Hearts and minds…
😀 😀 😀 😀 😀
As a younger son, Anton Heidick is expected to stay at home in his small town in Styria and take over his father’s sausage-making business. Anton wants to go to Vienna to study though, and his parents don’t stop him although they refuse to support him financially. So he works his way through by tutoring the young son of a wealthy family, and there he meets Delphine, who is paid to teach French to the daughter of the house. This will be the beginning of a love affair that will have a major part in shaping Anton’s future. On leaving university, Anton decides he wants to be a journalist, and gradually builds a small reputation as a foreign correspondent, sent off to witness major events around the world. But it’s now 1914, and the clouds of war are gathering across Europe…
We meet Lena in the late 1920s, and learn of her difficult childhood as the child of an illiterate and often drunken woman, who earns a living partly through prostitution and partly by working as a cleaner at the Schloss Seeblick, a kind of mental health sanatorium in a mountain valley in Carinthia. Lena too makes her way to Vienna, where she becomes involved with Rudolph, a young left-wing activist. But things don’t work out as she expected, and when her mother dies she returns to Carinthia, and is offered her mother’s old job at the sanatorium. It is to here that, a few years later, Anton too will come, firstly to write an article about the sanatorium, and then to seek help for his own mental health problems, a leftover from his experiences during the war years.
The underlying plot in this is rather slight, based around Anton’s love for Delphine and Lena’s search to find a place for herself in a world that hasn’t shown her much sympathy or opportunity. But the story is in some ways simply a vehicle to allow Faulks to show us various aspects of Austrian society and to create a general picture of the period from just before the First World War to within sight of the Second.
Anton and Lena are the main characters, but three others play significant roles and give us different perspectives: Delphine, a Frenchwoman who will find herself living in an enemy country when the war starts; Rudolph, the young socialist that Lena is involved with in Vienna, who allows us glimpses of the complex political situation in this part of Europe; and Martha, the daughter of the founder of the Schloss Seeblick, who now acts as both administrator and therapist, and who gives some insight into the development of psychoanalysis in Austria in the wake of Freud’s theories. Unusually for contemporary fiction, all of the characters are likeable, and all are fundamentally decent people trying to do their best, despite their normal human weaknesses and flaws. I found that deeply refreshing, and was happy to find myself totally involved in each of their stories.
Anton’s career as a journalist also takes us to other places, giving little vignettes within the main story, designed to show the state of the world at this uneasy time. He visits Panama to witness the completion of the canal, and muses on the roles of France and America, the rise of the new powers in the world and the decay of the old. He casually mentions the workforce, treated little better than slaves, but as a man of his time, he accepts this without much question. Later he attends the trial in Paris of Mme Cailloux (a real person), wife of a prominent politician, who stands accused of shooting the editor of Le Figaro. This gives Faulks room to give an excellent picture of France just before the war, with half the population wanting peace and the other half clamouring for war to wipe out the stain of past defeats and show that France is a major power yet.
I would have happily had a whole book of Anton travelling from place to place, showing us the world through major news events. The sudden change to Lena’s life makes sense and works well in the end, but on the whole I didn’t find her life as interesting at Anton’s. However it’s through her relationship with Rudolph that we see the rise of extremism at both ends of the political spectrum initially, before fascism won out. Rudolph’s story also lets us see the growing resentment between the politically sophisticated and relatively wealthy Viennese urbanites and the people of rural Austria, poorer, less well educated and with fewer opportunities.
I feel I’ve made this book sound horribly heavyweight and a bit polemical, so let me correct that. Faulks writes with a light hand, and all these background events are never allowed to stop the flow of the human story of our characters’ lives. There are some tragic incidents which are treated with welcome restraint, some occasional humour to lift the tone, and affairs of the heart – not hearts and flowers romances, but grown-up, complex relationships with a feeling of truth about them. Of course I have some criticisms – perhaps a little lack of depth, too much discussion of Freud for my taste, a rather too neat ending – but none of these seriously affected my overall enjoyment. I was completely absorbed throughout and sorry to leave the characters behind when the last page turned. Apparently the book is the second in a loose Austrian trilogy, although each also stands on its own, and I’m looking forward to going back to read the first, Human Traces, and seeing where Faulks takes us in the third. Highly recommended.
NB This book was provided for review by the publisher, Random House Cornerstone.