Fire in the Thatch: A Devon Mystery by ECR Lorac

When the war is over…

😀 😀 😀 😀 😀

The Second World War is drawing to a close when the tenancy of a piece of land complete with thatched cottage falls vacant on the estate of Colonel St Cyres, in Devon. The Colonel is determined the lease shall go to someone who shares his love of the land and who wants to work it productively. However, his daughter-in-law June has different ideas. A Londoner by birth and a party-girl by nature, June is staying with her father-in-law because her husband, the Colonel’s son, is a prisoner of war in Burma. She wants the Colonel to give the cottage to a “friend” of hers, a Mr Gressingham, who would use it as a place to entertain his (and June’s) rather decadent London friends. Fast forward a few months, and Inspector MacDonald of the Yard is on his way to investigate what might have been a case of accidental death, or possibly one of arson and murder…

Lorac wrote many Inspector MacDonald books and apparently this is the 26th in the series. I’ve only read one other of them, Bats in the Belfry, which I loved. It was published in 1937 while this one came out in 1946. What a world of difference in those two years, reflected in the tone of these two books! This one has none of the light humour and romance of the earlier book; the delightful upper-class slang is all gone. Inspector MacDonald is the same painstakingly professional detective, but with a rather more sober attitude to life, befitting a man who has spent the last several years in a bomb-ravaged London with all its attendant horrors.

What has not changed, however, is the excellent quality of the writing and plotting. Transplanting her setting from London to Devon, Lorac gives an entirely convincing picture of rural life with a real understanding of the deep connection the local farmers have with their land. While there is plenty of description of the loveliness of the landscape, she avoids romanticising country life. These are men and women who work hard to produce a livelihood from the soil and from their animals, all the more important over the last few years during war shortages. Although farming was a reserved occupation (i.e., the men were exempted from compulsory military service), Lorac shows that, as in the rest of the country, there was an absence of younger men and few families remained unscarred by the war. Lorac also touches on the subject of the refugees from London who were sent out to the country for safety, welcomed by some and resented by others.

I’m not entirely sure that the plot is fairplay – certainly I got nowhere near the solution and found the actual details of how it all happened rather convoluted. But the story is excellent and, as with all the best crime fiction, is firmly rooted in human nature. I love Inspector MacDonald as a detective – he is a thoughtful and rather kindly man, strictly moral on his own account but with the capacity to make some allowance for moral weakness in others. Here, he is an outsider sent in to the local force as an expert, but he never sets out to prove his own superiority by finding fault with them. Instead he works closely with the locals, in a spirit of comradeship and mutual trust.

The other characters are all equally well drawn. Colonel St Cyres and his daughter are the kind of gentry that make one long for an earlier age, while Gressingham and his buddies make one want to slap the nouveau riche with a wet kipper (if nothing weightier is available). The young man whom St Cyres chooses as the tenant, Nicholas Vaughan, is an ex-military man, invalided out after receiving serious injuries. June, the daughter-in-law, is nicely unlikeable. But the skill of Lorac’s writing is that these characterisations change over time, so that I found my sympathies shifting as I got to know each of them better, some improving on acquaintance, others revealing a darker side than I first suspected.

When reading these rediscovered vintage crime books, I often find myself trying to work out why some authors stay in print while others are forgotten. Sometimes it’s obvious – badly outdated attitudes and levels of snobbery that take away the pleasure for a modern reader, or plots that are firmly fixed on gadgetry or other features that relate solely to a certain time, long gone. But other times, as with Lorac, it beats me. The two books of hers that I’ve read outdo anything by Ngaio Marsh or Margery Allingham in plotting and quality of writing for me, and are far less snobbish and class-ridden than I find Dorothy L Sayers or even PD James. Her concentration on human nature as the foundation of her plotting makes them timeless in the way Agatha Christie’s are. Her observational skills give a real feel for what life was like in a given time and place, and she makes her “common” people as believable and sympathetic as her landowners and professional people. Her books aren’t easy to get hold of at reasonable prices, so I’m keeping my fingers crossed the British Library re-publishes more of them. I’ll be first in the queue if they do!

NB This book was provided for review by the publisher, the British Library.

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31 thoughts on “Fire in the Thatch: A Devon Mystery by ECR Lorac

  1. I really must read this one and Bats in the Belfry, FictionFan. I keep hearing how good both are. Not sure that I’d want to start in with a whole long series – at least right now – but those two definitely sound up my street. And I think it’s interesting that they have quite different tones.

    • These are two of the best of the Crime Classics that I’ve read so far, and I believe they are publishing a third later in the year. Yes, it was intriguing to see how the tone had altered – this one wasn’t dismal, but you could feel the war in the background affecting everything…

    • Yes, they definitely can. They’re more like Agatha Christies than contemporary crime in that aspect – the detective doesn’t really have a personal life or an ongoing story that makes them have to be read in order. Both excellent – I hope you get the chance to read them!

    • They’re both highlights of the whole Crime Classics series for me – I think the quality of her writing is great, and her characterisation in this one especially is excellent. Hope you get the chance to read them!

  2. I don’t think I’ve read any of her books, but your review has certainly piqued my interest. Not sure if I can find any in our library, but I’ll have to give it a try. Have a super weekend, FF!

    • These Crime Classics are killing me – I’ve found so many authors I want to read more of! Yeah, it is odd – these are as good as any of the known names. Have a great weekend, Jennifer! 😀

  3. This does sound good. I do like a novel where your sympathies change as the story starts to unravel – it suggests the characterisation is quite nuanced with shades of grey rather than black or white. These BLCC titles often turn up in one of the local charity shops, so I’ll try to keep an eye out for it.

    • I thought the characterisation in this one was excellent – they kinda started out looking a bit like stereotypes, and then developed as they went along. I hope you spot these – she doesn’t deserve to be a “forgotten” author!

  4. This sounds like an author that I need to discover as I do enjoy those books that focus on human nature by way of observation. Although this one is more sombre than the previous one you reviewed, as you say that’s perfectly understandable given all that the country had been through.

    • Yes, it was interesting to see how the tone had changed in just a few years. This one felt more modern as if there had been a real shift in society during the war. I do think you’d enjoy these – this one especially – if you ever get a chance to fit them in… 😀

    • I could only find one pic on google and when I went through to the site it was on, I wasn’t totally convinced they knew for sure if it was a picture of her. So it’s probably her, but I don’t want to say it is for definite since my copy of the pic will now be on google, leading other people to think it’s her!

        • Ah, thank you for that! I’ll re-label mine so as to stop adding to the confusion. I wish I could track down one of ECR Lorac, though. And thanks for the recommendation for E. X. Ferrars – I shall hunt down one or two of her books – another author that’s new to me!

  5. I did enjoy the writing and characters in Bats in the Belfry so I’ve added Fire in the Thatch to my virtual Read Later shelf at the local library – another TBR shelf that is bending in the middle 🙂

    • I think I enjoyed the characterisation even more in this one, though I think I preferred the plot of Bats in the Belfry. Ha – I nearly have a shelf full of just these BL Crime Classics alone now. I need a bigger house… 😉

    • Ha – I admit I found all that stuff about how it was actually done deeply confusing, but I put up with it because I enjoyed all the rest so much. I think they’re bringing out another of hers later in the year… 😀

  6. Beautifully written review! I have not read any of Lorac’s work, but I deeply admire authors who focus so much on human nature. Characters are the most important part of any story to me, and I love it when the author has real insight into humanity. Charles Dickens is one of my favourite authors who does this. Though his characters are often caricatures, they have a surprisingly realistic quality about them that shows a profound understanding of human nature.

    • Thank you! 😀 Yes, even in crime fiction I much prefer plots that turn on human nature than on lots of clever alibis and so on. They’re fun but they’re not enough on their own – the characters have to behave convincingly and the reader has to care what happens to them. I’m a huge Dickens fan too and completely agree about his caricatured characters – they are often the most believably human ones of all, both the good and bad ones.

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