The Cutting Place (Maeve Kerrigan 9) by Jane Casey

Boys will be boys…

😀 😀 😀 😀 😀

When a mudlarker finds bits of a body washed up on the banks of the Thames, Detective Sergeant Maeve Kerrigan finds herself with a particularly tricky murder on her hands. The lack of a complete corpse makes identification difficult, and there’s no indication of where the crime may have been committed. However, with the help of her team and a couple of lucky breaks, Maeve is soon on the trail of a secretive all-male club, full of the rich and privileged who use their wealth and power to behave outrageously and get away with it.

This is the ninth in the Maeve Kerrigan series, one of the very few series I have followed all the way through and still look forward eagerly to each instalment. Partly this is because Maeve is such an attractive character – the books are written in the first person from her perspective (past tense) and, while she frequently gets herself entangled in dangerous situations, she is resilient and so remains refreshingly normal with her sense of sometimes wicked humour intact. Partly, too, it’s because of Casey’s skill in plotting. The books tend to concentrate on some aspect of contemporary life – in this one, the issue of male privilege and how it can lead to the sexual abuse of women – but Casey manages to avoid becoming overly polemical or to be too obviously making “points”. And partly, it’s because Maeve is one of the very few fictional female police officers who isn’t constantly having to battle sexual discrimination in the workplace. Maeve and her colleagues, male and female alike, work as a competent team, with the usual banter that takes place in any mixed gender setting but with mutual respect all round. Just like I imagine most real police teams in the 21st century probably behave, in fact. First and foremost, although the plots are by no means cosy, the interplay between the recurring characters keeps the books entertaining, a thing that much of contemporary crime seems to have forgotten how to be.

Maeve now has a new boyfriend, Seth, while Josh Derwent is still with his girlfriend, Melissa, and has settled into the role of father to her young son. But the ongoing will-they/won’t-they tension between Maeve and Josh continues, although Maeve would deny its existence. I have to admit that I am not Josh’s biggest fan – or rather, I love him as a character but don’t particularly admire him as a man. Having started out as a male chauvinist pig of the first order, he has gradually softened as the series has progressed and I know that the vast majority of long-term fans seem to hope that one day Maeve and he will ride off happily into the sunset together. I’m afraid I can’t help being concerned about his controlling and often physically domineering behaviour towards Maeve, which in this book is ironic since part of the plotline concerns a toxic controlling relationship. Personally if I had a work colleague or even a friend who felt that he had the right to question my boyfriend’s exes to see whether the boyfriend was suitable for me, I would not be a happy pixie, but Maeve seems to find Josh’s extreme over-protectiveness and gross interference in her life quite manly and attractive, and so do her fans, so I shall stand in the corner and try not to sulk. Despite my reservations, I do enjoy their banter and the good thing about fictional controlling men, as opposed to real ones, is that they can change over time.

I was delighted that Maeve’s mother puts in an appearance in this one, partly because their relationship is so well done and believable, and partly because it’s such a refreshing departure for a detective to actually have a normal, supportive family at her back.

Jane Casey

I don’t want to say much about the plot for fear of spoilers, but it’s done with Casey’s usual skill, treading close to the credibility line at points but always managing to stay just on the right side of it. Mostly what I love about these books, though, is their sheer readability – the easy flow that looks effortless although I’m quite sure it isn’t, the banter between Maeve and Josh and the wider team, the pacing that relies on a sure and steady reveal of information as the book progresses rather than the ubiquitous and unlikely twists of contemporary crime fiction, and the excellent quality of the writing itself. As always, I found this one pure pleasure to read and now begins the long wait for the next one. Nose to the grindstone, please, Ms Casey! Highly recommended, but if you’re a newcomer, do read the series in order – the character development is a major part of the enjoyment. And then you can come back and tell me which side of the great Josh debate you’re on…

NB This book was provided for review by the publisher, HarperCollins via NetGalley.

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