Classics Club Round-Up 2 – Crime

When I joined the Classics Club back in June 2016, I created a list of 90 books which I planned to read and review during the next five years. I divided the original list into five sections: American, English, Scottish, Crime and Science Fiction. So rather than trying to summarise the whole thing in one post, I’ve decided to give each section a post to itself as I complete it. Here’s the second…

THE CRIME SECTION

Despite my fairly eclectic reading tastes and my disgruntlement about the state of contemporary crime fiction, crime is still where my heart lies and is the genre I know best. So most of my choices were either books I’d long wanted to read, books from authors I’d enjoyed previously, books of films I love, or occasionally re-reads. The result? I thoroughly enjoyed most of the books in this section! They provided welcome breaks between the more heavyweight novels on my list.

Starting with the bad and working up towards the good then:

REPLACED

Anatomy of a Murder by Robert Trevor

No abandonments at all in this section, and this replacement wasn’t because I had gone off the idea of this book but because I received a review copy of another one that seemed too perfect for the challenge to overlook – The Conjure-Man Dies by Rudolph Fisher. I still intend to read Anatomy of a Murder at some point.

THE BAD ONES

Bad is, of course, a subjective term. The quotes are from my reviews.

The Long Goodbye by Raymond Chandler – “The biggest problem, though, is that the book is bloated to a degree where the actual story gets almost completely overwhelmed by the rather pointless padding, repetitive dialogue and occasional mini-essays on what Chandler feels is wrong with the world.”

THE MIDDLING ONES

The Hollow Man by John Dickson Carr – “I certainly recommend this one to anyone who enjoys the impossible crime style of mystery, but less so to people who prefer the traditional whodunit.”

The Thirty-Nine Steps by John Buchan – “…there’s an awful lot of coincidence and near-miraculous luck, and it’s one of those ones where the hero just always happens to have the knowledge he needs: how to break codes, for example, or how to use explosives. But when it reaches its climax . . . I found myself nicely caught up in it.”

Hitchcock’s version of The 39 Steps, complete with added blonde! The film is better than the book…

The Dain Curse by Dashiell Hammett – “Oddly, despite the fact that the plot is nonsensical, episodic, and barely hangs together, I still found the book entertaining. This is largely due to the snappy, hardboiled style of the writing and the relentless pace, which doesn’t give the reader much time to ponder the basic absurdity of the storyline.”

The Postman Always Rings Twice by James M Cain – “Reading it is a little like being held up on the motorway because there’s been a crash just ahead – you know you shouldn’t stare but you can’t help yourself. As a study of two amoral, self-obsessed monsters drawn to each other through lust, it’s brilliantly done. But, like Damien Hirst’s dead cow, can it really be considered art?”

I, the Jury by Mickey Spillane – “Sexism, racism, sexism, homophobia, sexism, misogyny and did I mention sexism? Then there’s the violence, the sex, and the guns – good grief, so many guns! The odd thing is: I quite enjoyed it!”

Strangers on a Train by Patricia Highsmith – “Guy’s inability to deal with the moral dilemma and subsequent descent into a state of extreme anxiety is done brilliantly, and the psychology underpinning Bruno’s craziness is well and credibly developed. However, the unlikeability of both characters made it hard for me to get up any kind of emotional investment in the outcome.”

Hitchcock again, and the film is brilliant! Definitely better than the book! Sadly I never got around to reviewing the film.

THE GOOD ONES

The Riddle of the Sands by Erskine Childers – “. . . Germany was growing and becoming more powerful at this time, and while Carruthers and Davies feel goodwill towards it and admire all the Kaiser is doing to advance his country, they also see it as a potential opponent in the future. There’s an odd sporting edge to this – they rather look forward to meeting Germany in war one day, as if it were some form of jousting contest fought for honour and glory. (One can’t help but hope neither of them were in Passchendaele or the Somme twelve or thirteen years later.)”

The Wheel Spins by Ethel Lina White – “This is the book that has been made into more than one version of a film under the title of The Lady Vanishes. The basic plot is very similar – Iris is struggling to get anyone to believe her story, partly because she has made herself unpopular with her fellow travellers, and partly because each of those travellers have their own reasons for not wanting to get involved in anything that might delay the journey.”

Yep, more Hitchcock! And again, the film has the edge over the book. Have you guessed yet that I love Hitchcock?

The Tiger in the Smoke by Margery Allingham – “. . . we mostly follow Geoff as he gets himself into deep peril, and Inspector Luke as he and his men try to catch up with Havoc. The tension wafts from the page in these scenes, and they are undoubtedly as thrilling as anything I’ve come across in crime fiction, old or new.”

She Who Was No More by Boileau-Narcejac – “They are the authors who wrote Vertigo on which the Hitchcock film is based, and there are some similarities between the books. Both blur the line between villain and victim, concentrating on the effects on the central character’s mind as he is drawn into a plot that spirals out of his control, and both veer close to mild horror novel territory as he gradually loses his grip on reality. And both are dark, indeed.”

The brilliant film version of She Who Was No More which sadly I never got around to reviewing.

Cop Hater by Ed McBain – “When he writes about the city – the soaring skylines, the dazzling lights, the display of wealth and glamour barely hiding the crime, corruption and violence down on the streets – it reads like pure noir; and in this one there’s a femme fatale who equals any of the greats, oozing sexuality and confidence in her power over men.”

4.50 from Paddington by Agatha Christie – “. . . one of the major joys of Christie’s books is that they manage the difficult feat of being full of corpses and yet free of angst – a trick the Golden Age authors excelled in and modern authors seem to have forgotten. She ensures that the soon-to-be victims deserve all they get, being either wicked, nasty or occasionally just tiresome.”

The wonderful Margaret Rutherford plays an unusual version of Miss Marple in Murder, She Said – loosely(!) based on 4.50 from Paddington

The Spy Who Came In from the Cold by John Le Carré – “There’s an almost noir feeling to it, certainly dark grey anyway, and a kind of despairing cynicism of tone, but there are also small shafts of light and the occasional unexpected humanity that remind us that these people do what they do so that we can live as we choose to live. But at what cost to themselves and, ultimately, to us?”

THE BEST ONE

The Conjure-Man Dies by Rudolph Fisher – “Amid the mystery and the lighthearted elements of comedy, a surprisingly clear picture emerges of this black culture within a culture, where poverty and racism are so normal they are barely remarked upon, and where old superstitious practices sit comfortably alongside traditional religion. Life is hard in Harlem, for sure, but there’s an exuberance about the characters – a kind of live for the moment feeling – that makes them a joy to spend time with.”

….In the narrow strip of interspace, a tall brown girl was doing a song and dance to the absorbed delight of the patrons seated nearest her. Her flame chiffon dress, normally long and flowing, had been caught up bit by bit in her palms, which rested nonchalantly on her hips, until now it was not so much a dress as a sash, gathered about her waist. The long shapely smooth brown limbs below were bare from trim slippers to sash, and only a bit of silken underthing stood between her modesty and surrounding admiration.
….With extraordinary ease and grace, this young lady was proving beyond question the error of reserving legs for mere locomotion, and no one who believed that the chief function of the hips was to support the torso could long have maintained so ridiculous a notion against the argument of her eloquent gestures.
….Bubber caught sight of this vision and halted in his tracks. His abetting of justice, his stern immediate duty as a deputy of the law, faded.
….“Boy!” he said softly. “What a pair of eyes!”

* * * * *

A great section – not only did I enjoy so many of these books but they led me to spiral off into other books and authors, and over the course of the six years of the challenge classic and vintage crime has become my safe space to escape from the horrors of real life! Plus I loved watching lots of the films that have been made of some of these books. [Note to self: really must get back to doing “film of the book” comparisons.] Thanks for your company on my journey!

I, The Jury by Mickey Spillane

Turn up the air-conditioning…

😀 😀 😀 😀

Ex-cop and ex-soldier Jack Williams is found shot dead. The police detective in charge of the case knows Williams was a friend of PI Mike Hammer, so calls Hammer in. To Hammer, Jack was more than just a friend, though – during the war Jack saved Hammer’s life and in the process got injured so badly that he lost an arm. Hammer owes him, and swears an oath that he will find Jack’s killer before the police, and take his own deadly vengeance. So the race is on…

You have to give Spillane credit for being thorough – I don’t think there’s a single ’ism missing from this one! Sexism, racism, sexism, homophobia, sexism, misogyny and did I mention sexism? Then there’s the violence, the sex, and the guns – good grief, so many guns! The odd thing is: I quite enjoyed it! It’s kinda the pulp version of hard-boiled with all pretence at subtlety stripped out, but lurking in there somewhere there’s quite a good plot and the writing, while not as slick as I seem to remember from reading some Spillane long ago, is pretty good for the style of novel.

Hammer realises that first he needs to find out the motive before he can identify the murderer, so he starts by talking to the various people Jack has recently spent some time with. Because of the loss of his arm, Jack hadn’t been able to go back to his career in the police, but Hammer knows he was still a cop at heart, and might have got involved in trying to break up some kind of criminal enterprise. There are plenty of options – Hammer’s investigations soon take him into the criminal underbelly of New York, in amongst the gangsters, brothel keepers, drug runners and a variety of two-bit hoods (I think that’s the technical term). The men all want to beat Hammer up, or occasionally shoot him. The women single-mindedly want to get him into bed, or marry him, or both. Lord knows why! I can only assume there must have been a severe shortage of men in New York at that time. Although Spillane doesn’t mention it, I also assume there was a major heatwave in process, since half the characters spend most of their time stripping their clothes off. I’m sure it’s purely coincidental that it’s the female half. One of the women is an actual nymphomaniac, but it was fortunate that Hammer told us which one, because her behaviour wasn’t significantly different to all the other women.

Book 80 of 90

Despite all of that there’s a strange kind of moral innocence in the book. Hammer resists the blandishments of the naked women for the most part, turns out to be a bit of a romantic at heart, and although he happily shoots people, he only shoots bad ones, so that’s all right then. Apparently it’s all right with the American justice system too, since he never even gets arrested for it. I suppose it saves on costly trials and prison sentences. The racism is the standard casual stuff of the time (1947) as is the homophobia. Happily neither plays a big part in the story so I was able to tolerate it, just, as almost all crime fiction of that era, especially hard-boiled and noir, is infested with language or stereotyping that is rightly considered unacceptable today.

Mickey Spillane

I had a pretty good idea who the villain was from about halfway through, but the motive stumped me so that kept me interested. In the end, it’s all highly unlikely at best and complete tosh at worst, but that’s the joy of pulp! And the end is so over the top I found it hilarious, which I assure you it wasn’t supposed to be.

This was his first and all-in-all I enjoyed it, but would be hesitant to know who to recommend it to. I imagine many people found it pretty sleazy even at the time, and it really hasn’t improved with age. However, if you enjoy the pulpy end of hard-boiled crime and can make allowances for the ’isms, then it’s well worth a few hours of your time for the sheer entertainment value. I’d be interested to try one of his later ones to see if he gets rid of some of the rough edges in this one, or if this is typical of his style throughout his career.

Amazon UK Link
Amazon US Link

The Long Goodbye by Raymond Chandler

All that glitters…

😐 😐

When Philip Marlowe helps out a drunken Terry Lennox one night, it starts a kind of casual friendship between the two men. So when Lennox’s wife is beaten to death, it’s to Marlowe that he turns for help, not to investigate the crime, but to assist him to flee the country. Hearing later that Lennox has confessed to the murder, Marlowe doesn’t believe it – he can believe that Lennox might have killed his serially unfaithful wife, but not that he would have done it so brutally. Meantime, he has been approached by the publisher of Roger Wade, a successful writer now struggling with bouts of drunkenness which are making it impossible for him to finish his latest book. The publisher wants Marlowe to keep Wade sober, if he can, and to try to find out what is causing Wade to behave this way. Marlowe refuses, but soon gets sucked into Wade’s troubles anyway, partly because of Wade’s beautiful, golden wife.

This one didn’t do it for me at all, I’m afraid. Admittedly, it has several of the elements I most dislike about American noir fiction – the constant drunkenness, the casual violence, the ubiquitous Great God Gun at whose altar all America worships, apparently. The women exist purely as sexual beings, the men (despite the constant availability of women and drink – or maybe because of it) are all existentially miserable, corrupt and violent – even the good ones. Society as a whole is also corrupt, bleak and hollow. No one does a normal, honest job, or has a happy family life. Only old people have children, and that purely so they can despise them. Love only appears as lust, and even the fulfilment of that lust usually ends in tears, literally. Makes me wonder why anyone would choose to go on living and, indeed, one of the recurring themes of the book is suicide. Somehow this kind of depressing noir vision of life works quite well on screen for me, but not in books, maybe because I have too much time to get bored with it.

Book 68 of 90
CC Spin 24

As if specially to annoy me further, Chandler, obviously in autobiographical mood, chose for another of his themes to write about how hard it is for writers to write, a subject that writers too often find far more fascinating than I do. My feeling is that if writers hate writing, the solution is simple – don’t do it. The world will not run short of books. And fewer books about the plight of poor struggling writers would be a major bonus for poor struggling readers.

The writing itself is fine, though without the slick snappiness I generally expect from American noir of this era. I did not however find it as “literary” as many other reviews suggest. Of course, we all define “literary” differently, but for me it means it has something to say about society or “the human condition”. This speaks only about the drunk, the corrupt and the violent. Chandler suggests that his characters had often been damaged by their experiences in the recent WW2, but I didn’t find he handled this aspect convincingly – except in the case of one character, it seemed more like an excuse than a cause. Some of the descriptive stuff paints wonderfully evocative pictures, though…

The bar was filling up. A couple of streamlined demi-virgins went by caroling and waving. They knew the two hotshots in the booth farther on. The air began to be spattered with darlings and crimson fingernails.

Raymond Chandler

The biggest problem, though, is that the book is bloated to a degree where the actual story gets almost completely overwhelmed by the rather pointless padding, repetitive dialogue and occasional mini-essays on what Chandler feels is wrong with the world. I had to make a huge effort to keep going, in the hope, not fulfilled, that at some point the reason for the book’s reputation would become clear. I can only assume that it’s a mismatch between book and reader, since undoubtedly it is almost universally loved by those who read it. Personally, I vastly preferred The Big Sleep, the only other Chandler I’ve read. Although it’s a long time since I read it, I seem to remember it was tighter, slicker and more entertaining, with Marlowe operating as a proper private eye. In this one, the amount of actual detection Marlowe does is pretty much zero – he just gets caught up in events and wanders somewhat aimlessly around annoying people till they punch him. Sadly, I could see their point.

“I’ve got five hundred pages of typescript here, well over a hundred thousand words. My books run long. The public likes long books. The damn fool public thinks if there’s a lot of pages there must be a lot of gold.”

Not all of us, Mr Chandler, not all of us.

Amazon UK Link
Amazon US Link

The Body in the Dumb River by George Bellairs

The man with two lives…

😀 😀 😀 😀 😀

When the body of a man is discovered in the Dumb River in a small town in East Anglia, stabbed through the chest, the local police have a problem. Torrential rain has caused the fenland district to flood and they are fully stretched helping residents and farmers get themselves and their animals to safety. Luckily Inspector Littlejohn of the Yard is in the area and he agrees to take on the murder investigation. The murdered man turns out to be Jim Lane, who runs a hoopla stall and travels around the south of England from fair to fair. A little investigation soon reveals that he has another identity too, though – James Teasdale, a married man from Yorkshire, whose wife and family believe he is a commercial traveller. Littlejohn must discover which of his lives has led to his death…

This is my favourite of the Bellairs novels I’ve read so far. Both settings are handled very well – the flooded fenlands and the hard-drinking, mostly working-class Yorkshire town. Teasdale has married “above” himself, and his selfish wife and her money-grabbing father never let him forget it, making sure that his daughters grow up to look down on him too. So Littlejohn understands why James has developed a second life as Jim the fairground man. Not only does it allow him to make more money than his failing arts and crafts shop in Yorkshire, but in this environment he has the respect of his fellows and is well-liked. Littlejohn rather wonders that he hasn’t broken all ties with his family, but James clearly feels a sense of duty towards them. However, now, as Jim, he has met another woman, one who admires and respects him, and James/Jim’s loyalties are torn.

There is a mystery here, but it’s not really laid out as a traditional whodunit, with lots of suspects with different motives and conflicting clues, and so on. Instead, it’s more of a police procedural, as we follow Littlejohn and his colleague Sergeant Cromwell painstakingly collecting information through interviewing people and putting this together with what the forensic evidence shows. This makes the characterisation particularly important, and it’s done very well. Written in the third person, we mostly see the story from the perspective of Littlejohn, occasionally shifting to Cromwell. Littlejohn seems better developed here for some reason – Bellairs allows us to see his uncertainty as to how to proceed at points, and his dependence on Cromwell as someone with whom to talk things over as well as being a skilled investigator in his own right. But all the secondary characters are very well drawn too – all James’ unlikeable snobbish relatives up in Yorkshire, and the much more sympathetic girlfriend and friends from his fairground life. The flooding adds an extra touch as we see the community come together to help each other, and the harassed local police trying to provide assistance to Littlejohn while dealing with matters that seem more immediately urgent.

George Bellairs

Up in Yorkshire, where the rain is also falling (it is Britain, after all), the hideous family give us quite a bit of humour at their expense, although Bellairs gradually allows both Littlejohn and the reader to see the rather tragic underside of their lives, brought on by themselves and their unjustifiable regard for their “position” admittedly, but nevertheless leaving them rather isolated from their community and even from each other. It’s an excellent, if rather cruel, portrait of selfishness.

At just two hundred pages, it neither outstays its welcome nor leaves the reader feeling short-changed – it’s the perfect length for its plot. Highly recommended, and I hope the BL keeps the Littlejohn novels coming…

NB This book was provided for review by the publisher, the British Library.

Amazon UK Link
Amazon US Link

The Listening Walls by Margaret Millar

The mystery of the missing wife…

😀 😀 😀 😀 😀

Amy Kellogg and her friend Wilma are on holiday in Mexico City but it’s turning out to be a fraught time. Wilma, always moody and overbearing, is behaving even worse than usual following her second divorce. She’s drinking to excess and arguing with Amy on the slightest provocation. Then, following a drinking session, Wilma dies in a fall from the hotel balcony. Her depressed and emotional state leads the authorities to rule it as a suicide. Amy’s husband, Rupert, rushes to his shocked wife’s side, but when he returns home to San Francisco a week later, he returns alone. Amy, he tells her family, needed time to herself and has gone off to New York. But Amy’s brother Gill doesn’t believe his adored little sister would have gone off without telling him herself, and as time passes with no word from her, his suspicions grow…

Well, this is a little gem! Told in the third person, Millar lets us glimpse inside the heads of all the characters in turn but only giving us enough to tantalise our suspicions. We know that Rupert isn’t telling all he knows but we don’t know what he’s hiding. Is he a wife murderer as Gill suspects? If so, why would he have killed the woman he apparently loved? Gill suspects the age-old story of another woman and has his suspicions of who that woman might be. But if Rupert hasn’t killed her, where is Amy? It’s entirely out of character for her to have gone off on her own, this woman who has always seemed so dependant on others and so meekly subservient to the stronger characters she is surrounded by – her brother, her husband, Wilma. Increasingly desperate, Gill turns to a private detective, Elmer Dodd, and we follow him as he tries to find the truth.

The plotting is great, full of little twists that kept me puzzling over what had happened until the very last page. It’s more of a psychological mystery than a whodunit – the clues are all in the personalities and the things they do that seem out of character. The characterisation is brilliant – done with a light touch but no less astute for that. There’s Rupert’s secretary, nursing a crush for Rupert so secret she’s not even fully aware of it herself. Gill’s wife, long tired of Gill’s almost obsessively over-protective love for his little sister, is trying hard not to be glad that Amy has gone and is fighting against her instinctive hope that she never returns. The maid in the hotel in Mexico, she who listens through the walls of the title, might be a little stereotyped, but her greed and petty criminality are believable, her contempt for the rich Americans who stay in the hotel adds a good deal of humour, and her superstitions are used to give an air of real unease to some parts of the story. Elmer Dodd is excellent too. He’s a man who wants to know the truth but he’s not ruthless about it. He has sympathy for the weaknesses of human nature, and has a kind of warmth that makes people trust him.

Margaret Millar

This was my introduction to Margaret Millar after having seen her praised by various vintage crime fans around the blogosphere, and I’m very glad to have met her. A darkly twisted story, tightly plotted and lifted by some affectionately humorous character portraits and observations of society, not a word is wasted as Millar leads the reader through a labyrinth of suspicion and doubt. Great fun, and highly recommended – another author to add to my growing list of vintage crime favourites!

NB This book was provided for review by the publisher, Pushkin Vertigo.

Amazon UK Link
Amazon US Link

Fell Murder (Inspector MacDonald 24) by ECR Lorac

Rural but not an idyll…

😀 😀 😀 😀 🙂

Old Robert Garth rules his family with a rod of iron and, although he’s a fair landlord, he stands no nonsense from the tenant farmers on his land. A man who, in his eighties, still can put in a long day’s physical work, he has no time for those he sees as weaklings. So when he’s found murdered, there are plenty of people who might have done the foul deed, each with differing motives. But when it’s discovered that his eldest and long-estranged son, Richard, has been seen around the district, he naturally becomes the prime suspect. It’s up to Inspector MacDonald, called in from Scotland Yard to help the overstretched local police, to find Richard, and to decide whether he, or some other person, is the guilty party…

One of ECR Lorac’s greatest strengths is the way she makes her settings central to her stories, whether in the alleys of London or, as in this case, in the farming community of the Lune Valley, a place she apparently knew well. Her descriptions of the landscape are wonderful, showing the rugged beauty of the dales and fells, the unpredictable weather and the way the land has been shaped and formed by the generations who have farmed it. She is clear-eyed about the hard labour involved in farming but shows her characters as having a strong bond to their land and a love of their way of life.

Set towards the end of the Second World War, she also gives us intriguing glimpses of how war affected farming, partly by removing so many men from the labour force and bringing more women on to the land, and partly through government pressure to adopt more intensified farming methods, such as ploughing up traditional pasture land to allow for more planting of vegetable crops to feed a hungry populace no longer able to import food as easily as before the war. She shows too the additional tasks that have fallen on the police to oversee the new war-time regulations – black-out rules, rationing of goods and petrol, licensing and control of all kinds of things that used to be left up to suppliers and consumers – all leaving them under pressure when required to investigate the normal criminal activities that continue regardless of war.

The local Superintendent is a townie with little understanding of the ways of the farmers and a kind of disdain for them, and so he hits a brick wall in getting them to talk openly to him. But Inspector MacDonald is a different breed – he may be a London policeman now, but he’s a Scot by birth and has lived in rural communities before. He understands the land and secretly rather wishes he could take up farming himself. This all helps him to find ways to break down the rural resistance to outsiders and to grasp at motives that a townsman may not think of. It’s not long before he has a good idea of what happened to old Garth – now all he has to do is prove it.

Another excellent entry in the series – of the ones I’ve read so far, I find the books written around the time of WW2 seem to show her at the peak of her considerable talent in terms of plotting and, while I have enjoyed all of her settings, especially wartime London in Murder by Matchlight, the countryside ones always impress me with their affectionate but entirely unromanticised portrayals of rural communities.

As a little bonus, there’s an extra short story at the end of the volume, Live Wire. It’s only a few pages long – a tale of a criminal attempting to steal gold bullion from a train – but it’s very well done, darkly funny and highly entertaining, with a deliciously twisted ending. I usually forget to mention that there’s quite often a short story tucked in at the end of the BL releases, I assume when the page count of the novel is slightly shorter than the norm. It’s a bit like finding there’s still one chocolate left in the box when you think you’ve already eaten them all…

NB This book was provided for review by the publisher, the British Library.

Amazon UK Link
Amazon US Link

It Walks By Night by John Dickson Carr

Deliciously decadent…

😀 😀 😀 😀 😀

Young Jeff Marle has been summoned to Paris by an old friend of his father: the legendary detective Henri Bencolin, director of the Paris police. Bencolin has a peculiar case on his hands and feels Jeff may be interested in observing his methods. So Jeff becomes our “Watson”, and it’s through his eyes that we see the great detective at work. The case involves a madman – perhaps these days we would say psychopath – Alexandre Laurent, who was locked up after trying to kill his young and beautiful wife, Louise. That wife, her first marriage annulled, is now about to get married again, to the famous all-round sporting legend, Raoul de Saligny. But Laurent has escaped and rumour has it that he may have visited a plastic surgeon to change his appearance. He has sent a letter warning Raoul not to marry Louise and Bencolin fears that he will turn up in Paris, bent on killing Raoul and possibly Louise too. On the night of their wedding day, Raoul, Louise and the wedding party go to a fashionable gambling house, and Bencolin has his men there in force to guard them. But Laurent has the true cunning intelligence of the madman…

This is Carr’s first mystery novel, and my first introduction to his work. I thought it was totally marvellous! There are a couple of plots weaknesses, some moments where you have to take a deep breath and just let your suspension of disbelief have full rein, and it occasionally goes over the top into high melodrama. But the writing is great, and Carr creates a wonderfully creepy, almost hallucinatory atmosphere of horror and tension. In fact, it seemed to me draw as much, if not more, on the tradition of the Decadent horror writing of the fin de siècle period as on the mystery conventions of the Golden Age.

Published in 1930 and set in Paris, it offers a darker take on the “lost generation” of that time – of those living after one devastating war and seeing the approaching inevitability of another on the horizon. There is a great sense of amorality, of sensuous egoism, of a kind of cruelty of empty friendships and brutal infidelities. Drugs and drink play their part in the glittering hopelessness of the characters’ lives, and even in Jeff’s observations. One scene, where he has dinner with a young woman caught up in the case, is a masterpiece of fear heightened by the befuddling effects of alcohol – Poe-like in its creation of an atmosphere of impending horror. Grand Guignol was in my mind for much of it, since there’s no holding back in the gruesome bloodiness of the crimes, nor the pointless cruelty of them.

John Dickson Carr

As a mystery, I do think it’s just about fair play, although one has to be willing to let one’s imagination run riot a bit. There’s a locked room aspect to it, and as usual I failed to get that at all and frankly felt the solution to that part of the mystery was a bit too contrived. But in terms of the whodunit aspects – in this case, the who-is-Laurent aspect – I spotted several of the clues without realising that that’s what they were; in fact, I had sort of thought they were accidental inconsistencies rather than clues until all was explained at the end. But when the solution comes it’s wonderfully twisted, carrying the atmosphere of decadent horror right through to the end.

I’m aware that part of the reason I loved it so much is because of the horror aspects and that this may not appeal to all Golden Age mystery fans as much as it does to me. But the mystery aspect is good too and while Bencolin can be a bit too full of himself, as many of the great detectives are, Jeff is a wonderfully original creation as Watsons go, becoming deeply involved not just in the investigation but in the characters’ lives and the playing out of the plot. Wonderful stuff, and I can’t wait now to read more Carr – no wonder he’s considered one of the greats.

NB This book was provided for review by the publisher, the British Library.

Amazon UK Link
Amazon US Link

The Christmas Egg by Mary Kelly

’Twas three nights before Christmas…

😀 😀 😀 😀 😀

Three days before Christmas, Inspector Nightingale is called to the scene of a suspicious death. An elderly woman has been found dead in her bed, and given her age it may have passed as natural but for the fact that she appears to have been robbed. Her trunk, which she always kept securely locked, is empty. Nightingale soon discovers she was a Russian Princess who had fled to Britain during the Revolution, bringing with her many fabulous jewels and valuable pieces of art. There has been a recent spate of burglaries and Nightingale suspects this is the latest, somehow gone wrong, leaving Princess Olga dead. But where is the Princess’s grandson? And why is there a note of the name and address of a local dealer in jewellery in her room? Nightingale and his sergeant, the rather cheeky and irreverent Beddoes, set out to investigate…

This isn’t a whodunit – although there is a mystery element around the grandson, the police are never in much doubt that the robbery ties in with the others, and the bulk of the story is about following Nightingale, and occasionally Beddoes, as they try to identify and catch the thieves. It’s very well written and both the settings – first the busy pre-Christmas streets and alleyways of Islington and later the blizzard-bound countryside of Kent – are used to great effect. Nightingale and Beddoes make a great team, obviously fond of each other and with a kind of rapport that comes from having worked together before. Each has full confidence in the other and they are more like equals than superior and subordinate, and there’s a lot of humour in their interactions.

The Princess’s backstory as a Russian émigrée adds another element to the story, and gives it the human interest aspect that can sometimes be missing in stories about thefts and police hunts. And the jeweller whose name is found in her room is a great character – a shrewd businessman with his own Russian background, is he the gossipy charmer he likes to portray, or is this a cover for shady goings-on? Nightingale’s constantly changing opinion about him and other people who might or might not be involved is a lot of fun and gives us a real feel for his character, as an honest man who wants to think the best of people but whose job means he has to consider the worst of them too.

Mary Kelly

The first half of the book sets up the story and introduces the characters, and then the second half becomes more of an action thriller as the hunt for the jewel thieves hots up. I found the whole thing a quick, interesting and enjoyable read that kept me turning the pages – I ended up reading it all in one day which is unusual for me. Apparently Kelly only wrote a few books and then stopped, which is a real pity since on the basis of this one she was clearly very talented. I hope the BL might reissue the two other Nightingale books sometime. And with its Christmassy timing and snowy settings, this one is a perfect read for the festive season. Highly recommended!

NB This book was provided for review by the publisher, the British Library.

Amazon UK Link
Amazon US Link

The Murder of Roger Ackroyd by Agatha Christie

Look over there…

😀 😀 😀 😀 😀

Hercule Poirot has retired to the village of King’s Abbott to grow vegetable marrows but, as we all know, wherever that man goes, murder is sure to follow. Roger Ackroyd is a wealthy man and a leading light in the community, but he’s not always generous to his many dependants. So when he is found dead in his study there are plenty of suspects. Dr James Sheppard is first on the scene of the crime and once Poirot becomes involved in the investigation the doctor finds himself acting as his unofficial assistant. It is through Dr Sheppard’s eyes that the reader follows the case.

This is one of the most famous of the Poirot books and many people consider it to be the best. I always have a hard time deciding on “best” Christies because so many of them are so good, but this would undoubtedly make my top 5. However, it’s one of those ones that’s got such an amazingly brilliant solution, like Murder on the Orient Express and a couple of others, that once read never forgotten, so I tend to re-read it less often. I found on this re-read after many years, though, that although I remembered the solution very clearly, I’d actually forgotten most of the plot, so it still made for an enjoyable revisit.

Mr Ackroyd had been upset earlier on the day of his death by the news that wealthy widow Mrs Ferrars, with whom rumour suggested he was romantically involved, had died apparently by her own hand. At dinner that evening, he told Dr Sheppard that he’d received a letter from her which he hadn’t yet read. When his body is discovered later, no trace of the letter is to be found. Also missing is young Ralph Paton, Mr Ackroyd’s stepson, and when he fails to show up the next day suspicion quickly falls on him. Ralph’s fiancée, Mr Ackroyd’s niece Flora, begs Poirot to come out of retirement to prove Ralph is innocent. Poirot gently points out to Flora that if he takes the case he will find the truth, and if the truth turns out to be that Ralph is guilty, she may regret her request. Flora is sure of Ralph, though, so Poirot agrees. The local police know of his reputation and are happy to have him work with them.

Agatha Christie

“My dear Caroline,” I said. “There’s no doubt at all about what the man’s profession has been. He’s a retired hairdresser. Look at that moustache of his.” Caroline dissented. She said that if the man was a hairdresser, he would have wavy hair – not straight. All hairdressers did.

Part of the fun is seeing Poirot and his methods through Dr Sheppard’s eyes. Though he’s amused by the detective’s appearance and mannerisms, Sheppard soon begins to appreciate that Poirot’s unusual methods often get people to reveal things that the more direct questioning of the police officers fails to elicit. Poirot is of a social standing to mix as a guest in the homes of the village elite and, since gossip is the favourite pastime of many of them, including Sheppard’s delightfully nosy spinster sister, Caroline, they make him very welcome in the hopes of pumping him for information. Sheppard also has inside knowledge of all the village characters and their histories, useful to Poirot and entertainingly presented to the reader. The gossip session over the mah-jong game, for example, is beautifully humorous – so much so that it’s easy to overlook any clues that might be concealed amid the exchange of titbits of information Caroline and her cronies have managed to gather.

But that is certainly not the sort of information that Caroline is after. She wants to know where he comes from, what he does, whether he is married, what his wife was, or is, like, whether he has children, what his mother’s maiden name was—and so on. Somebody very like Caroline must have invented the questions on passports, I think.

Hugh Fraser

Christie is always brilliant at misdirection, and this book may be her best example of that. Is it fair-play? Yes, I think so – I think there are enough clues to allow the reader to work it out, but they’re so beautifully hidden I bet very few readers will. However, unlike a lot of clever plotters, Christie always remembers that to be truly satisfying a mystery novel needs more than that. In this one, the Sheppards are really what make it so enjoyable – the doctor’s often satirical observations of Poirot and his fellow villagers, and Caroline’s good-natured love of gossip. Combined with Poirot’s little grey cells and eccentricities, they make this not only a triumph of plotting but a highly entertaining read too. And, as always, Hugh Fraser is the perfect narrator. Great stuff!

Audible UK Link
Audible US Link

Deep Waters edited by Martin Edwards

Not waving, but drowning…

😀 😀 😀 😀

This new collection of vintage crime shorts from the British Library contains sixteen stories, all connected in some way to water – rivers, lakes, swimming pools, oceans. Martin Edwards suggests in his usual informative introduction that perhaps Britain’s view of itself as a maritime nation makes us particularly drawn to watery fiction of all kinds, so it’s not surprising that mystery writers got in on the act.

These collections are always variable, both in quality and in the reader’s reaction to the theme being used. This reader found this one particularly variable, partly because I felt some of the stories only made the cut because of their connection to water, but partly because I’m not a sailor and some of the stories use a fair amount of sailing terminology which always makes me lose interest. Sailors will, I’m sure, feel differently about these. Only a couple of the solutions rely on sailing specifics, though – the majority give us the usual range of motives, clues and styles of detection. And, as always, the contributors range from the very well known writers, like Conan Doyle or Michael Innes, through newer favourites recently getting a revival via the BL and other publishers, like Edmund Crispin or Christopher St. John Sprigg, to writers new to me although they may be well known to vintage crime aficionados, such as James Pattinson and Andrew Garve.

In total, I gave eight of the stories either four or five stars, while the other eight ranged between 2½ and 3½. So no complete duds, but quite a few that were relatively weak, I felt. However, when they were good, they were very, very good, meaning that I found plenty to enjoy. Here are a few of the ones that stood out most for me, and you’ll see from these examples that this collection has a lot of stories that don’t stick rigidly to the traditional detective story format, which gives them a feeling of originality and allows for some great storytelling, including occasional touches of spookiness or horror…

The Echo of a Mutiny by R. Austin Freeman – An inverted mystery (one where we know who the murderer is before we see how the detective solves it) starring Freeman’s regular scientific detective, Dr Thorndyke, this is a longer story at 40 pages or so. A new lighthouse keeper is sent to a rock lighthouse in a rowing boat, but never arrives. The local authorities assume he simply had an accident and drowned, but since Thorndyke happens to be in the neighbourhood they ask him what he thinks, and he finds that murder has been done. The backstory of the murder is very well done, and the solution relies on a nice clue and a neat bit of detection.

Four Friends and Death by Christopher St. John Sprigg – Four men on a boat drink a toast in cognac, and one of them falls dead of cyanide poisoning. The boat is in a Spanish port and of course good Englishmen don’t trust foreign police forces, so the three survivors decide to solve the mystery themselves before reporting the death. Was it a dramatic suicide? Or is one of the three hiding a secret? This is well written, beautifully tense, and ingeniously plotted and revealed. A short one, but excellent.

The Turning of the Tide by CS Forester – in this one, we’re inside the murderer-to-be’s head as he bumps off a fellow solicitor who is about to reveal that the murderer has been defrauding his clients. The story revolves around the disposal of the body – the murderer knows that without a body the police’s chances of solving the crime are much lower, so he resolves to dump it in the sea. Needless to say, it doesn’t go quite as planned, and it turns into a superbly effective horror story, very well told. Spine-tingling!

A Question of Timing by Phyllis Bentley – this is a quirky and intriguing story of a detective writer who accidentally gets caught up in a crime while walking along the river thinking through his latest plot. It’s a story about how serendipity and chance mess with the best laid plans, and has a nice touch of romance in the background. Very well told again – an enjoyable lighter story.

The Queer Fish by Kem Bennett – Our unlikely hero is a poacher who, after an evening drinking in the pub, is stopped on his way home by two men who force him at gunpoint to take them in his boat to France. This is a kind of adventure story but with a mystery element – it’s only later we discover why the men are trying to escape. It has a couple of fun twists towards the end. Well written and highly entertaining!

So a mixed collection, but with plenty of good stuff in it that’s a little out of the ordinary run of mystery stories. I enjoyed the ones I enjoyed so much that they more than compensated for the ones I didn’t. I do love these anthologies…

NB This book was provided for review by the publisher, the British Library.

Amazon UK Link
Amazon US Link

The Curious Mr Tarrant by C. Daly King

A mystery to me…

😐 😐

A collection of eight mysteries starring the mysterious Trevis Tarrant, ably assisted by his manservant, Katoh, who is actually a Japanese spy.

I must admit that sometimes the most baffling mystery to me is why a book has been included in Martin Edwards’ The Story of Classic Crime in 100 Books, and this is one of those cases. Edwards says: “The Curious Mr Tarrant is one of the most renowned collection of stories focusing primarily on impossible crimes.” It appears the stories were admired by Ellery Queen and Dorothy L Sayers, amongst others, so clearly they saw more in King than I. Apparently he never achieved popular success in his native America, though, and had difficulty finding publishers there. I’m kinda with the Americans on this one, and think it’s unfortunate this has been chosen to fill one of only four slots in the Across the Atlantic section.

It actually starts off pretty well. I gave a couple of the early stories 5 stars and another 4. But the rest ranged from mediocre to dire, getting progressively worse as they went along. The final story slumped all the way to one star.

Tarrant is an amateur detective, but his interest is purely in the bizarre. He investigates for the intellectual thrill, and has no particular interest in achieving justice. In the early stories the narrator is Jerry Phelan, a young man about town who meets Tarrant during the first case in the collection, The Episode of the Codex Curse. Jerry and the girl he loves, Valerie, are quite fun, as is Jerry’s sister, Mary – all three of them have a Wodehouse-ish vibe. They gradually play smaller and smaller roles and eventually all but disappear, and the later stories badly miss the element of humour they bring to the earlier ones. Tarrant himself is one of these annoying geniuses with a remarkable gift for working out what seems unfathomable to the mere mortals around him. I liked him well enough at the beginning but tired of him quite quickly. And the last few stories introduce a strange kind of supernatural or mystical element, which is too nonsensical to be taken seriously, but not nonsensical enough to be amusing.

Challenge details:
Book: 92
Subject Heading: Across the Atlantic
Publication Year: 1935

When reviewing a collection, I usually highlight a few of my favourite stories. Here I’m afraid there are only two that I really enjoyed, although, in fairness, both of them are very good:

The Episode of the Tangible Illusion – Valerie is refusing to marry Jerry because she thinks she’s going mad. She hears footsteps in her house when no-one is there, and sees strange images in her room at night. Jerry, having met Tarrant in a previous case and admiring his talent for explaining the inexplicable, asks him to investigate. This is the second story in the book and is very well told, with a great mix of humour, spookiness and a lovely little romance. The solution is ingenious and the detective element is stronger than in most of the other stories.

The Episode of “Torment IV” – Torment IV is the name of a small yacht, and the story is based on the idea of the Mary Celeste. One day the yacht is found abandoned, and it transpires that the family who were on it all drowned. Tarrant investigates what happened to drive them all into the sea, given that the sea had been calm and nothing seems to be amiss on the boat. This is as much horror as detection and it has a great element of suspense. Although the solution is actually a bit silly, the ending is quite effectively scary.

C Daly King

And that’s it. There’s another one, The Episode of the Nail and the Requiem – a traditional locked room mystery – which seems to be highly thought of. I fear I found it dull. The characterisation is non-existent and the whole thing hinges purely on the technical details of how the deed was done.

Overall, I couldn’t recommend this collection, although the couple of stories I’ve highlighted are worth reading should you ever happen across them. A disappointment.

(The Kindle version I’m linking to has an extra four stories that King wrote later which weren’t originally included in the collection. I’m afraid I couldn’t get up enough enthusiasm to read them.)

Amazon UK Link
Amazon US Link

Evil Under the Sun by Agatha Christie, plus Murder, She Said

Evil Under the Sun

Beware! Poirot on holiday!

😀 😀 😀 😀 😀

The Jolly Roger Hotel sits secluded on Smuggler’s Island, a promontory off the Devon coast that can be reached only by boat or over the paved causeway from the mainland. Here the well-to-do come for a peaceful holiday in luxurious surroundings. Imagine their horror, then, on discovering that Hercule Poirot has booked in as a fellow guest! The man is a walking pestilence – wherever he goes, murder is sure to follow. There ought to be a special clause about him in travel insurance policies!

As beautiful actress Arlena Stuart comes out of the hotel and walks to the beach, all eyes are drawn to her; the men in admiration, the women in disapproval. Arlena has a reputation – gossip about her relationships with various men is whispered whenever her name is mentioned. Her husband, Captain Kenneth Marshall, seems to be either unaware or uncaring of his wife’s indiscretions, but he’s the only one. Here on Smuggler’s Island, Arlena is carrying on a heady flirtation with a fellow guest – a young man by the name of Patrick Redfern – careless of the effect on Patrick’s young wife, Christine. Patrick seems trapped in Arlena’s web, unable to escape, as so many other men are rumoured to have been before. Fanatical minister Stephen Lane sees her as the embodiment of evil; Rosamond Darnley hates seeing how she treats Rosamond’s childhood friend, Kenneth; Kenneth’s daughter from an earlier marriage resents this woman who has come into their home and brought no happiness with her. There are rumours that Arlena is being blackmailed, and any of the other guests could be the blackmailer. So when Arlena’s body is found in a lonely cove, everyone on the island finds themselves suspect…

I know I sound like a broken record with these Christie novels but this is another one I love. The plotting is great – both the how and the why. The isolated island gives it the feel of a closed circle mystery – while it’s possible that someone came from the mainland to murder Arlena it’s soon shown to have been unlikely. So Poirot, with the full co-operation of the police, sets out to talk to the various guests, to try to uncover the truth from beneath all the alibis and motives and lies. It’s another one of the ones where, shortly before the end, Poirot kindly lists all the clues giving the reader one last chance to work it out before all is revealed. Good luck with that! It’s entirely fair-play but your little grey cells will have to be in excellent working order to spot the solution.

For once I think I prefer the Ustinov adaptation to the Suchet, because the wonderful and beautiful Diana Rigg is so well cast as Arlena…

I love the characterisation in this one even more than the plotting, though. Patrick’s infatuation and Christine’s jealousy are well done, and young Linda’s teenage resentment of her step-mother feels very realistic. Two American guests, the voluble Mrs Gardiner and her complaisant husband, provide a touch of warmth and comedy amid the atmosphere of overhanging evil. Mr Blatt lets us see how money doesn’t provide automatic entry to the rarefied heights of social snobbery, while Major Barry is one of Christie’s always excellent retired colonials, willing to bore anyone polite enough to listen to his interminable stories of days gone by. Arlena herself is seen only through the eyes of others, leaving her rather ambiguous, while Rosamond’s protectiveness of Kenneth suggests she may feel something deeper than friendship for him.

Excellent! If you haven’t read it before, do; and if you have, read it again! Another one that I highly recommend.

NB This book was provided for review in a new edition with great new covers by the publisher, HarperCollins.

Amazon UK Link
Amazon US Link

* * * * *

Murder, She Said

😀 😀 😀

HarperCollins also sent me another treat – a little book of Miss Marple quotes. It’s beautifully produced in hardback and the quotes are divided up into sections, such as The Art of Conversation, Human Nature, Men and Women, etc.

“If people do not choose to lower their voices, one must assume that they are prepared to be overheard.”

It has an introduction by Tony Medawar, partly about Christie’s inspirations for the character and partly a biography of what can be gleaned of Miss Marple’s life. The book also includes a brief article called “Does a Woman’s Instinct Make Her a Good Detective?”, written by Christie for a British newspaper in 1928 to publicise a set of short stories she was issuing at that time. And at the back it has a complete bibliography of all the Miss Marple novels and short stories. Apparently there’s a companion volume in the same style for Poirot fans, called Little Grey Cells.

“I’ve never been an advocate of teetotalism. A little strong drink is always advisable on the premises in case there is a shock or an accident. Invaluable at such times. Or, of course, if a gentleman should arrive suddenly.”

It’s the kind of book that would be a fun little gift for a Miss Marple fan –  not substantial enough to be a main gift; it didn’t take long for me to flick through the pages – but a good idea for a stocking filler. There are days when we could all do with a bit of Miss Marple’s clear-eyed wisdom…

“Most people – and I don’t exclude policemen – are far too trusting for this wicked world. They believe what is told them. I never do. I’m afraid I always like to prove a thing for myself.”

Joan Hickson as Miss Marple

Amazon UK Link
Amazon US Link

Family Matters by Anthony Rolls

Poisonous relationships…

😀 😀 😀 😀 🙂

Even the most kind-hearted of Robert Arthur Kewdingham’s family have to admit he can be quite annoying. Having lost his job in middle-age, he now spends his time on his collections of second-rate Roman artefacts and dried-out beetles, while telling anyone who will listen about his past life as a priest in Atlantis. Opinions on his wife, Bertha, are divided. Some, mostly the men, feel that her husband doesn’t deserve such a handsome, spirited wife and that he treats her badly. Others, mostly the women, feel that if she had any sort of wifeliness about her she’d shake Robert out of his eccentricities and back into the world of useful employment. Robert and Bertha live in a state of constant quarrelling, tired of each other, dissatisfied with their lives but unable to change. It’s a pity that Bertha is attractive to other men, and that Robert keeps a pharmacy-size stock of poisons readily to hand to treat his rampaging hypochondria. Things are bound to get nasty…

This is a lot of fun and a real step up from the only other Rolls I’ve read, Scarweather. It’s a kind of inverted mystery – we know a murder will be done, and it’s not too long before we can guess who the victim will be. But such are the divided opinions on this unhappy couple that several people could have reason to do away with either one of them. In fact, the question is almost one of who will murder the victim first!

The characterisation is excellent, not just of the awful Robert and Bertha (who got some sneaking sympathy from me even though I didn’t feel she really deserved it), but of the various members of the extended family. Robert’s old father lives with them and an unpleasant old codger he is, constantly reciting quotations to Bertha of how an ideal woman should behave. Uncle Richard is a decent man and feels Bertha has more to put up with than any woman deserves, even moody ones like her. Cousin John is firmly on Bertha’s side – too much so perhaps. The Poundle-Quaintons, mother and spinster daughter, feel it’s their duty to drop little hints to Bertha on how she should manage her husband better. And Robert’s sister, clear-eyed about her brother, does her best to befriend the unhappy wife.

Challenge details:
Book: 81
Subject Heading: The Ironists
Publication Year: 1933

There is much here to do with various drugs and poisons in use at the time. Robert’s genuine illnesses, topped up by his enjoyment of his hypochondria, mean that Dr Bagge is a frequent visitor to the house, partly as physician and partly as friend. Dr Bagge likes to make up his own medicines and tries to stop Robert from dosing himself up on quack preparations, with little success. Once the murder is done, the presence of all these various medicines and drugs will complicate the matter badly for the authorities, and there’s a good deal of wit in the way Rolls handles all the various effects and side-effects of the different poisons around the house, not to mention in how Dr Bagge views his patients as good subjects for him to try out his latest concoctions on.

The idea of living in this house full of rather unpleasant people is pretty awful but I must say they’re a lot of fun to watch from the outside. The mystery is handled very originally – usually with an inverted murder, in my limited experience, the reader knows who the murderer is, but here Rolls manages to keep to that kind of style while still keeping the reader somewhat in the dark. As a result, I found it much more of a page-turner as I really wanted to know who was the guilty party and how it would be proved. Vague, I know, but deliberately – this is one where it would be easy to give accidental spoilers.

Another very enjoyable read from the British Library Crime Classics series, and of course it has the usual informative introduction from Martin Edwards. Good stuff – I’ll be looking out for more from Rolls, though unfortunately he wasn’t as prolific as many of the Golden Age writers.

NB This book was provided for review by the publisher, the British Library.

Amazon UK Link
Amazon US Link

Bodies from the Library 2 edited by Tony Medawar

A case of the finest vintage…

😀 😀 😀 😀 😀

I’ve read lots of collections of vintage short mystery stories over the last few years, as publishers have responded to what seems to be a growing appetite for the style of the Golden Age authors. I’m always struck by how many of the major novelists of the period excelled in this format too, while it would appear that there were many other authors who more or less specialised in short stories. This collection of fifteen stories includes some of the biggest names of all, like Sayers and Christie, some of the authors who are currently being resurrected for a modern audience, like ECR Lorac and John Rhode, and some whose names were unfamiliar to me, though they’re probably well known to real vintage crime aficionados, like Helen Simpson or C.A. Alington.

Described as ‘forgotten’, the stories are previously uncollected and in several cases unpublished, so even those who have read quite widely in this genre will find some real treats here. There are two novellas – a previously unpublished one from Edmund Crispin starring Gervase Fen, and one from a writing duo I hadn’t come across before, who styled themselves Q. Patrick. Dorothy L. Sayers fans will be thrilled by the inclusion of a never-before-published Lord Peter Wimsey story, and Margery Allingham fans will enjoy her script for a radio play. Tony Medawar provides brief but informative literary bios of each of the authors, which throw up some interesting factlets, such as that “Peter Antony” was actually an alias used by the famous play- and screen-writing brothers, Peter and Anthony Shaffer.

This is one of the best mixed anthologies I’ve come across. There is the usual variation in quality, of course, but I gave 11 of the stories either four or five stars and found only a couple of them disappointing. And the five which got the full five stars are all great – they alone make the book a real treat. Here’s a flavour of them:

No Face by Christianna Brand – A psychic claims to be receiving messages from a bloody serial killer, known only as No Face. Is the psychic a fake? But if so, how does he seem to know where the murderer will strike next? This is excellent – it has a real atmosphere of creepy dread that is as much horror as crime, The characterisation of the psychic is very well done and there’s a delicious twist in the tail.

Exit Before Midnight by Q. Patrick – A group of eight people are trapped on the fortieth floor of an office building on New Year’s Eve as a murderer picks them off one by one. Carol is the central character and to add to her woes two of the men are vying for her attention. But could one of them be the murderer? Oh, and did I forget to mention? The lights have fused and they only have a limited supply of matches…This is novella length, with great plotting and real tension, while Carol’s dilemma adds a light element of romance to lift the tone. Loved it, and will be hoping to find more from this duo.

Room to Let by Margery Allingham – This is a radio script, so is given to us purely as dialogue with a few stage directions. It’s a first-class mash-up of a The Lodger-type story and a locked room mystery. Following a fire at a private asylum, a mysterious stranger rents a room from Mrs Musgrave, a crippled lady in a wheelchair. The stranger gradually gains control over her, her daughter, Molly, and their faithful maid, Alice. But… could he possibly be Jack the Ripper?? It culminates with a corpse in a locked room. The framing device is of the story being told years later at a dinner of detectives, whose spirit of competitiveness to solve the mystery gives a humorous edge to the start and end. Well plotted and highly entertaining.

The Adventure of the Dorset Squire by C.A. Alington – This short short story is a sort of country house farce and very funny. There’s no real crime but lots of screaming and confusion – great fun!

The Locked Room by Dorothy L. Sayers – Previously unpublished, it dates to the period before Harriet Vane began to infest the Lord Peter Wimsey books, allowing Peter the freedom for a nice bit of flirtation with a fellow guest at a country house party, Betty Carlyle. When the host apparently kills himself, Betty is unconvinced – she suspects the host’s wife murdered him. This becomes a problem some months later, when the wife decides to marry Betty’s cousin. So she appeals to Lord Peter to uncover the truth. Well plotted, the writing is up to her usual high standard, and the flirtation gives it a lot of fun. Yes, even although I’m normally an un-fan of Sayers, this one got under my guard!

If you’re already a vintage crime fan, then this is one to grab; and if you’re new to the genre, then you’ll find this a very enjoyable way to introduce yourself to some of the greats. Highly recommended!

NB This book was provided for review by the publisher, Collins Crime Club.

Amazon UK Link
Amazon US Link

Murder in the Mill-Race (Inspector MacDonald 36) by ECR Lorac

Hidden secrets…

😀 😀 😀 😀

Milham in the Moor looks idyllic to Anne Ferens when she moves there with her doctor husband, Raymond. This isolated village in North Devon has its own social structure and minds its own business. But Anne soon begins to realise that perhaps all isn’t as it seems on the surface. Some months earlier, a young girl, Nancy Bilton, drowned in the mill-race (the stream that turns the paddles of a watermill, in case, like me, you don’t know what a mill-race is) and, although it was decided she’d committed suicide, there are all kinds of rumour and gossip. Nancy had been a maid at the local children’s home, Gramarye, working under the formidable Sister Monica. The more often people tell Anne that Sister Monica is a “wonderful” woman, the more Anne’s instinctive dislike of her grows. And then Sister Monica is found dead, drowned in the mill-race…

ECR Lorac is becoming a regular in the British Library’s Crime Classics series, and her revival is well deserved. This is another enjoyable entry in the Inspector MacDonald series. Lorac’s settings are always one of her strengths, and here she gives a very credible picture of a village that has, in a sense, turned in on itself, preferring to deal with its own problems rather than letting the authorities handle things. So the local police are getting nowhere with their investigation, and when MacDonald is sent in from Scotland Yard he will have to break down the resistance of the villagers to talking to outsiders. As newcomers, Anne and Raymond are in the position of being half-in and half-out of village life – accepted, but not yet fully. MacDonald hopes they’ll be able to give him a clearer picture of the village personalities but, as the new doctor, Raymond doesn’t want to alienate the people who will be his patients.

Sister Monica is very well drawn as someone who likes to dominate others. She may be swimming in a small pond but she’s the biggest fish and relishes her power. It doesn’t do to cross her – she has her own ways of paying back perceived slights, often by ensuring that scurrilous rumours are spread concerning the offending party, sometimes true, sometimes not. So despite the villagers’ avowal that she’s a wonderful woman, when she turns up dead there’s a surprising number of people who might have had a motive. And can it be coincidence that the two deaths should have happened at the same spot?

Chief Inspector MacDonald is accompanied by his Detective Inspector, Reeves, another competent and dedicated officer. They’ve obviously worked together often and know each other’s strengths, each falling naturally into the role that suits him best – MacDonald as the more formal interrogator of the upper echelons of village society, while Reeves uses his easy manner to try to elicit gossip from those lower down the social scale. There’s a bit of the usual snobbery in their relationship, with MacDonald as the more cultured and better educated of the two, but it’s not as glaring as in some Golden Age pairings, and overall they come over as having equal respect for each other.

The plot is interesting, and leads up to a nice denouement. But it takes second place really to the characterisation of Sister Monica and the depiction of the children’s home, both of which are excellent and cast some light on the lack of monitoring of such facilities back in those days (post-WW2) which allowed nasty people to abuse the power they were granted over both children and staff. (Don’t worry, though – no graphic abuse is heaped on the poor children in this one, so it’s not a harrowing read.)

Overall, another very good read from Lorac – I like that each of the ones I’ve read so far have had entirely different kinds of social settings. I’m hoping the BL continues to re-publish more of her work.

NB This book was provided for review by the publisher, the British Library.

Amazon UK Link
Amazon US Link

Book 19 of 20

The Case of Miss Elliott by Baroness Orczy

Déjà vu all over again…

😀 😀 😀 🙂

An old man sits in the corner of a teahouse, endlessly twisting pieces of string into elaborate knots and mulling over the great unsolved mysteries of the day. Opposite him is our narrator, an unnamed female journalist who, despite finding the old man intensely irritating, nevertheless can’t help being impressed by the ingenious solutions he comes up with.

This is a collection of twelve short stories featuring the amateur ‘tec who was always known as The Old Man in the Corner until a radio adaptation decided, for reasons unknown to me, to change his title to The Teahouse Detective, the name also used by this new edition from Pushkin Vertigo. The stories were originally published in various magazines and later collected into three volumes. Chronologically this is the second batch of stories, although it was the first collection to be published, in 1905.

Each story takes the same format: the journalist, puzzled over a case in the newspapers, visits the teahouse where the old man sits eating cheesecake and playing with his string. He reveals that he knows all about the case in question, and then relates all the known details before adding his own solution at the end. He is dismissive of the police and is not a pursuer of justice – he never passes his solution to the authorities. For him, it’s the intellectual satisfaction of solving the mystery which is important. For a reader used to following a detective around watching him gather evidence and interview suspects, I found this a rather odd format – it’s like getting the beginning and the end of a mystery but missing out all the fun bit in the middle. It works, and she writes well so that the stories are entertaining enough, but I didn’t find them nearly as satisfying as traditionally formatted mysteries.

Challenge details:
Book: 3
Subject Heading: A New Era Dawns
Publication Year: 1905

After the first few stories, I also began to have feelings of déjà vu. I wondered if perhaps I’d read the collection before – I know I’ve read at least some of the Old Man stories in my teens. But then I realised it’s not the stories that are familiar – it’s the plot points and clues, and even character names in some of them. Regular visitors to my blog will know of my life-long devotion to Sherlock Holmes, and I suspect I shared that love with Baroness Orczy. We have a dog which doesn’t bark in the night; Mr Hosmer Angel appears with a different name and persona, but a similar plan; the King of Bohemia puts in an appearance. Occasionally it almost feels a little like homage – it surely can’t be coincidence that one of her villains is called Stapylton. The stories are different enough for me not to be hurling accusations of plagiarism, but I must say I found several of the problems remarkably easy to solve because they feature plot points from the Holmes stories too obviously.

Baroness Orczy

Having forced me to make comparisons, of course this doesn’t work to Orczy’s advantage. Sherlock Holmes is a far superior creation in every way, as is Conan Doyle’s effortless writing style. These have none of the warmth and friendship of the Holmes/Watson relationship, and nowhere does Orczy achieve the layers of drama, tension, humour and even horror of the master. These are more like puzzles – like elaborate crossword clues where the only purpose is to find the solution. As I finished each story, the characters slipped smoothly from my mind, since I had never been made to care about any of them. The Old Man and the journalist too never come to life, since they don’t ever do anything – they are a framing device for telling a story, that’s all.

So overall I found this quite an enjoyable way to while away a few hours, but no more than that. I wonder if they’d be remembered at all were it not for Orczy’s much more famous creation, The Scarlet Pimpernel, keeping her name in the public eye. However, Martin Edwards tells us in his The Story of Classic Crime in 100 Books that the collection enjoyed considerable popularity when it came out, and they’re certainly entertaining enough to make them worth reading. Mostly, though, they made me want to re-read some Holmes stories…

NB This book was provided for review by the publisher, Pushkin Vertigo.

Amazon UK Link
Amazon US Link

Book 17 of 20

The Middle Temple Murder by JS Fletcher

A mysterious victim…

😀 😀 😀 😀 🙂

When young newspaper editor Frank Spargo happens upon a murder scene late one night, his journalistic instincts lead him to follow the story. Fortunately the police detective in charge of the case doesn’t seem to have a problem with sharing all the evidence with a journalist and soon Spargo is taking the lead in the investigation. The first thing is to identify the victim, but this turns out not to be as easy as might be expected. The man’s wallet and papers have been removed from his body, and even when they begin to trace him, he seems to have a mysterious past. Spargo will have to go back into that past to find out who the man is, what he was doing in Middle Temple late at night and who had the motive and opportunity to kill him.

All that is found on the victim’s body is a scrap of paper with the name and address of a young barrister, Ronald Breton. Breton has never met the man, but since he’s just starting his first case and is yet to make his name in legal circles, it seems unlikely the victim would have been looking for him in his professional capacity. When it turns out the man had met Stephen Aylmore the evening before – an MP and the father of Breton’s fiancée – it all begins to look like the motive is more likely to be personal, and Aylmore quickly becomes the chief suspect. Fortunately for Aylmore he has two daughters and Spargo finds himself falling for the other one, giving him an incentive to clear Aylmore’s name.

It took me a while to really get into this one but after a slowish start it begins to rattle along at a good pace, and the plot is that great combination of being twisty and complicated without ever becoming hard to follow. Spargo does his detection the old fashioned way – by talking to people, noticing discrepancies between the stories of various witnesses and using those to prise open the secrets that some of them are hiding. First published in 1919 in the age of the gifted amateur detective, the idea of a journalist being so closely involved in a police investigation doesn’t seem as unbelievable as it would today, and Spargo mostly shares all the information he finds, although eventually he and Rathbury, the police detective, find themselves on opposite sides – Rathbury trying to prove the guilt of Aylesbury and Spargo trying to prove his innocence.

Challenge details:
Book: 14
Subject Heading: The Birth of the Golden Age
Publication Year: 1919

Most of the action takes place in London, around Fleet Street and the Middle Temple, but the story takes Spargo out of the city too, first to a small market town where he uncovers some long past scandals that seem to have a bearing on the case, and then up to Yorkshire for a finale deep in the moors. Fletcher describes each setting well, giving a real feeling for the different ways of life in the various places. None of the characterisation is particularly in-depth, but it’s done well enough so that I soon found myself rooting for some of the characters to be cleared while others I was prepared to see go to the gallows. Fletcher, anticipating the Golden Age style, gave me a solution that meant I could feel justice had been done. I must say it’s a sudden solution, though! Boom – here’s the final piece that makes it all fall into place, and we’re done. My brain could have done with an extra three or four pages to give me time to process what just happened! But I didn’t think it was unfair or illogical – just abrupt.

JS Fletcher

All-in-all, I enjoyed this one a lot. It does feel rather dated in style (which I don’t mind, but some people might) and frankly could have done with a stiff edit to get rid of one or two little discrepancies, but they weren’t enough of a problem to bother me nor to affect the overall outcome. I was disappointed to read in Martin Edward’s entry in his The Story of Classic Crime in 100 Books that Fletcher never revisited the Spargo character in later books – I reckon he could have made a good series detective. However apparently Fletcher did create another series detective later, Ronald Camberwell, and I’d happily try one or two of those if I can get hold of them. Meantime, this one is recommended as well written, cleverly plotted and entertaining.

NB I downloaded this one from wikisource. The formatting is very good.

Book 14 of 20

Surfeit of Suspects (Inspector Littlejohn 41) by George Bellairs

Big bang…

😀 😀 😀 🙂

A huge explosion destroys the offices of the Excelsior Joinery Company, and kills three directors of the company who were there having a meeting at the time. When it turns out that the cause of the explosion was dynamite, the local police call in Scotland Yard to investigate. Enter Inspector Littlejohn…

It soon becomes apparent that the Excelsior was in deep financial trouble and bankruptcy was waiting impatiently in the wings. Could the crime have been an elaborate insurance job? As Littlejohn begins to investigate, he discovers this is only one possible motive. Fraud and corruption are contenders too, and more personal motives may have played a part, since it seems that there were many tensions between the directors, not least that one of them was having an affair with the wife of another. Every line of enquiry seems to turn up more suspects and Littlejohn will have to do some nifty detection to catch the right one.

The setting is very well done, both of the struggling business itself and of the expanding town around it. First published in 1964, fictional Evingden is shown as one of the “new towns” that were created in the decades after WW2, partly to replace bombed out homes and partly to provide “overspill” housing to alleviate the problem of overpopulated areas of poverty and deprivation. It’s no surprise that with so much money being spent this was also a time noted for corruption in local councils and the construction trade, and Bellairs makes full use of this in his plot. The new towns tended to be tacked on to existing small towns or villages, changing their culture and often moving their centres from the old high streets to new developments, much to the annoyance of existing tenants and business owners. Bellairs catches these tensions nicely through his portrayal of the local bank, with its sleepy old branch and tired manager struggling to keep going in the old part of town and the modern, thrusting new branch with its ambitious young manager looking to corner all the new, lucrative business for himself.

George Bellairs

Unfortunately I didn’t find the characters or their motivations as interesting as the setting. We never meet the victims while they’re alive, so only learn about them through other people and, of the three, only one is really fully developed and he’s unlikeable in the extreme. The suspects are better drawn, but are also a deeply unattractive bunch of people. The result was that I didn’t much care about any of them and never found myself fully invested in the criminal being brought to justice. Also, and this is simply an individual preference, I’m never as interested in plots that go so deeply into fraud and corruption as this one, preferring crimes where the motives are more personal. Bellairs does it well, showing how financial desperation can lead people to go off the rails, but I felt it got a bit bogged down in detail at points.

Overall, I enjoyed it, but not as much as the previous Littlejohn stories I’ve read, purely because the story wasn’t as much to my taste. I did feel Littlejohn himself was better developed as a character in this one though, and will be happy to meet him again. Since this is apparently the 41st Littlejohn book, I’ve got plenty more to try!

NB This book was provided for review by the publisher, the British Library.

Amazon UK Link
Amazon US Link

In the Heat of the Night by John Ball

“They call me Mr Tibbs.”

😀 😀 😀 😀 😀

When night patrolman Sam Wood finds a dead man in the street, it’s quickly apparent the man has been murdered. It also transpires he’s a prominent person – Maestro Enrico Mantoli, a famous conductor who was organising a music festival in the town. The new police chief, Bill Gillespie, has never run a murder investigation before. In fact, he hasn’t much experiencing of policing at all – he was mainly hired because of his intimidating air of authority and his willingness to uphold this Alabama town’s resistance to change in the face of the Civil Rights movement. He orders Sam to check around for anyone who looks like he might be trying to leave town. When Sam comes across a black man sitting quietly in the Colored waiting room of the train station and discovers he has a sizeable amount of cash in his wallet, it seems the case is closed. Until the black man reveals his identity to Gillespie – Virgil Tibbs, a homicide investigator with the Pasadena police, who’s passing through Wells on his way back north after visiting his mother…

I seem to have spent a lot of time recently reading about the American South around the time of the Civil Rights movement. This book is fundamentally a crime novel with a very good plot and some excellent detection elements. But it’s far more than that – it paints an entirely believable picture of being a black man in a town that’s run by the whites for the whites at a time when segregation and racism were still entirely acceptable. It also takes us into the minds of the white people, though, showing how they are the product of their conditioning, and how they react when they are forced to reassess the things they take for granted about their own racial superiority.

(I do have one niggling reservation, about me rather than the book. It was written by a white man showing the perspective of a black man in the American South, and I am a white Scotswoman, so although it rings wholly true to me, I can’t help feeling I’m not the best person to judge the portrayals of either race in that place and time. That said, on with the review!)

Sidney Poitier and Rod Steiger in the 1967 film of the book

Gillespie is prevailed upon by his superiors to bring Tibbs in on the investigation. He has mixed feelings about it – on the one hand, he doesn’t want to be shown up by a despised black man; on the other hand, if the case isn’t solved, then he can blame Tibbs. Sam Wood ends up as a sort of unofficial partner to Tibbs, and although he’s a much nicer man than Gillespie, he too has to fight his repugnance to treating a black man as in any way equal. There are all sorts of subtle nuances that show how pervasive racism is in this society, like the white people all calling Tibbs Virgil, while he is supposed to refer to them by their title and surname, or like Sam’s unease at Tibbs sitting in the front seat of their car.

Book 46 of 90

In fact, Tibbs is the one who is most at ease with himself and with the situation. He grew up in the South, knows the rules and conforms to them, never arguing about being forced to use the Colored washroom or not being allowed to eat in the diner, nor openly objecting to the overt racist language directed at him. But he’s worked in California, a place where racism still exists for sure, but not in this formalised, legally endorsed way. While the white men think they’re superior to Tibbs because of their race, Tibbs is well aware of his own superiority in training and experience. But he’s human enough to need to prove it, so he’s driven to stay and solve the case rather than taking the easy option of simply getting on the next train out of town.

John Ball

The plot itself is very good, and the investigation takes us through all the levels in this society from rich to poor, from the cultural leaders involved in setting up the music festival, to the political class, increasingly divided between the socially conservative and the more liberal elements, to the poor people trying to scratch a living in a town that has lost its biggest employer and is struggling to find a new purpose.

But it’s undoubtedly the characterisation that makes this one special. Tibbs himself is likeable, a hero it’s easy to root for. Woods and Gillespie are more complex and they each grow and learn over the course of the investigation, about police-work but also about themselves. It avoids a saccharine wholesale conversion to woolly brotherhood-of-man liberalism on their parts, but gives hope that people and society can change, given patience and the right circumstances.

An excellent book that deserves its status as a classic of the genre – well written and plotted, and insightful about race and class at a moment of change. Highly recommended.

Book 6 of 20

Amazon UK Link
Amazon US Link

The Blotting Book by EF Benson

An excellent vintage…

😀 😀 😀 😀 😀

Morris Assheton is due to come into his inheritance when he’s twenty-five. However, a clause in his father’s will allows him to take control of his money earlier, should he marry a woman of whom his mother approves. Morris has met and fallen in love with just such a woman, so his trustee, Edward Taynton, suggests he might want to look over the accounts of the trust. Young Morris has other more important things to think of, though – his future wife, and his new car which he loves with at least as much fervour. This is lucky for Edward, since he and his partner Godfrey Mills have been gambling unsuccessfully with the trust funds. So all seems well, but things are about to go wrong and when they do, it will all lead to murder…

More of a long novella than a novel, this isn’t really a mystery, or at least the possibilities are so limited that most readers will be able to work out whodunit with a fair degree of certainty pretty early on. Instead, it’s an entertaining and quite insightful character study of the three main characters, Morris and the two trustees, and mostly of Edward Taynton.

Edward isn’t a bad man – in fact, his gambles were meant as much to benefit Morris as himself and he still hopes to make good the losses before the trust is wound up. He’s worked hard to give himself a comfortable life, and hopes to retire soon to enjoy life before he’s too old. But we see how he’s affected by pressure as his secret looks in danger. He makes some odd decisions, but happily manages to justify his behaviour himself. A kindly, friendly man whom everyone likes and respects – with a streak of narcissism hidden beneath the surface.

Morris too is a pleasant character, leading a contented, pampered and happy life and with every reason to expect that to continue. However, when things go wrong, suddenly he becomes filled with a rage that surprises everyone, including himself, by its intensity. Godfrey, Edward’s partner, is somewhat less well drawn, and to a degree is a bit of a plot device. He too suddenly behaves in a way that surprises his partner, but I didn’t feel I knew him nearly as well as the other characters so didn’t feel the same surprise.

Challenge details:
Book: 6
Subject Heading: A New Era Dawns
Publication Year: 1908

The murder happens quite late on and Benson builds a great atmosphere of approaching dread, with some fine dramatic writing…

Overclouded too was the sky, and as he stepped out into the street from his garden-room the hot air struck him like a buffet; and in his troubled and apprehensive mood it felt as if some hot hand warned him by a blow not to venture out of his house. But the house, somehow, in the last hour had become terrible to him, any movement or action, even on a day like this, when only madmen and the English go abroad, was better than the nervous waiting in his darkened room. Dreadful forces, forces of ruin and murder and disgrace, were abroad in the world of men; the menace of the low black clouds and stifling heat was more bearable. He wanted to get away from his house, which was permeated and soaked in association with the other two actors, who in company with himself, had surely some tragedy for which the curtain was already rung up.

EF Benson

After a police investigation in which the police show themselves to be sharper than the murderer anticipated, the whole thing winds up in a courtroom drama where there’s an excellent revelation around a physical clue that turns the prosecution’s whole case on its head at the last minute. It is fair play in that the reader was made aware of the clue at the appropriate place, but this reader, while I had spotted that it was A Clue, couldn’t work it out, which always adds to the fun!

I thoroughly enjoyed this one. It can easily be read in an evening and my interest never flagged despite having very little doubt as to whodunit or how it would end. It’s the character of Edward that makes it entertaining – he may be a cheat and a fraudster, but I found him good company anyway. Highly recommended.

I downloaded this one from the excellent www.fadedpage.com