Bookish selfie…

A snapshot of my reading week in quotes…

….“…I knew there was no point. I could claw at the rock the rest of my life and get no closer. I knew the truth.”
….“And what truth was that, sir?”
….“They were dead. My woman. My children. All the People. They were dead. Buried alive. All four hundred of them.”
….Although virtually everyone in the courtroom – the judges, the rows of prosecutors, the court personnel, the spectators behind the glass, and the few reporters with them – although almost all of us knew what the answer to that question was going to be, there was nonetheless a terrible drama to hearing the facts spoken aloud. Silence enshrouded the room as if a warning finger had been raised, and all of us, every person, seemed to sink into ourselves, into the crater of fear and loneliness where the face of evil inevitably casts us.
….So here you are, I thought suddenly, as the moment lingered. Now you are here.

* * * * * * * * *

….One moment the sun had shone, then we were abruptly thrust into the devil’s playground as the squall hit us like a shield wall. The ship shuddered, water and wind and gloom smashing us in sudden turmoil and Heahengel swung to the blow, going broadside to the sea and nothing I could do would hold her straight, and I saw Leofric stagger across the deck as the stærbord side went under water. ‘Bail!’ I shouted desperately, ‘bail!’ And then with a noise like thunder, the great sail split into tatters that whipped off the yard, and the ship came slowly upright, but she was low in the water, and I was using all my strength to keep her coming round, creeping round, reversing our course so that I could put her bows into that turmoil of sea and wind, and the men were praying, making the sign of the cross, bailing water, and the remnants of the sail and the broken lines were mad things, ragged demons, and the sudden gale was howling like furies in the rigging and I thought how futile it would be to die at sea so soon after Ragnar had saved my life.

* * * * * * * * *

….‘We are slaves because we are unable to free ourselves,’ Herzen once wrote. If there was one lesson to be drawn from the Russian Revolution it was that the people had failed to emancipate themselves. They had failed to become their own political masters, to free themselves from emperors and become citizens. Kerensky’s speech of 1917, in which he claimed that the Russian people were perhaps no more than ‘rebellious slaves’, was to haunt the revolution in succeeding years. For while the people could destroy the old system, they could not rebuild a new one of their own. None of the democratic organizations established before October 1917 survived more than a few years of Bolshevik rule, at least not in their democratic form. By 1921, if not earlier, the revolution had come full circle, and a new autocracy had been imposed on Russia which in many ways resembled the old one.

* * * * * * * * *

….Across the room, near the window, there was a dressing table fitted with an oval three-piece mirror. The mirror was not quite closed; the upper edges of the glass glinted through the cracks like splinters of ice. In front of the mirror rose a small city of bottles: eau de Cologne, perfume sprays, lavender toilet water, a Bohemian glass goblet, facets glittering in the light… a crumpled pair of brown-lace gloves lay withering like cedar leaves.
….A couch and two chairs, a floor lamp, and a low, delicate table were arranged directly under the window. An embroidery frame, the beginnings of a pattern needled into the silk, was propped on the couch. The vogue for such things had passed long ago, but his mother loved all kinds of handicraft. The pattern seemed to be the wings of some gaudy bird, a parrot maybe, on a background of silver-gray. A pair of stockings lay in a heap next to the embroidery. The shocking embrace of sheer nylon and the imitation damask of the couch gave the room an air of agitation. She must have noticed a run on her way out and changed in a hurry.
….Only dazzling sky and a few fragments of cloud, hard and glossy as enamel in the light bouncing off the water, could be seen through the window.

(Nastiness Alert! Don’t be fooled by this quote – the book has subsequently been abandoned for being one of the nastiest little pieces of nastiness I’ve come across in a long time.)

* * * * * * * * *

From the archives…

….The letters told Eilis little; there was hardly anything personal in them and nothing that sounded like anyone’s own voice. Nonetheless, as she read them over and over, she forgot for a moment where she was and she could picture her mother in the kitchen taking her Basildon Bond notepad and her envelopes and setting out to write a proper letter with nothing crossed out.

(Click for full review)

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So…are you tempted?

Film of the Book: Brooklyn

Directed by John Crowley (2015)


brooklyn 1

From the book review:

This book, set in the 1950s, takes us from small town Ireland to Brooklyn in the company of Eilis Lacey, a young girl forced into economic migration through lack of employment and the expectations of her family. Though told in the third person, we see through Eilis’ eyes as we get to know about her life in Ireland with the mother and sister she loves, with friends and roots in a community she has known all her life; then we follow her as she is transplanted to Brooklyn, where she has the support of the Irish community, still strongly under the sway of the Roman Catholic church, but where she is so far away from her family, friendless and emotionally alone.

You can read the full book review by clicking here.


Film of the Book



I’m going to start by saying I think this is a wonderful film that gets Tóibín’s quiet emotionalism and gentle humour perfectly. The acting is brilliant all round and Saoirse Ronan’s central performance as Eilis Lacey thoroughly deserves all the awards nominations it has received. It’s beautifully filmed. Although I understand most of the Brooklyn scenes were actually shot in Canada, they nonetheless feel entirely authentic, but the Ireland scenes are fabulous, showing to full effect the gorgeous scenery and lush greenness of the Emerald Isle. It’s a special treat that some of the scenes are shot in Toibin’s own birthplace of Enniscorthy, the place where so many of his novels are set.

However, this slot is all about comparison and, although the film sticks very closely to the plot of the novel, for me there were some significant differences in emphasis that somewhat changed what I thought of as the central themes.

(There may be some fairly major spoilers ahead – I shall try to be oblique, but if you are proposing to read the book or watch the film in the near future, I suggest you may not want to read the rest of this post.)

Fiona Glascott, Jane Brennan and Saoirse Ronan as Rose, Mary and Eilis Lacey
Fiona Glascott, Jane Brennan and Saoirse Ronan as Rose, Mary and Eilis Lacey

There are four things in particular that I feel change the interpretation – the speed with which the film gets her to Brooklyn, Eilis’ family, the love affairs and, most of all, Eilis’ personality.

In the book, much more time is spent in Ireland before Eilis boards the ship for America, during which we see her as having very little say in her own future. It is the 1950s, opportunities in Ireland are scarce and many of the young people are forced away from the country to look for employment. Eilis herself, however, doesn’t want to go and isn’t consulted when her sister and mother decide what is best for her. It gives a real and believable picture of a society where young people were still expected to conform to decisions made for them by parents and community, before the rebelliousness and individualism of the sixties had begun. The film, constrained no doubt by time, hints too quickly at this, thus missing some of the deep sorrow of forced migration. It feels as if Eilis is going to America to look for opportunity, rather than going from Ireland because of lack of opportunity – a subtle difference but, I felt, an important one.

The wonderful Julie Walters is in fine form as Eilis' landlady in Brooklyn, Mrs Kehoe.
The wonderful Julie Walters is on fine form as Eilis’ landlady in Brooklyn, Mrs Kehoe.

In the film, Eilis’ family consists of herself, her mother and her sister. In the book, she has brothers, who have also been forced from home and are now living and making a life for themselves in Liverpool, as so many Irish people did. They don’t appear much in the book, but I felt they were important for a couple of reasons. Firstly, they provide a much wider picture of the Irish diaspora. Secondly, they are much closer to home and within relatively easy visiting distance. This means Eilis’ mother is not so solitary as the film makes her seem when tragedy strikes. She has family around her – it is, in fact, Eilis, so far away, who is completely isolated and alone. And when Eilis makes her final decision, in the film it seems so harsh because her mother is so alone, but in the book, her mother seems more selfish, and we see how it is daughters rather than sons who are expected to make sacrifices for their parents. (Also, the letter to Eilis from one of her brothers after the tragedy is the single most moving part of the book for me, and obviously it disappeared from the film along with him.)

begorrathon 2016

In the film, the love affairs are central – in the book, I felt they were less so. The focus of the book is on homesickness and the gradual creation of a new life. Obviously, Tony, the American love interest, is part of that, but Eilis is not bowled over by him the way she is in the film. Again the differences are subtle, but Eilis almost clung to Tony because of her loneliness and one was never quite sure of the depth of her feeling towards him. The same could be said about Jim – his plot purpose in the book was not to rend her heart between two lovers, but to provide a way for her to stay in Ireland.

Emory Cohen as Eilis' American love interest, Tony Fiorello
Emory Cohen as Eilis’ American love interest, Tony Fiorello

That may make Eilis sound cool and pragmatic, which would be about right. In the film she is a passionate, confident young woman. In the book, she is a passive heroine, a young girl, trying to please everyone, and constantly swayed by people older or with stronger personalities than her own. In fact, the book is exactly about her growing up, maturing to the point where she finally begins to make her own decisions – and, in both book and film, even her final decision is forced on her rather than being made of her own volition. In the book, that made sense because of the passive nature of her character – what else could she possibly have done? The book Eilis would never have considered withstanding a scandal – the film Eilis, it seems to me, could have found other options had she wanted. In the film, this is a girl torn between two lovers, but in the book, she’s torn between the circumscribed but safe certainties of life in her old country and the risks and opportunities in her new world. In the film, we know that love conquers all. In the book, as Eilis made her last voyage, this reader wasn’t so sure…

The differences are subtle, of tone rather than of story and, as always, come down to a matter of personal interpretation. None of the above should be seen as criticism, however. It is merely a comparison. I repeat – a brilliant film that gets my highest recommendation!


★ ★ ★ ★ ★


But for its added depth and subtlety

The Winner in the Book v Film Battle is…


brooklyn cover






TBR Thursday 75…

The Begorrathon special…


A dramatic drop in the TBR this week! Down two to 160!! At that rate, I’ll have run out of things to read in less than two years!*

*(Later that same day… 2 approved by NetGalley. Back up to 162. Hurrah! My fears of running out were premature!)

begorrathon 2016

March is Begorrathon time (posh name: Reading Ireland Month 2016) – an event celebrating all things Irish, run jointly by Cathy at 746 Books and Raging Fluff. Though books are a big part of it, posts are also welcome on anything Irish – music, film, restaurants, recipes, your personal shillelagh collection, etc. For all the details, please pop over to Cathy’s blog – here’s the link – where you’ll find it’s the best sort of challenge – very relaxed, minimum rules, maximum fun!

So I’ve trawled through the TBR and boosted all the Irish books up the list in preparation. Here are the ones I hope to read and review during the Begorrathon… might not get through them all, what with review books and GAN Quests and New Year’s Resolutions and all, but we’ll see…



the heather blazingI already included this in last week’s TBR Thursday, but when Cathy reminded me about The Begorrathon, I put it back to March.

The Blurb – The sea is slowly eating into the land, and the hill with the old watchtower has completely disappeared. The nearest house has crumbled and fallen into the sea. It is Ireland in the late twentieth century. Eamon Redmond is a judge in the Irish High Court. Obsessed all his life by the letter and spirit of the law, he is just beginning to discover how painfully unconnected he is from other human beings. With effortless fluency, Colm Tóibín reconstructs the history of Eamon’s relationships – with his father, his first “girl”, his wife, and the children who barely know him. He gives us a family as minutely realized as any of John McGahern’s, and he writes about Eamon’s affection for the landscape of his childhood on the east coast of Ireland with such skill that the land itself becomes a character. The result is a novel that ensnares us with its emotional intensity and dazzles with its crystalline prose.

* * * * *


the dublinersOK, I’ve been putting it off long enough – time for some Joyce! Jilanne recommended this one to me so long ago it’s embarrassing – she says The Dead is, perhaps, her favourite story of all time…

The BlurbAlthough James Joyce began these stories of Dublin life in 1904, when he was 22, and had completed them by the end of 1907, they remained unpublished until 1914 — victims of Edwardian squeamishness. Their vivid, tightly focused observations of the life of Dublin’s poorer classes, their unconventional themes, coarse language, and mention of actual people and places made publishers of the day reluctant to undertake sponsorship. Today, however, the stories are admired for their intense and masterly dissection of “dear dirty Dublin,” and for the economy and grace with which Joyce invested this youthful fiction.

* * * * *


let the great world spinThis should really be in with the GAN Quest books, but I didn’t include it in the current batch and I’m tired of waiting. But I’ll still be reading it with an eye on whether it shapes up as a Great American Novel. It sneaks into The Begorrathon too, though, since McCann is Irish. DesertDweller has recommended it to me twice, so it must be good!

The Blurb says: New York, August 1974. A man is walking the sky. The city stands still in awe. Between the newly built Twin Towers the man is striding, twirling and showboating his way through the air. One hundred and ten stories below him, the lives of eight strangers spin towards each other…

Set against a time of sweeping political and social change, from the backlash to the Vietnam War and the lingering sceptre of the oil crisis to the beginnings of the Internet – a time that hauntingly mirrors the present time – these disparate lives will collide in the shadow of one reckless and beautiful act, and be transformed for ever.

Weaving together themes of love, loss, belonging, duty and human striving, Let the Great World Spin celebrates the effervescent spirit of an age and the small beauties of everyday life. At once intimate and magnificent, elegant and astonishing, it is a lyrical masterpiece from a storyteller who continues to use the wide world as his canvas.

* * * * *



the cold cold groundJust about every crime blogger has recommended Adrian McKinty at one time or another – most recently Carol at Reading Writing and Riesling. This one’s been sitting on my Kindle since August 2013 – better read it before it biodegrades…

The Blurb says: Featuring Catholic cop Sean Duffy whose outsider status in the mostly Protestant RUC makes it as hard to do his job as the criminals he’s fighting, this is the start of a new series set in Troubles-era Belfast. A body is found in a burnt out car. Another is discovered hanging from a tree. Could this be Northern Ireland’s first serial killer, or another paramilitary feud?


* * * * *


in the woodsAnother one that’s been recommended by loads of people, but it was Lady Fancifull that persuaded me in the end…

The Blurb says: ‘You’re twelve years old. It’s the summer holiday. You’re playing in the woods with your two best friends. Something happens. Something terrible. And the other two are never seen again.’

Twenty years on, Rob Ryan – the child who came back – is a detective in the Dublin police force. He’s changed his name. No one knows about his past. Even he has no memory of what happened that day.

Then a little girl’s body is found at the site of the old tragedy and Rob is drawn back into the mystery. For him and his DI partner, Cassie, every lead comes with its own sinister undercurrents. The victim’s apparently normal family is hiding layers of secrets. Rob’s own private enquiries are taking a toll on his mind. And every trail leads inexorably back . . . into the woods.

* * * * *



brooklynLoved the book – how will the movie compare? I’ve heard only good things about this, and it comes out on DVD at the end of Feb – they must have heard about The Begorrathon…

The Blurb says: Saoirse Ronan and Domhnall Gleeson star in this romantic drama adapted from the novel by Colm Tóibín. Set in the 1950s, the story follows young Irish woman Ellis Lacey (Ronan) as she travels to New York City in search of a better life. Initially homesick, she begins to adjust to her new surroundings with the help of Italian-American Tony Fiorello (Emory Cohen) with whom she becomes romantically involved. After news of a family crisis, Ellis returns to Ireland where she enjoys spending time back in her hometown and becomes acquainted with a young man, Jim Farrell (Gleeson), finding herself torn between two very different paths. The cast also includes Jim Broadbent and Julie Walters. The film was nominated for three Academy Awards including Best Picture.

NB All blurbs taken from Goodreads.

* * * * *

So…what do you think? Do any of these tempt you?


Are you joining in The Begorrathon? You know you want to…

Five of the Best!



Cleo from Cleopatra Loves Books came up with the brilliant idea of looking back over her reviews of the last five years and picking out her favourite books of the month from each year. She kindly agreed to let me borrow her idea (which saved me from stealing it!). I was a bit later in starting reviewing than Cleo, really getting properly underway in about April/May of 2011, so for the first few months I might have to be a bit creative in my 2011 selections.

So here are my favourite January reads…click on the covers to go to the full reviews, though it must be said my early reviews were somewhat basic…




broomsticks over flaxboroughNo reviews in January 2011, so here’s one from May 2010. I have loved the Flaxborough Chronicles since my teens and Broomsticks over Flaxborough is my favourite – as always, Colin Watson pulls back the respectable net curtains of the town of Flaxborough to let us see the wickedness behind. In this case, we are treated to a coven of middle-aged, middle-class, sex-obsessed Satanists, nicely contrasted with the ‘Lucys’, a superclean team of door-to-door marketers selling soap powder. These books could be cosies were it not for the vein of sly humour that runs through them, giving them a distinct edge and making them wonderfully enjoyable reads.




dead scaredThe second instalment of Bolton’s Lacey Flint series, and perhaps my favourite. The plot about a spate of students committing suicide couldn’t be much darker, and there are bits that are very unsettling and downright creepy. Having been unsure about Lacey’s character in the first book, Now You See Me, I felt in this one she had become more open and much more likeable, less of a loner and now with a sense of humour and considerably less angst – all to the good. A great entry in a great series.





brooklynThis book, set in the 1950s, takes us from small town Ireland to Brooklyn, in the company of Eilis Lacey, a young girl forced into economic migration through lack of employment and the expectations of her family. This was the second of Tóibín’s books that I read, after the astonishing The Testament of Mary, and confirmed his place as one of my favourite writers. His prose is beautiful, and his small, quiet plots allow his characters to become utterly real. A writer who never fails to move me deeply.





the papers of tony veitchTony Veitch has disappeared and it seems like half the city is looking for him. Laidlaw’s one of the searchers. Tony’s name has come up in connection with Eck Adamson, a drunk and down-and-out, now dead; and it seems Laidlaw’s the only man who cares. McIavanney’s use of language is superb, particularly the way he catches the tones and patterns of Glasgow dialect. Glasgow, as the sum of its people good and bad, is the character that is at the heart of the book and McIlvanney makes us weep and rejoice for it in equal measure. A love letter from a man who sees the violence and darkness of the city, but also sees it as a place of courage and heart and humour – and ultimately integrity.




lamentationHenry’s last Queen, Catherine Parr, has written a book describing her spiritual journey to believing that salvation can be found only through study of the Bible and the love of Christ, rather than through the traditional rites of the Church. Not quite heretical, but close enough to be used against her by the traditionalists. So when the book is stolen, Catherine calls on the loyalty of her old acquaintance, Matthew Shardlake, to find it and save her from becoming another of Henry’s victims. The most recent entry in the Shardlake series is also the best – the fiction is woven seamlessly into the fact, and the picture that Sansom paints of the last days of Henry VIII’s reign is both authentic and terrifying.


If you haven’t already seen Cleo’s selection for January, why not pop on over? Here’s the link…

Nora Webster by Colm Tóibín

nora webster‘Beauty is truth, truth beauty’

😀 😀 😀 😀 😀

When we meet Nora, it’s some weeks since her husband Maurice died of cancer, and the story takes us through the next three years or so of her life. The book is set in Tóibín’s own birth town of Enniscorthy in County Wexford just at the turn of the decade to the 1970s. This means it’s positioned between two of Tóibín’s earlier works: Brooklyn, about a young Irish girl sent abroad from the same town as an economic migrant in the 1950s, and The Blackwater Lightship, about three generations of women forced together by grief and trying to overcome old resentments. Although these books are entirely separate from this one in terms of story and characters, Tóibín makes reference to them both early on, and it would not be unreasonable, I feel, to see the three as a loose trilogy, building together to show us the changes in this small old-fashioned society over the decades, especially as they affected women. Brooklyn was set at a time when girls were still expected to conform to traditions upheld by their families and church in terms of their lives and marriages, while in The Blackwater Lightship, Helen has broken almost completely from this society and its traditions, though we see how they can still exert an emotional hold over her. Here, through Nora Webster, we see the midway point – the cusp of feminism if you like, arriving late in this small backwater, when women were beginning to see the possibilities of a life not pre-defined for them by parents or husbands.

Enniscorthy and Blackstairs Mountains
Enniscorthy and Blackstairs Mountains

Like so much of Tóibín’s writing, this is a small, quiet story, told simply, without big philosophical statements or poetic flourishes. But its simplicity enables Tóibín to create complete and utterly truthful characters – people we feel we have known, may even have been. The book rests almost entirely on characterisation – the plot is minimal. Nora is in her forties with two daughters almost grown and living away at school and college, and two younger sons, both deeply affected by the death of their father and by Nora’s withdrawal into grief. We see that the marriage was a traditional one, with Maurice as the breadwinner and the one who made the big decisions, while Nora fulfilled the role of housewife and mother and had no expectations of a wider life. Left to cope on her own after Maurice’s death, at first she is determined to maintain a continuity with the past and to hold her grief inside herself, hoping that a sense of normality will shield her sons from the worst feelings of loss. But as time passes, and as she is thrust back into the world through the economic need to work, Nora begins to feel the influence of the changes that are taking place in society.

Looking into the fire, Nora tried to think back, wondering if May Lacey had ever been in this house before. She thought not. She had known her all her life, like so many in the town, to greet and exchange pleasantries with, or to stop and talk to if there was news. She knew the story of her life down to her maiden name and the plot in the graveyard where she would be buried.

My reaction to Tóibín’s writing of these women of the generation of Nora, and Eilis from Brooklyn, is a very personal one, mainly because his characters remind me so much of my own mother. The cultures of Ireland and the West of Scotland are so intertwined that I find the society he portrays wholly recognisable; and these strong post-war women who bore their sorrows within themselves, often in silence, are written with such integrity and understanding. As Nora gradually emerges from her first grief and begins, in a small way, to embrace life again, Tóibín subtly shows the guilt she feels, as if her enjoyment is a betrayal of her husband. And when, at this time of change, she finds she is drawn to things that Maurice would never have understood, such as developing a love for classical music and a desire to learn to sing, we see her struggle to accept her own right to make decisions about her life – a right she may never have considered had Maurice lived. Even making a decision to buy something for herself is so carefully weighed against the guilt that she may be being selfish, that her own wants shouldn’t matter.

Colm Tóibín
Colm Tóibín

Though the story is very focussed on Nora, through her Tóibín shows the impact of the wider events of the time. Maurice was the political one in the family, but now, with the Troubles in Northern Ireland worsening every day, Nora finds herself forming her own opinions and no longer being willing to nod quietly in acceptance of the views of the men in her family. Through her daughters, Tóibín shows how much freer the next generation of women felt, and how much more involved they would be in the world outside the home, both in careers and politics. For me the three books – from Eilis in Brooklyn, through Nora and her daughters, and on to Helen in The Blackwater Lightship – give a complete and wholly credible picture of the changes in women’s lives in these small communities throughout the second half of the last century. And of the three books, this is the one I enjoyed most. Nora, while not always totally likeable, is beautifully drawn and her emotions ring true at every step of the way. A deeply moving book, as Tóibín’s always are – not because of any cheap emotional tricks, but because of the clarity and truthfulness of his characterisation. This one gets my highest recommendation.

NB This book was provided for review by the publisher, Penguin Books UK. Er…and Scribner. (What can I say? I requested it from both to be on the safe side and they both approved it. Oops!)

Amazon UK Link
Amazon US Link

Brooklyn by Colm Tóibín

Absorbing and beautifully written…

😀 😀 😀 😀 🙂

brooklynThis book, set in the 1950s, takes us from small town Ireland to Brooklyn in the company of Eilis Lacey, a young girl forced into economic migration through lack of employment and the expectations of her family. Though told in the third person, we see through Eilis’ eyes as we get to know about her life in Ireland with the mother and sister she loves, with friends and roots in a community she has known all her life; then we follow her as she is transplanted to Brooklyn, where she has the support of the Irish community, still strongly under the sway of the Roman Catholic church, but where she is so far away from her family, friendless and emotionally alone.

‘The letters told Eilis little; there was hardly anything personal in them and nothing that sounded like anyone’s own voice. Nonetheless, as she read them over and over, she forgot for a moment where she was and she could picture her mother in the kitchen taking her Basildon Bond notepad and her envelopes and setting out to write a proper letter with nothing crossed out.’

Tóibín’s prose is wonderful and his characterisation of Eilis is very convincing – a passive heroine from a time and a society when decisions were still made by parents and community, before the rebelliousness and individualism of the sixties had begun. Trying to please everyone, learning to hide her loneliness and homesickness, Eilis’ life is a small one – this is not a book full of dramatic plot twists and events; rather, it is a study of a gradual growing up as Eilis deals with the various changes that happen in her life and slowly starts to form her own opinions and make her own decisions.

brooklyn 2

The descriptions of the voyage to America, Eilis’ feelings of isolation and longing for her family, her gradual settling and her falling in love all ring very true. We see her at first lost amongst but then beginning to understand the various ethnicities that are gathered in Brooklyn, a sharp contrast to the monoculture of home. In particular, the passages relating to a bereavement and grief are beautifully written and enormously moving.

‘Eilis now wondered if there was any way she could return to the shop floor and stop this from having happened, or stop him from having told her. In the silence she almost asked Father Flood to go and not come into the store again like this, but she realized instantly how foolish that was. He was here. She had heard what he said. She could not put back time.’

As the book neared the end I found Eilis’ thoughts and actions became a little less convincing and they felt a little contrived towards paving the way for a neat conclusion. But this is a small criticism of a book that overall I found to be completely absorbing, beautifully written and a pleasure to read.

Amazon UK Link
Amazon US Link