Study of a psychopath…
😀 😀 😀 😀 😀
Kolley Kibber has come to Brighton on a publicity campaign for his newspaper. He will walk the streets and any lucky reader who spots and challenges him will be given a cash prize. But on this day, Kolley Kibber – real name Charles “Fred” Hale – is scared. He knows that a Brighton gang he has written about is after him, intent on killing him. He feels he’ll be safer if he’s not alone, so tries to pick up one of the female day-trippers down from London to enjoy the beach and the bars and the sunshine. Ida Arnold is a kind-hearted good-time girl, who takes pity on this lonely stranger. But she leaves him for a few minutes to visit the public toilets and when she returns he’s gone. Later she hears that he has died, and doesn’t accept the report that his death was natural. She sets out to investigate. Meantime, Pinkie Brown, leader of the gang, is worried that one of his men may have done something that will give them all away just when it seems they have got off with murder. As his paranoia increases, he becomes caught in his own trap, every action he takes to avert the danger seeming to diminish his options more and more.
I loved Graham Greene with a passion back in my teens and twenties, but on a couple of recent revisits I’ve been a little disappointed. This is one I’d never read before and I’m delighted to say the old magic returned in full force as soon as it began. The first chapter is a masterclass in writing, creating fully-rounded and empathetic characters in Kolley Kibber and Ida Arnold, portraying wonderfully this seedy, poverty-ridden seaside town in the 1930s, and building a terrific atmosphere of tension and suspense. Although Kolley Kibber only appears for this short space of time, his disappearance and death hang over the rest of the book, so that his character becomes as unforgettable as those who are present throughout the whole book.
Ida is also an exceptionally well-drawn character, the beating heart of the book, with her warmth and joy in the act of living giving it the humanity it needs to relieve the otherwise pitch-black noir of the story. Later we will meet Rose, a young girl whose background is of such deprivation, both materially and emotionally, that she is easily persuaded to fancy herself in love with any boy who shows her attention, easy prey for Pinkie who comes to see her as a threat.
But the star of the show is undoubtedly Pinkie, the boy gangster who too readily sees murder as the solution to all problems. This has to be one of the best character studies of a psychopath ever written. Greene gradually shows us what has brought Pinkie to this point – his unhappy childhood, the poverty and lack of opportunity for boys like him in the grim Depression-era world, the guilt and punishment inherent in his Catholic religion. Pinkie believes in Hell but can’t quite bring himself to believe in Heaven, at least not for the likes of him. His disgust at the idea of sex raises all sorts of psychological questions – is it because he lived in a house so small that as a child he could hear his parents performing their weekly conjugal rites? Or is he a closeted gay, closeted so deep he’s unaware of it himself? Or is he simply scared to show any kind of vulnerability, to perhaps fail at the crucial moment? Greene raises all sorts of questions about what may have made Pinkie who he is, but wisely leaves open the possibility that it’s simply a matter of nature. And yet, rotten though he is, Greene gives him a terrible humanity of his own – a lost and damaged soul for whom it’s impossible not to feel sympathy, to wonder whether if circumstances had been different he might have been saved, by man or his implacable God.
The suspense in the story comes from two angles. Will Ida succeed in learning the truth and getting some kind of justice for the man she briefly met and scarcely knew? And Rose – what will happen to Rose? All she wants is to be loved – is that too much to ask? But loving a boy who dislikes and fears her and who has already killed more than once – what will happen to Rose? As Pinkie fingers the bottle of vitriol he always carries in his pocket – what will happen to Rose? The tension of worrying about Rose becomes almost too much to bear.
I listened to the audiobook narrated by Samuel West, and he does a wonderful job. Every word is clearly enunciated and while he doesn’t “act” the characters, he breathes life into their varied personalities. He lets the words speak for themselves, never letting his performance get in the way of the writing.
Beautifully written and with a quartet of distinctively unforgettable characters, this has leapt into the lead as my favourite Greene – high praise indeed from a lifetime fan of his work. While it’s one of his “Catholic” novels, the religious aspects avoid the silly mysticism of The End of the Affair, reminding me more of the faith struggles of the priest and Scobie in The Power and the Glory and The Heart of the Matter respectively. And they play only a small part in what is first and foremost a brilliant noir depiction of a psychopath in a superbly evoked time and place. A fabulous book which gets my highest recommendation!