Public health warning…
🙂 🙂 😐
It’s summer festival season, and a crowd of thousands has descended on a farmer’s field for an open-air rock concert celebrating the solstice. There are all the usual food vendors offering varying degrees of quality and hygiene so it’s not too surprising when there’s an outbreak of what appears to be food poisoning. But although sufferers seem to recover within twenty-four hours, days or weeks later they begin to have relapses, developing skin lesions and eventually dying. And in the meantime, they’ve dispersed all over Britain and the world, spreading the infection…
The story is told by Zoe Meadows (Gina McKee), a journalist who happened to be on the spot at the concert when the first outbreak occurred. Though not infected herself, she sniffs a story and sets out to investigate how the infection began. Soon she begins to suspect a factory farm which uses particularly inhumane methods of housing its animals may be the source. Meantime, scientists are working round the clock to find a cure. Zoe makes contact with one of them, Aasmah, who explains that existing antibiotics aren’t strong enough to fight this disease. It has mutated to a point of being resistant to everything scientists have to throw at it.
Isn’t it odd how something that should work sometimes simply doesn’t? This has a great cast who all turn in top class performances, many of them with lovely, authentic Geordie accents (though not broad enough to be hard to understand). It’s written by Val McDermid which means that the script flows and sounds natural – the dialogue never feels stilted. The production values are great – listening through headphones made me feel I was in the middle of it as the sound shifted around me, the incidental music is suitably ominous and threatening, and the sound effects – dogs barking, street noises, etc. – are so convincing I several times found myself checking they were coming from the disc and not the real world. The science is totally credible and so is the eventual outcome – horrific but believable.
And therein lies the problem. Perhaps there’s somebody out there who’s not aware that overuse of antibiotics has led to a situation where some bacteria have mutated to the point where they’ve developed resistance, leading to a cycle of ever stronger drugs, more mutations, and round and round we go, with no certainty that humanity will be the eventual winner. Maybe some people don’t know that they should stop pestering their doctors for antibiotics every time they have a sniffle. Maybe there are some doctors who are still too wimpy to say no to such patients. But, a little like this paragraph, this drama feels more like a public health warning than anything else. A well written and well performed public health warning, but still…
When it said at the end that it was “developed through the Wellcome Trust Experimental Stories scheme”, my suspicions were further aroused, since the Wellcome Trust is a scientific research charity. I donned my deerstalker, lit my pipe and turned to Google. And indeed – this is a series in which they encourage writers to dramatise matters of scientific concern in an attempt to inform and engage the public. Very worthy, but unfortunately that’s what it sounds like in the end. Because the basic plan is to show us how, if we don’t start behaving, we will all die. Die! Die, I tell you! True, but hardly entertaining.
An extract from the BBC’s webpage on the drama says:
Programme consultant Christopher Dowson, who is Professor of Microbiology at the University of Warwick and Trustee for the charity Antibiotic Research UK says: “This fantastic production presents in an emotionally engaging manner some of the important issues that have given rise to our current predicament – ever rising resistance and fewer effective antibiotics. My hope is that listeners will go on to ask ‘what can I do to be part of the solution?’.”
OK, fine, Professor Dowson, but just two points. Firstly, it started emotionally engaging but rapidly descended into being simply downright depressing. And secondly, it would have been great if it had suggested answers to the question “what can I do to be part of the solution?” rather than implying that there is no solution and no hope and that we’re all going to die. Die! Die, I tell you! And if that’s not bad enough, apparently we’re all going to come out in purple spots first!
Maybe I’m being unfair. I did work in health care for many years, so maybe the antibiotics issue isn’t as widely known amongst the general public as I think. But even so, I suspect what most people will say at the end is “Well, that was depressing!” and head for the cake tin rather than becoming activists. Perhaps when it appeared on the radio it was accompanied by discussion programmes that may have answered the “what can I do?” question but as a standalone on disc it preaches without advising, offering despair unleavened by hope. A missed opportunity and, frankly, a bit of a waste of a great writer and an excellent cast.
NB This CD set was provided for review by Amazon Vine UK. It’s a three disc set with a running time of 2 hours 30 minutes. It’s also available on Audible.