TBR Thursday 102…

The books that aren’t there…

As part of my ridiculous TBR spreadsheet, whenever I give a book 5 stars I add the author’s name to a list to remind me to read either one of their existing books or their next one, if they’re new authors or I’ve already read all of their previous books. Every now and again I check Amazon to see if there’s any sign of the next book coming along, and generally they duly appear within a year or two. But when I last checked, I realised some of these authors had been on the list for a long time with no sign of a new book. Where are they? Are they still writing?

the luminaries blueEleanor Catton won the Booker for The Luminaries, first published in August 2013. I loved it for her careful creation of a town that I came to feel as if I had actually visited. The book was monstrous in size and scope, so perhaps she’s working on another just as ambitious, but I can’t find anything on the web that tells me when we might see a new one appear.

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money treeFor several years, Gordon Ferris was publishing books pretty regularly, every year or two. But it’s well over two years since his last book Money Tree appeared in June 2014. At the time, this was billed as the start of a new series looking at some of the world’s contemporary concerns – a series of standalones but with an overarching theme under a series name of “Only Human”. But since then, nothing – and again I can’t see anything suggesting another book is on the way soon.

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paradeShuichi Yoshida’s Parade, published in translation in March 2014, was billed as a crime book, but I felt it actually fell more into the category of literary fiction. The picture it paints of the lives of young people in Tokyo left me strangely discombobulated, as Japanese fiction often does – it’s a society that always seems in a kind of free-fall. I find Yoshida’s writing compelling, and his characters are always believable even when I don’t fully understand them. Perhaps his long absence is a translation issue rather than a writing one, but no sign of a new one on the horizon.

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after the lockoutDarran McCann’s début After the Lockout, published way back in February 2012, was an intriguing book set in Armagh in the period following the Easter Uprising. Though there was much of politics and religion in it, McCann managed to keep it at a very human level. He’s an author of whom I genuinely expected great things, but again he seems to have disappeared, at least in terms of publishing another novel.

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arzee the dwarfI positively adored Chandrahas Choudhry’s Arzee the Dwarf. Published in December 2009, it’s a deliciously bittersweet tale of one man trying to achieve his dreams in contemporary Bombay – a beautifully written depiction of this vibrant and contradictory city at odds with the picture of unrelieved misery so often given in Indian novels. Years after reading it, I still smile whenever I think of it. And I’m getting extremely impatient for another…

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The good news is that, five long years after his wonderful Last Man in Tower, a new book has finally appeared from Aravind AdigaSelection Day, which I will be reading just as soon as I can.

selection-dayThe Blurb says: Manju is fourteen. He knows he is good at cricket – if not as good as his elder brother Radha. He knows that he fears and resents his domineering and cricket-obsessed father, admires his brilliantly talented brother and is fascinated by CSI and curious and interesting scientific facts. But there are many things, about himself and about the world, that he doesn’t know . . . Everyone around him, it seems, has a clear idea of who Manju should be, except Manju himself.

But when Manju begins to get to know Radha’s great rival, a boy as privileged and confident as Manju is not, everything in Manju’s world begins to change and he is faced by decisions that will challenge both his sense of self and of the world around him.

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And here are a few more long-awaited ones that will be appearing soon (all publication dates are for the UK)…

penancePublication due 5th April 2017 from Kanae Minato, author of the dark and compelling Confessions

The Blurb says: The tense, chilling story of four women haunted by a childhood trauma.

When they were children, Sae, Maki, Akiko and Yuko were tricked into separating from their friend Emili by a mysterious stranger. Then the unthinkable occurs: Emili is found murdered hours later. Sae, Maki, Akiko and Yuko weren’t able to accurately describe the stranger’s appearance to the police after the Emili’s body was discovered. Asako, Emili’s mother, curses the surviving girls, vowing that they will pay for her daughter’s murder.

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the-death-of-kingsPublication due 16th January 2017 from Rennie Airth, author of the Inspector Madden series set in post-war England…

The Blurb says: On a hot summer day in 1938, a beautiful actress is murdered on the grand Kent estate of Sir Jack Jessup, close friend of the Prince of Wales. An instant headline in the papers, the confession of a local troublemaker swiftly brings the case to a close, but in 1949, the reappearance of a jade necklace raises questions about the murder. Was the man convicted and executed the decade before truly guilty, or had he wrongly been sent to the gallows?

Inspector Madden is summoned out of retirement at the request of former Chief Inspector Angus Sinclair to re-open the case at Scotland Yard. Set in the aftermath of World War II, The Death of Kings is an atmospheric and captivating police procedural, and is a story of honor and justice that takes Madden through the idyllic English countryside, post-war streets of London, and into the criminal underworld of the Chinese Triads.

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the-followerPublication due 9th February 2017 from Koethi Zan, author of the dark and disturbing thriller The Never List

The Blurb says… very little: You think she’ll help you. She won’t.

A page-turning thriller about the wife of a kidnapper and her relationship with his last victim.
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the-good-peoplePublication due 9th February 2017 from Hannah Kent, author of the stunning Burial Rites

The Blurb says: Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference.

Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow’s house.

Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken…

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So there’s still hope… if you can shed any light on if and when we might see new books from any of these authors, please do so in the comments. Are there any authors who’ve been on your own “avidly awaiting” list for too long?

FictionFan Awards 2014 – Literary Fiction

Please rise…

 

…for this year’s nominees and winners of the annual FictionFan Awards of 2014 in the Literary Fiction Category.

If you’ve been around the last couple of weeks, you might want to skip this bit and go straight to the awards. But for the benefit of new readers, a quick reminder of the rules…

THE CRITERIA

All nominees must be books I’ve read and reviewed between November 2013 and October 2014 regardless of publication date, but excluding re-reads. The books must have received a 5-star rating.

THE CATEGORIES

There will be Honourable Mentions and a Winner in each of the following categories

Factual – click to see awards

Genre Fiction – click to see awards

Literary Fiction

Crime Fiction/Thrillers

 

…and…

Book of the Year 2014

THE PRIZES

For the winners!

I guarantee to read the authors’ next book even if I have to buy it myself!

For the runners-up!

Nothing!

THE JUDGES

Me!

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So, without further ado, here are this year’s runners-up and winner in

 

LITERARY FICTION

 

Regrettably, this has been the worst year I can remember for new literary fiction. In the entire year, only a handful of books achieved five-star status, and a couple of them already appeared in the FictionFan Shadow Booker Awards 2013. Of course, there might have been hundreds of brilliant books published that haven’t come my way, but I don’t get the impression from around the blogosphere that there are absolute must-reads out there that I’ve missed. Fortunately this dearth has been more than compensated for by the books I’ve read as part of the Great American Novel Quest, the vast majority of which have been superb – presumably that’s why they’re classics. As you will see, this year’s nominees reflect that…

HONOURABLE MENTIONS

 

the roadThe Road by Cormac McCarthy

I’m a little surprised to be including this bleak dystopian novel as a runner-up. It is the tale of a man and a boy travelling through a landscape devastated by some unspecified disaster – probably a nuclear winter. At the time I was somewhat ambivalent about it, finding the writing style a little irritating, and feeling that the book thought it was more profound than it actually was. However I also found it “thought-provoking and full of imagery that will stay with me for a long time – images both of horror and the ugliness of mankind, and of goodness, truth and a stark kind of beauty.” And indeed, it has stayed with me ever since I read it, and I find the images have become part of my literary landscape. It’s a book I find myself thinking about and referring to time and again, with the result that my opinion of it has continued to grow, to the extent that I would now count it as a great novel.

Click to see the full review

the road2

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Arzee the Dwarf by Chandrahas Choudhury

arzee the dwarfDespite his lack of inches, Arzee is on the verge of achieving the two things he most wants out of life – to become the head projectionist of the Noor Cinema and to find a wife. But, as the poet tells us, the best laid plans of mice and men gang aft agley. And Arzee’s dream is about to be shattered when the owner of the run-down cinema decides to close it. This is the story of two weeks in Arzee’s life as he faces a future that has suddenly become dark and uncertain.

I loved Choudhury’s prose in this deliciously bittersweet comedy – there’s some beautifully phrased imagery, while the dialogue between Arzee and the various other characters provides much of the humour. Bombay is vibrantly portrayed – the Bombay of ordinary people leading ordinary lives. Though there is depth and even some darkness in the story, the overall tone is light with almost the feeling of a fairytale to it. I found I became more and more enchanted with the book as I read and by the end was fully invested in Arzee’s hopes and dreams. This was truly an unexpected delight of a book and it still, ten months on, makes me smile each time I think of it.

Click to see the full review

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the sun also risesThe Sun Also Rises by Ernest Hemigway

Another entry that surprises me, and for the same reasons as The Road – I have found this one has stayed in my mind and my appreciation of it has continued to grow. By all rights, I should have hated it – a macho tale of men being men, drunken quarrels, bullfighting and the ‘lost generation’ of feckless wasters. But…some of the descriptions are excellent – the dusty journey to Pamplona, the passengers met by chance en route all merge to become a strikingly vivid picture of a particular place and time. As they all sit around drinking in Pamplona, I felt I could see the various cafés and bars clearly, almost smell them. The interactions between the ex-pats and the natives are brilliantly portrayed, particularly the growing disapproval from the real aficionados when Brett’s behaviour begins to threaten the traditions of the bullfight. And as for the arena itself, I found I was unexpectedly fascinated by his depiction of the rituals around the running of the bulls and the bullfighting. In the end I found that the picture that eventually emerges of a damaged man metaphorically rising from the ashes through a kind of examination of maleness is really quite compelling after all. And, with the benefit of a little more distance, the book has settled into a permanent place as an unforgettable read, fully justifying its inclusion as one of the best books I’ve read this year…or perhaps ever.

Click to see the full review

Painting credited to 'Matador Painter'
Painting credited to ‘Matador Painter’

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Nora Webster by Colm Tóibín

nora websterThe last literary fiction novel I read in the period covered by the awards and so nearly the winner. When we meet Nora, it’s some weeks since her husband Maurice died of cancer, and the story takes us through the next three years or so of her life. Like so much of Tóibín’s writing, this is a small, quiet story, told simply, without big philosophical statements or poetic flourishes. But its simplicity enables Tóibín to create complete and utterly truthful characters – people we feel we have known, may even have been. The book rests almost entirely on characterisation – the plot is minimal. Set in time and place between two of Tóibín’s earlier books, Brooklyn and The Blackwater Lightship, it seems to me that the three can be seen as a loose trilogy, giving a complete and wholly credible picture of the changes in women’s lives in these small communities throughout the second half of the last century. And, of the three books, this is the one I enjoyed most. Nora, while not always totally likeable, is beautifully drawn and her emotions ring true at every step of the way. A deeply moving book, as Tóibín’s always are – not because of any cheap emotional tricks, but because of the clarity and truthfulness of his characterisation. The only book published this year to make the shortlist….

Click to see the full review

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FICTIONFAN AWARD WINNER 2014

for

BEST LITERARY FICTION

 

revolutionary road

Revolutionary Road by Richard Yates

Frank and April Wheeler have the perfect 1950s lifestyle – the nice house in suburbia, the two children; he with the daily commute to a good job in the city; she, a home-maker, beautiful and decorative – the middle-class, mid-20th century American Dream made real. But strip away the superficial and we find two people who have failed to be the people they expected to be, who are living every day with the disappointment of what they and each other have become. There is a desperation at the heart of this book – the desperation of rats caught in a laboratory maze.

When I reviewed it, I described this book as a masterpiece, and I hold to that opinion. Yates captures the language of the time so well that I could hear the dialogue being spoken in my head. These words could have been spoken at no other time and in no other place. And yet for all the talking in the book, there’s no sense of communication – each character is ultimately alone, desperately trying to hide behind the image they project. There are moments of quiet beauty in the writing, and an integrity in the characterisation that leads the reader to empathise even when we see them stripped down to their worst flaws and insecurities. And perhaps we empathise most because he makes us fear that we recognise ourselves in there somewhere.

A book that encapsulates a certain time and place, at a moment when the traditional American Dream was about to be shattered and made anew, when roles were changing in the family and in the workplace, when both men and women were trying to figure out how to forge new ways of living in a world where increasing technological advances were rendering the old ways obsolete – this comes close to rivalling The Great Gatsby as my favourite American novel of all time.

A worthy winner indeed – however since, due to being dead, Mr Yates is unlikely to be producing any new novels in the near future, the prize will be that I will read something from his back catalogue – A Special Providence, I think.

Click to see the full review and other illustrations

kate winslet in RR

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Two weeks today: Crime Fiction/Thrillers Award

Arzee the Dwarf by Chandrahas Choudhury

arzee the dwarfThe best laid plans…

😀 😀 😀 😀 😀

Despite his lack of inches, Arzee is on the verge of achieving the two things he most wants out of life – to become the head projectionist of the Noor Cinema and to find a wife. But, as the poet tells us, the best laid plans of mice and men gang aft agley. And Arzee’s dream is about to be shattered when the owner of the run-down cinema decides to close it. This is the story of two weeks in Arzee’s life as he faces a future that has suddenly become dark and uncertain.

Light on plot, but long on characterisation, this is a deliciously bittersweet little comedy. Arzee has been happy in the Noor, nestled in the womb-like darkness of the projection room. He counts the images of the Bollywood starlets whose posters line the walls of the cinema as friends and is proud of being in charge of the machine that projects the magical beam of light onto the screen. He might now be relying on his mother to bargain for a wife for him but he has known the joy of true love – a love lost when his prospective father-in-law objected to the match. And he hopes to rediscover some of the sweetness of that love with his new wife, once she has been found. But when the cinema closes, he will lose not only his job but his hopes of marriage. It is time for Arzee to reassess his dreams and try to take control over his own destiny.

“Languorous music would be playing on Monique’s stereo – some French Edith woman with a last name full of huffs and puffs, her delicate syllables overlaid with the sound of pigeons cooing in the skylight, and the silences between words sometimes filled in with sounds from the neighbour’s television set to create a new Indian mix.”

As we follow Arzee through the streets of Bombay (not Mumbai in this book), we meet a host of characters, each brought vividly to life; Arzee’s mother, always favouring Arzee over his brother because of Arzee’s dwarfism, a staunch and sometimes overbearing protector; Deepak, the not-very-hard hardman pursuing Arzee for a small gambling debt – the two of them locked in a cat-and-mouse game where it’s not at all clear which is the mouse; Dashrath, the taxi driver who dispenses philosophy as he drives; and Monique, Arzee’s beautiful and rather nebulous lost love.

The characterisation of Arzee himself is excellent. The narrative is third-person but always seen through Arzee’s eyes. While we get to see the difficulties and mockery he’s had to face as a result of his height, Choudhury neither makes Arzee an object of pity nor does he portray him as a hero. He’s just a flawed man – bombastic, prone to self-pity and annoyingly talkative; but he’s also a dreamer who, even at the darkest moments, clings to his dreams.

“The mirror made it seem as if there were two of each of them, and this was true in a way, for (Arzee thought about this carefully) she was both the Monique that she was and the Monique he took her to be, and these two were similar but not the same, and he was both himself and the Arzee who belonged to her. And in the gaps and linkages between these real and reflected beings, all kinds of meanings and suggestions seemed to be lurking.”

Chandrahas Choudhury
Chandrahas Choudhury

Choudhury’s prose flows smoothly throughout, with some beautifully phrased imagery, while the dialogue between Arzee and the various other characters provides much of the humour. Bombay is vibrantly portrayed – the Bombay of ordinary people leading ordinary lives. Though there is depth and even some darkness in the story, the overall tone is light with almost the feeling of a fairytale to it. I found I became more and more enchanted with the book as I read and by the end was fully invested in Arzee’s hopes and dreams. Something of an unexpected delight, this is one of those rare books that makes me smile each time I think of it.

NB This book was provided for review by the publisher, NYRB.

Amazon UK Link
Amazon US Link