They don’t write them like that anymore…
😀 😀 😀 😀 😀
When rich businessman David Salton dies, it looks like the Western and Continental Insurance company are in for a big hit – he was insured for half a million pounds. Although the inquest found he had died of natural causes, the circumstances of his death were a little odd, so before they agree to pay out the company sends their best investigator to take a look. Bill Kemp had a career in military intelligence before he went into the insurance industry, and when the investigation becomes the catalyst for all sorts of shenanigans on the Caribbean island of Campanilla he’ll need all of his skills just to survive…
(It occurs to me on writing that blurb that I don’t know why the book is called Domino Island, since the island is called Campanilla – maybe I missed the explanation! Anyway, it doesn’t really matter.)
Desmond Bagley was a hugely popular British thriller writer back in the ‘60s-‘80s, and the fact that most of his books are still readily available suggests he’s still got a pretty solid fan base nearly forty years after his death. So when this previously unpublished novel was found in his archives in 2017, more or less complete and with his own notes of the changes he intended to make, the idea of publishing it would have been irresistible. Michael Davies, a lifelong Bagley fan, took on the task of tidying it up and this is the result – and an excellent result it is, too! My inner cynic feared that Bagley or his publishers must have felt it wasn’t good enough to be published, but the editor of this volume explains that in fact it was well on the way to publication when Bagley withdrew it because he’d signed a deal that required him to produce a different novel tied into a movie he had scripted, and he didn’t want the two publications to clash. I don’t know why he never returned to this one, though.
The fictional island of Campanilla was part of the British Empire, but has recently gained independence and is now operating partly as a tourist destination and partly as an offshore tax haven, where the wealthy are extremely wealthy and the poor find it extremely difficult to survive because of the inflated prices and property values that wealthy people bring along with them. So there’s political tension between the governing party who see their job as keeping life sweet for the rich, and the opposition, divided between a moderately left party and an extreme left-wing, veering towards communism. David Salton was the leader of the soft-left party, so Kemp wonders if his political opponents may have had something to do with his death.
But there are other possibilities too. It transpires that Salton may have been a good man in the world of politics, but he was a philanderer in his spare time, keeping his mistress in a luxury flat while his wife lived in their secluded home in a different part of the island. Then there’s Negrini – owner of a local casino and reputed to have ties to the US Mafia. Salton has promised that if he gets into power he’ll crack down on the gambling industry. The status of the island as a tax haven means that there’s lots of financial skulduggery bubbling beneath the surface, so there are plenty of other people with a vested interest in making sure that a politician who intends to tackle corruption shouldn’t get into power.
All these various people and factions don’t want Kemp investigating and stirring around in the murky dealings of the island, and soon he finds that he’s in personal danger at the same time as political tensions on the island are reaching boiling point. It all comes to a climax in a traditional thriller ending, with goodies pitted against baddies, corpses aplenty and an entirely unexpected (by me) but satisfying solution to the mystery of Salton’s death.
The writing is very good, and not nearly as dated in attitudes to women as thrillers of this era usually are. It’s years since I read any Bagley and I can’t remember if his females were always treated this well or whether perhaps part of Davies’ tidying-up was to make the tone more acceptable to modern readers. Whatever, the women are pretty good characters, and one of them is even kinda kickass, which I found unexpectedly refreshing. They’ve certainly not been modernised to the extent of not feeling true to the time, however.
There are parts where I felt it could have been tighter and a bit faster paced, and maybe Bagley’s final edit would have seen to this, but it never drags. Kemp, who tells the story in the first person, is a likeable and believable protagonist – he’s resourceful but not a superhero. He soon teams up with the forces of law and order in the person of Superintendent Hanna of the island police, another likeable character, and they work well together. The story is both interesting and well told, and although the island is fictional, it feels entirely authentic both politically and culturally. I enjoyed this one very much, and now want to go back and investigate some of his other books – it is sadly true to say that they don’t write them like that anymore, and they really should…
NB This book was provided for review by the publisher, HarperCollins.