is an important theme throughout – the punishment the girls put themselves through, the intimacy of their physical reliance on each other, the underlying sexuality and sensuality of these girls on the brink of womanhood. Dark and wonderful.

 

2013

 

and the mountains echoedA beautiful and very moving book from the pen of a master storyteller, this tells the tale of various members of one extended family affected by war and poverty in Afghanistan. Though many of the events of the book take place in Europe or America following characters driven abroad in the diaspora, Afghanistan remains at the heart of the novel, because it remains in the hearts of the unforgettable people who populate the pages. In structure, this feels almost like a series of short stories, but Hosseini brings them all together in the end in one perfect circle. Truth is, I sobbed my heart out over this book, starting at page 5 and not stopping till about two weeks after I’d finished it. And even now, I only have to think about the first chapter to find myself reaching for the Kleenex again. But alongside the sorrow and sadness, there is love and joy here, and a deep sense of hope…

 

2014

 

the birdsSix short stories from the mistress of supenseful terror, this collection starts with the story on which Hitchcock based his famous film The Birds. While he made some changes to it, mainly so he could find a role for one of his famous blondes, all of the tension and atmosphere comes from du Maurier. The other stories may not be so well known but they stand up very well to the title story. One of my favourites is The Apple Tree – a tale of a man who becomes obsessed with the belief that the tree in his garden bears an uncanny resemblance to his late unlamented wife. The whole collection gives a great flavour of du Maurier’s style – rarely overtly supernatural and using elements of nature to great effect in building atmospheres filled with tension. And her trademark ambiguity leaves room for the reader to incorporate her own fears between the lines of the stories – truly chilling.

 

2015

 

the martian chronicles Written as short stories for magazines in the late 1940s and pulled together with a series of linking pieces for publication in book form in 1951, the book is set around the turn of the millennium, when man is beginning to colonise Mars. It’s episodic in nature and the Martian world that Bradbury creates doesn’t have quite the coherence of some fantasy worlds. But like all the best sci-fi, this book is fundamentally about humanity and Bradbury uses his created world to muse on, amongst other things, loneliness, community and the mid-20th century obsession with the inevitability of nuclear self-destruction. Many of the stories, especially the later ones, are beautifully written fantasies that are both moving and profound. It certainly deserves its reputation as one of the great classics of the genre but, in my opinion, it goes beyond genre – it is as well written and thought-provoking as most ‘literary’ novels and shows a great deal more imagination than they usually do.

 

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If you haven’t already seen Cleo’s selection for April, why not pop on over? Here’s the link…

And Kay has joined in too, over on kay’s reading life, but with a twist – she’s highlighting books from 5, 10, 15 and 20 years ago. Here’s the link…

FictionFan Awards 2013 – Literary/Contemporary Fiction

All stand please…

 

…for this year’s nominees and winners of the annual FictionFan Awards of 2013 in the Literary/Contemporary Fiction Category.

In case any of you missed them last week (or have forgotten them – you mean you don’t memorise every word I say?), a quick reminder of the rules…

THE CRITERIA

All nominees must be books I’ve read and reviewed between November 2012 and October 2013 regardless of publication date, but excluding re-reads. The books must have received a 5-star rating.

THE CATEGORIES

There will be Honourable Mentions and a Winner in each of the following categories

History/Biography/Politics – click to see awards

Literary Fiction

Science/Nature/Environment

Crime/Thriller

 

…and…

Book of the Year 2013

THE PRIZES

For the winners!

I guarantee to read the authors’ next book even if I have to buy it myself!

For the runners-up!

Nothing!

THE JUDGES

Me!

* * * * * * * * *

So, without further ado, here are this year’s runners-up and winner in

LITERARY/CONTEMPORARY FICTION

 

This was an almost impossible choice – the year started with a bang and, quite frankly, ended with a whimper. So many pretentious and/or tedious reads by self-indulgent established authors that I’m considering a new award category of Books to Put Under the Shoogly Table Leg. But against that dull background, a few shone all the more brightly…

HONOURABLE MENTIONS

 

Telegraph Avenue by Michael Chabon

telegraph avenueBased around a vinyl-record shop in Oakland, California, this is a story of people coping with change. Strongly character-driven, full of warmth and humour, Chabon creates a vivid and exuberant world that is a delight to spend time in. Watch out for the soaring 11-page tour-de-force sentence in the middle of the book – a technical (and possibly artistic) marvel. Brilliantly written and flamboyantly entertaining, the sheer joy of watching this master wordsmith ply his trade outweighs the underlying lack of substance.

Click to see the full review

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We Have Always Lived in the Castle by Shirley Jackson

we have always lived in the castleThis is a deliciously wicked little book that turns the traditional witchy story on its head. Merricat lives with her sister and uncle – all that’s left of her family after a mass poisoning. Everyone believes Merricat’s sister Constance to be guilty, and the little family is shunned by the villagers. But they live quite contentedly in their isolation…until Cousin Charles comes to visit, bringing the harsh reality of the outside world with him. Twisty and clever, Jackson’s superb writing hides the darkness at the heart of the story until it’s too late for the reader to escape. Merricat may haunt your dreams…or your nightmares…

Click to see the full review

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VERY, VERY, VERY HONOURABLE MENTIONS

 

And the Mountains Echoed by Khaled Hosseini

and the mountains echoedWithin the first few pages of this book, the reader knows s/he’s in the hands of a master storyteller. In a village in rural Afghanistan, mid 1940s, a father tells a folk tale to his two young children. On the next day, they will travel to Kabul and start a chain of events that will take the reader on a journey across the world and through the decades. A beautiful and emotional book, peopled with unforgettable characters, this is told almost as a series of short stories, each concentrating on one person’s tale; but Hosseini brings us round in a perfect circle and the last few chapters bring all these disparate episodes into one immensely moving whole.

Click to see the full review

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Equilateral by Ken Kalfus

EquilateralThis shortish novel took me completely by surprise with its scope and deceptive simplicity, and left me breathless. Not a word is wasted or misplaced as Kalfus plays with early science fiction, empire and colonialism, and the arrogance of science. Sly and subtle humour runs throughout, as our Victorian hero sets out to signal man’s existence to the technologically advanced Martians by building a giant equilateral triangle in the Egyptian desert and setting it ablaze. Superbly written, the prose is pared back to the bone with every word precisely placed to create an atmospheric, sometimes poetic, and entirely absorbing narrative. This book left me gasping and grinning, and I still can’t think of it without smiling. In any other year, it would have been an outright winner…

Click to see the full review

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FICTIONFAN AWARD WINNER 2013

 

fallen land 2

Fallen Land by Patrick Flanery

 

In this extraordinary book, Patrick Flanery delves deep into the troubled American psyche in the post 9/11, post global crash world where the tectonic plates of certainty and complacency have shifted with volcanic and destructive results. A disturbing psychological thriller, this works just as well as a metaphor for a society where love and trust have been overwhelmed by suspicion and fear. Flanery’s prose is wonderful and the characters he has crafted are complex and compelling, each damaged by history and experience and each inspiring empathy in the reader. He develops them slowly, letting us see the influences, both personal and political, that have made them what they are. This was the first book I blogged about – indeed, the book that inspired me to blog, in an attempt to spread the word about Flanery. His first book, Absolution, was my FF Award Winner in 2012 and this year he has achieved the double with Fallen Land. What next from this exciting and talented author? Who knows, but I can’t wait to find out…

Click to see the full review

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Next week: Best Science/Nature/Environment Award

And the Mountains Echoed by Khaled Hosseini

and the mountains echoedBlown like leaves in the wind…

😀 😀 😀 😀 😀

Publication due 21st May 2013

“A story is like a moving train: no matter where you hop onboard, you are bound to reach your destination sooner or later.”

Within the first few pages of this book, the reader knows s/he’s in the hands of a master storyteller. In a village in rural Afghanistan, mid 1940s, a father tells a folk tale to his two young children. On the next day, they will travel to Kabul and start a chain of events that will take the reader on a journey across the world and through the decades.

Khaled Hosseini(source: wikimedia)
Khaled Hosseini
(source: wikimedia)

The novel is made up of a series of linked and interlinked stories about members of this one family, their descendants and people whose lives they touch. Hosseini takes us back and forwards in time but each episode tells a whole story of one of the characters. This made the book feel in some ways like a collection of short stories rather than a novel, but Hosseini brings us round in a perfect circle and the last few chapters bring all these disparate episodes into one immensely moving whole.

The beauty of the writing is only matched by the humanity of the characters. Hosseini takes us inside their minds and their hearts and we see them laid bare, essentially good people but with their flaws and weaknesses exposed, to us and to themselves. Although much of the book takes place in Europe and America, Afghanistan remains at the heart of it because it remains in the hearts of the characters, even though they may have become part of the war- and poverty-driven diaspora.

Peacock_feathers_closeupA beautiful and very moving book that brought me to tears on several occasions, this isn’t fundamentally about politics or war; it is about the unforgettable people who populate its pages – about humanity. And though there is sadness and sorrow here, there is also love and joy and a deep sense of hope. Highly recommended.

NB This book was provided for review by Amazon Vine UK.

Amazon UK Link
Amazon US Link