Long live the Queen!
😀 😀 😀 😀
It’s 1953, and Detective Inspector Edgar Stephens is investigating the death of a fortune-teller who drowned off the Brighton pier. It looks like an accident, but the possibilities of suicide and murder have to be ruled out. However, Edgar’s investigation is interrupted when he is called to London by General Petre to look into the mysterious death of Colonel Cartwright, who used to be one of Edgar’s superior officers during the war. General Petre has called on Max Mephisto to help too, since Max also worked with Colonel Cartwright, and there are aspects of the murder that suggest it may have something to do with the Magic Men – the outfit Max and Edgar were involved in, which used illusion to fool the Germans into thinking the Allies had greater defences than they actually did. It soon transpires that Colonel Cartwright was afraid that a plan was afoot to disrupt the coronation of the new young Queen, Elizabeth II, so Edgar and Max are under pressure to solve the case before that event takes place in a couple of weeks time.
I’ve enjoyed the previous books in this new series of Elly Griffiths’ a great deal, so had high hopes for this one. The Brighton setting just after the end of WW2 is brilliantly evoked, especially the rather seedy tone of the theatres and musical halls, and the performers who live a nomadic life around the various seaside towns of England, with, if they’re lucky, an occasional booking amidst the bright lights of London’s West End. Max is currently performing at the Theatre Royal in London, and has been tempted somewhat against his better judgement to appear on the new-fangled television – a medium he fears will lead to the final death of the already fading variety theatre. The TV show is scheduled to be shown on the evening of the Queen’s coronation.
Edgar meantime is still trying to pin Ruby down to setting a date for their wedding, but Ruby is not ready to give up her aspirations to become as great a stage magician as her father, Max. And Edgar’s colleague, Emma, is still harbouring feelings of unrequited love for him. Which is all a little annoying, since this book is set two years after the last one, and yet none of these characters seem to have moved on emotionally from how they were left then. Shades of the tedious Ruth/Nelson saga from Griffiths’ other series beginning to creep in, I fear. I wish Griffiths could either leave the romance out of her books, or else move it along – she seems to stick her characters into a situation and then leave them there forever. Hopefully she’ll resolve this triangle in the next book, or I’m afraid it will become as dull as poor old Ruth’s never-ending non-love story.
The plot of this one takes Edgar to America, which provides quite a bit of humour as Edgar tries to understand a society that feels very foreign to him. The picture Griffiths paints of America at that time feels very much based on movies of the period – it doesn’t give quite the same aura of authenticity as the Brighton scenes. But it adds an extra element of interest by expanding out from the rather restricted setting of an English seaside town.
For me, the plot of this one is too convoluted and loses credibility before it reaches the end. While it’s very well written and has a great dramatic ending, my disbelief was stretched well past breaking point before it got there. However, the recurring characters remain as enjoyable as ever, and as usual there are plenty of quirky new ones introduced to keep the interest level up. I also enjoyed the glimpse of the early days of television, when it was all still experimental and, of course, broadcast live, giving it plenty of potential for unexpected drama.
Overall, this isn’t my favourite of the series, but it’s still a good outing for Edgar, Max and the other recurring characters, and I look forward to seeing where they go next – with my fingers firmly crossed that they don’t remain stuck in their emotional ruts for too much longer.
NB This book was provided for review by the publisher, Quercus.