Variation on a theme…
😀 😀 😀 😀
Following the death of her boyfriend, Hannah’s life is spiralling out of control. She’s behaving recklessly and drinking too much, and her friends and family are getting very tired of her. So when she receives a reminder about a booking she and her boyfriend had made to stay for a few nights in a guest-house in Ireland, she decides to go. But as soon as she arrives spooky things begins to happen, while bad weather and storms means she and her fellow guests find themselves cut off from the outside world. And then the deaths begin…
There seems to be a little trend of books at the moment taking the premise of Agatha Christie’s And Then There Were None – a group of people carefully collected together in an isolated spot by someone with a grievance who then sets about bumping them off one by one. It’s certainly an excellent set-up and the trick is to do something original within the overall structure so that it doesn’t just seem like a copy of the great original. Frost’s basic story isn’t particularly original – after all these years of psychological thrillers it would be hard to find an angle that no one else had used – but she handles it well and uses the general spookiness of the house to good effect to create an atmosphere of enjoyable tension.
I must admit I groaned a bit at the beginning. A few years ago I got so fed up with the identikit misery-fest thriller sub-genre that I wrote a joking pastiche of it, involving a hungover alcoholic woman whose family and friends all hated her and whose life was a mess because of something unspecified that happened “that day” in the past. The first several pages of this book read almost like a pastiche of my pastiche, up to and including the obligatory drunken vomiting scene. Happily, while it continues to tread fairly well-worn ground throughout, Frost writes well (and in past tense – hurrah!), and makes the excellent decision to remove the opportunity for getting drunk from Hannah as soon as she arrives at the guest-house. Once she sobers up, she becomes a much more interesting and enjoyable lead character – a lesson all drunks, fictional or otherwise, could learn from!
The underlying story is dark and again perhaps too well-trodden to really surprise, but although I guessed parts of the plot and saw some of the twists coming, it’s done well and, once the rather slow start is out of the way, the pacing picks up so that it becomes a page-turner. The characterisation is a bit patchy – some of the characters are very well done, others less so, but happily I lost my initial antipathy to Hannah herself and gradually found myself on her side.
It’s not one to think too hard about or to analyse too deeply. There are, perhaps, too many bits that require a hefty suspension of disbelief. But the pacing and spookiness make it an entertaining read overall and it all culminates in an exciting and nicely over-the-top thriller ending. Once I got into it I enjoyed it a lot, finding myself reluctant to put it down, which is exactly the effect a good thriller should have.
NB This book was provided for review by the publisher, HarperCollins.