An April Shroud (Dalziel and Pascoe 4) by Reginald Hill

In which Dalziel becomes human…

😀 😀 😀 😀 😀

Following newly-minted-Inspector Peter Pascoe’s wedding to Ellie Soper, Detective Superintendent Andy Dalziel sets off on a little holiday. His plan is to drive around the countryside hoping to find enough of interest to keep him occupied, but in reality he’s feeling a little lost and even lonely. Peter’s wedding has brought home to him his own lack of family, and he’s reached as high as he’s likely to go in his career. But his plans are put on hold when April showers turn into a veritable flood and his car becomes waterlogged. Rescued by a family returning from a funeral, he goes with them to their home, Lake House, to dry off and phone a garage. But the combination of an intriguing death in the family and the friendly charms of the remarkably cheerful widow persuade him to prolong his visit…

One of the things that always kept this series fresh was that Hill regularly changed the focus among the various characters. In this one, Andy gets his first solo outing. Peter makes token appearances at the beginning and end but plays no real part in the story. This gives Hill the chance to let the reader get to know Andy from the inside – prior to this we’d really always seen him through someone else’s eyes, usually Peter’s.

Although I grew very fond of all the major characters – Pascoe, Ellie, Wieldy, Novello – Dalziel was always the one I enjoyed most. He’s such an intriguing mix of brash, uncouth Yorkshireman – a big, loud, crude, bullying brute of a man – and well-hidden sensitivity: a man who might use blatantly offensive homophobic terms, but will defend his gay colleagues at a time when that was highly unusual; who can be hideously sexist in the language he uses to women, but who respects their intelligence and strength far more than many of his politically correct colleagues; who is no respecter of class, but who uses his own mostly artificial veneer of uncultured boorishness as a blunt weapon to dominate any company he’s in, from the rugby club to the manor house.

This is the book where we really begin to see him as more than a caricature. As he finds himself drawn towards the widow, Bonnie, he gets sucked into a moral quagmire largely of his own making. The police have investigated the death of Conrad Fielding and have reluctantly concluded it was an accident, despite the fact that the insurance claim on his death will come in very handy for the rest of the household. Lake House is costly to live in and too run-down to let, so the family have come up with a scheme to convert part of it into a mock-Medieval Banqueting Hall. But funding has run out and bankruptcy looms unless the insurance money comes through in time for them to finish the work on the place before the scheduled opening in a couple of weeks’ time. As Andy gets to know the family better, he has to decide whether to share what he learns about them with the local police or keep his suspicions to himself. It’s not as if he knows anything for sure…

Reginald Hill

Hill also has fun with the characters in the house, from the elderly poet Hereward, about to be given an award he feels he should have been given years ago when young enough to enjoy it, to the budding film-maker who augments his income by taking the kind of girlie photos that show up in the less respectable kind of magazine, to the Woosterish young man who wants nothing more than to punt on the lake, shooting ducks. The widow herself is a typically wonderful Hill woman – strong, intelligent, generous, quite possibly wicked, definitely ambiguous. A Yorkshire femme fatale. Is she attracted to Andy for his innate charm and manly physique? Even Andy is doubtful about that. Or is she using him as protection from the interest of the local police?

The mystery itself becomes more complicated when more bodies begin to show up in unexpected places. Accidents? Murders? Connected or coincidental? Andy will eventually work it all out, but then he’ll still have to decide what to do about it. And meantime, the inaugural Medieval Banquet grows ever closer…

Lots of humour as always, but in this one Hill gives us the first real indication of how the series will develop in terms of depth of characterisation and the complicated relationship between our two main players, Dalziel and Pascoe. And in this one, for the first time, we begin to see that Andy is human too, with all the vulnerabilities and sensitivities he so successfully hides from the world. As always, highly recommended – the best detective series of all time!

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