🙂 🙂 🙂
When eleven-year-old Jack and his two younger sisters are left in their broken-down car while their mother goes off to phone for help, Jack is left in charge. This is a responsibility that will weigh heavily on him over the next few years when first his mother never returns and then later his father too disappears. Meantime Catherine While, heavily pregnant with her first child, is terrified when a burglar leaves a knife beside her pillow with a note that says simply: I could have killed you. For reasons of her own, Catherine decides to tell neither her husband Adam nor the police about this episode – a decision she will learn to regret.
Following the outcome of his last case, The Shut Eye, DCI Marvel has been shunted out of the Met, and isn’t best pleased when he ends up in the countryside – not his natural habitat. He’s even more annoyed when the first case that’s handed to him is to investigate a series of burglaries by a perpetrator codenamed Goldilocks. Marvel sees himself as a murder detective and feels his talents are being wasted. But he gets his wish anyway, as he is soon involved in investigating the unsolved murder of Jack’s mother…
I suspect my reading of lots of compact, tightly plotted classic crime recently has made me even less tolerant than before of the over-padding of much contemporary crime fiction. This book unfortunately takes about half its length to reveal what it’s going to be about, and as soon as it does the whodunit along with the how become pretty obvious, so that the second half is mostly spent waiting to see how Bauer is going to handle the ending. The motive is still left to be uncovered which means that it maintains some suspense, though, and there are some little side mysteries along the way that add interest; and Bauer’s writing is always laced with a nice mixture of dark and light so that in the pacier parts it’s an entertaining read. But I found that I was skipping entire pages at about the thirdway point – never a good sign! – because I was tired of the endless, rather repetitive setting up and wanted to get to the bit where the two threads finally came together as it was obvious they would, and we found out what the book was actually going to be about.
Unfortunately I also found I had lots of credibility issues with too many aspects of the book, from the idea of Jack managing to hold his family together in the way he does, to Catherine’s reasons for not saying anything about the threats she’s receiving, to Marvel’s policing methods. I tried my best, though, to switch off my disbelief and go with the flow. And, happily, from about halfway through when the two stories finally begin to converge, it becomes a more interesting read, and I found that finally I was turning pages quickly for the right reasons. The pace improves and there’s quite a lot of Bauer’s usual humour in the interactions between the various police officers on the case. Bauer is always great at making her child characters feel believable, and she does here too with Jack, even though I found his actions less than credible. While the main storyline itself heads on a straight line to exactly where one expects, there’s an intriguing subplot in the second half that kept my interest. But, unfortunately, the thrillerish ending fell off the credibility tightrope again.
So, although there are some enjoyable aspects of the book once it picks up speed, the slowness of the first half combined with the requirement to suspend disbelief more than I could manage left me feeling that it’s not really close to her best.
NB This book was provided for review by the publisher, Grove Atlantic.