Behind the net curtains…
😀 😀 😀 😀 😀
Although Sergeant Caleb Cluff is still on leave following the events in the last book, when the body of a young woman is found, as the only CID man in Gunnershaw, he is called to the scene. A local man, he knows the people of the town, so he recognises the girl as Jane Trundle and is immediately aware of who the chief suspect will be – a young man who was in love with her despite her constant rejection of him. But Cluff isn’t convinced that Jack would do such a brutal thing and begins to cast his net wider, much to the annoyance of his superiors who’d rather get the case wrapped up quickly.
For the first thirty or forty pages of this short book, I was a bit uncertain of whether it was going to live up to the previous excellent one, Sergeant Cluff Stands Firm. There are a lot of indications that Cluff and the other characters know things about Jane and some of the other characters, but for what seems like quite a long time the reader is kept in the dark. Happily, however, before it becomes too annoying, this background knowledge is gradually revealed, and the plot begins to darken.
Sergeant Cluff is allocated a uniformed officer to work with him, PC Barker. But Cluff is really a bit of a loner and an early version of the maverick cop who has become so ubiquitous now. His methods are mainly to use his local knowledge, together with a bit of intuition and his deep understanding of the passions of the human heart, to help him decide who committed the crime, and then to silently intimidate and harass his suspects until they either confess or do something that incriminates them. He has a strong sense of justice, but doesn’t think the law is necessarily always the best way to achieve that. And while he has a moral code, his methods sometimes step well beyond what would have been considered acceptable even back in those less politically correct days of the early1960s. At loggerheads with several of his colleagues, it is only his habit of getting results that allows him to get away with his behaviour.
North’s writing style seems improved from the previous book – fewer staccato sentences and a better flow. The dialogue remains somewhat stilted, but I’m delighted to note that his obsession with describing the breasts of every female character seems to have disappeared. (Perhaps some kindly woman hit him over the head with a hardback copy of book 1 – if so, thank you!) The real strength of his writing comes in his descriptions of this industrial town – all blacks and greys and browns, dirt from the mills and factories, and poverty hidden behind a façade of respectability and net curtains. This is a town set in the midst of Yorkshire moors and farming country, though, and himself the son of a landowning farmer, Cluff is as at home with these prosperous countrymen as he is with the townspeople. Some of his insights into his characters are beautifully written – sparsely, but with truth and a real empathy for the narrowness and hardships of their lives.
Cluff climbed to his feet, a mourner at the death of a marriage that could not be broken while they lived, because this was Gunnershaw and they lived in Rupert Street and were middle-aged and had to exist, both of them, on the pittance the man earned, because, more than anything, they were respectable and the wife could not tolerate, if the husband could, what the neighbours would say. The man could no longer deceive himself about the extent of his wife’s disloyalty. Everything between them was finished and had to go on still, as it had always done.
The climax of the book heads towards the over-dramatic and dangerously close to the credibility line, but somehow it works. The plot becomes very dark, and Cluff’s behaviour, to put it mildly, is morally dubious, but it seemed to me to echo the amateur detectives of the old school, who would often allow justice to take its own course outwith the confines of the law. Again, as with the first book, I found that from halfway through I was totally hooked, unable to put the book down until I saw how it all played out. The current trend of lengthy crime novels had almost made me forget the pure pleasure of racing through a book in one or two breathless sessions, and yet there’s as much depth and plot in this as in most books that are three times as long; and considerably more tension. (I suspect that may be why the credibility issue doesn’t matter so much – there’s not enough time for the reader to dwell on the details.)
Excellent – I hope the British Library go on to publish the rest of the series.
NB This book was provided for review by the publisher, British Library via Midas PR.