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Following his father’s death, Patrick Munchen finds a bundle of letters among his papers, from a girl he knew in Lyme Regis while he was stationed there in advance of the Normandy landings. His curiosity aroused, Patrick sets out to find if the woman is still alive – a journey that will take him from his home in California first to England and then to Ireland, and will lead him to reassess his own life as he discovers more about his father’s.
My usual disclaimer – Matt Geyer has been an online friend of mine for some years now, but as always I’ve tried my best not to let my friendship with him bias my opinion or this review. Fortunately I loved the book, so it wasn’t too difficult!
Geyer writes beautifully and from the heart. There is a distinctively American style to his prose – what I think of as West Coast writing, though I’m no expert. It’s a kind of specific vocabulary that in itself creates a sense, not perhaps so much of place, but of a culture and, dare I say it, a class – educated, liberal, moderate, introspective, male (though that may simply be that my limited reading of American fiction hasn’t covered women writing from the same cultural perspective). While I often find this language style more “foreign” to my British ears than many other American regional variations, I find the attitudes far more in tune with the overarching culture of western Europe and that always makes it easier for me to empathise with the characters.
The book is heavily character-focused, but the plot is strong enough to carry it. On arriving in Lyme Regis, Patrick finds that the letter-writer, Molly Bowditch, no longer lives there but he discovers a few people old enough to remember war-time and the American troops who mingled with the locals while they waited for the order to invade Europe. Later, he follows Molly’s trail to Ireland – to a small island off the Ring of Kerry looking out over the vast Atlantic towards America. As he becomes more involved with piecing together his father’s past, his own present is in flux. His beloved daughter grown and off at college, his career as a journalist in freefall as technology changes the face of the profession, his marriage, once solid, now seems hollow, purposeless. He’s not consciously searching for a new meaning to his life, but perhaps understanding his father will help him to understand himself.
Geyer’s depictions of modern and wartime Lyme Regis are excellent – it’s easy to see the amount of research that has gone into the book, but he uses it lightly to convey an impression that I found believable and authentic in both time periods. Equally so with the troops stationed there, socialising within the community and gradually building connections that both sides knew would be temporary. He shows us these men, knowing that they were about to be thrown into the hell of war, living through this hiatus with a mixture of courage, comradeship and fear. And I found the relationship that grew up between Patrick’s father and Molly just as believable – a kind of reaching for human contact at a time when the future was uncertain and fragile.
When the story moves to Ireland, the setting is just as authentic. Geyer avoids the pitfalls of “Oirishness” – a trap too many American (and other) authors fall into of making Ireland seem quaint and twee and a little fey, populated by characters so eccentric one has to wonder if they’re half-leprechaun. Geyer’s Ireland is the real modern country of his time setting of 2005: revolutionised economically as the Celtic Tiger, advanced technologically and culturally, highly educated. This really shouldn’t be refreshing, but it is – hugely! He catches the distinctive Irish speech patterns and rhythms well but subtly, never over-playing his hand. And his descriptive writing gives a real sense of the lovely ruggedness of the landscape, together with a feel for the harder, poorer past from which Ireland had so recently emerged.
In essence, this is a quiet, reflective book concentrating on one man’s journey, physically across the world, and emotionally from his past towards his future. But we also come to know and care about the people he knows and cares about. There are no villains here, nor heroes – just flawed humans doing their best to understand themselves and each other and make connections as they navigate their lives. Excellent characterisation, three distinct and well-drawn settings, lovely writing and an interesting story – great stuff!