Oh, I do like to be beside the seaside…
😀 😀 😀 😀
Sanditon is a fictional little village on the south coast of England, and local landowner Mr Thomas Parker dreams of turning it into a health resort like its bigger neighbours, Brighton and Eastbourne. The current fad among the fashionable is for sea-air and sea-bathing, both promised to cure any number of ills. Mr Parker and his wife invite the young daughter of a friend to visit, Charlotte Heywood, and it’s through her sensible eyes that the reader sees the inhabitants of Sanditon, with all their foibles, kindnesses and hypocrisies.
This is known as Austen’s unfinished novel but it would be more accurate to describe it as barely started. We get a mere 70 pages – just enough to introduce us to some of the many characters and to begin to see the various plot strands on which Austen’s health never permitted her to follow through. It’s a pity, because it looks as if it would have been fun, and rather different from her finished novels. There’s a more cynical tone about it – the same bright wit but with a harsher, less forgiving edge. It’s not nearly as polished as her usual writing but that’s hardly surprising since in reality this couldn’t have been much more than a first draft.
It begins with the meeting between Mr Parker and Charlotte’s father, and we quickly see that Sanditon is an obsession of Mr Parker’s – he is determined to improve it, whether it wants to be improved or not, by building bathing machines and upgrading houses to be suitable for the fashionable people he hopes to attract. He has a partner in his enterprise – Lady Denham, the great lady of the neighbourhood, having inherited wealth from one husband, a title from another and a pack of relatives from both. Mr Parker’s extended family includes two sisters and a younger brother, all suffering from debilitating ailments according to themselves, or from hypochondria, as the more cynical might see it. There is another brother, Sidney, who, it appears, would likely be the sensible one and possibly a love interest for Charlotte, but I fear we catch only a glimpse of his handsome features before the fragment ends. We also know that new visitors to the town are expected, including a “half-mulatto” heiress from the West Indies, but again we are left tantalised but with our curiosity unsatisfied.
There’s a lot of humour in the portrayal of the Parker siblings, rather less subtle than Austen’s usual. There’s no knowing, of course, how the book would have developed, but I felt that it would probably have had a lot of filler added later – this felt very rapid for Austen as if she were getting down the main elements of the characters and setting up the plot, possibly with the intention of then re-working it to add in more of her delightful social observation. But perhaps she was trying a new style intentionally. The introduction by Kathryn Sutherland in my Oxford World Classic’s edition (which is about a third as long as the entire fragment of story) puts it in its historical context, in an England looking to the future now that the long Napoleonic Wars are finally over. Perhaps Austen was reflecting the new modernity and process of rapid change that tends to follow a long war.
Obviously it can’t be wholly satisfying as merely the start of a story, but I enjoyed reading it nevertheless, and had fun deciding for myself who would marry whom and be happy and who would be taught the folly of their ways and so on. I can see the appeal for people who like to have a go at finishing it, although I’m not sure there’s enough there to give a real indication of where Austen would have taken us. I’m delighted to hear that Andrew Davies is adapting it for television next year. He’s clearly going to have to come up with a plot since this fragment won’t be enough to make a TV series out of. I remember Alan Bleasdale adding in a lengthy backstory for Oliver Twist when he adapted that book many years ago, and while I enjoyed it I wasn’t convinced it felt like Dickens. I’m intrigued to see if Andrew Davies will manage to make this one feel like Austen. He is, of course, the man behind my beloved 1995 adaptation of Pride and Prejudice, so he certainly has the credentials. Meantime, I’m desperately avoiding all advance publicity.
If you haven’t already, you have plenty of time to read this before the adaptation comes out and invent your own story before Davies tells us his. Personally, I shall be very annoyed if he doesn’t allow Charlotte and Sidney a chance at romance… (if you know, please don’t tell me!)
NB This book was provided for review by the publisher, Oxford World’s Classics.