Cold War espionage…
😀 😀 😀 😀 😀
When fading Communist spy Giles Holloway falls drunkenly down his stairs and breaks his leg, he must somehow get the Top Secret file he has “borrowed” back to the Admiralty before anyone notices it’s missing. So he turns to his old friend and colleague Simon Callington for help. But Giles is under observation and someone sees Simon collecting the file. And so Simon is sucked into a situation that threatens to destroy everything he holds dear.
It’s almost impossible to write a short blurb for this one that doesn’t make it sound as if it’s a spy thriller, and in many ways it is. But mostly what it is is a set of brilliant character studies showing the impact of this event on the lives of all those involved. It’s also a highly intelligent twist on The Railway Children – a book the author herself references in the text, so the connections are clearly intentional – where we see the story from the adults’ side. And it’s an entirely credible portrayal of a fictionalised version of the Cambridge spy ring and its association with homosexuality, at that period of the 1950s and early ’60s still a crime, and enough to destroy a man’s career and even life, if exposed.
The writing is excellent, quickly building up a tense atmosphere of secrecy and suspicion. The book is written in third person, allowing the reader to get inside the head of each of the major characters in turn. Dunmore’s skill allows her to use tense effectively – the book is mostly written in the present tense, but slips in and out of past tense seamlessly when appropriate, so that the reader always knows where s/he is in the timeline. The “past” is there only to provide the reader with an understanding of why the characters act as they do in the present – the real story is of the weeks and months following Giles’ accident.
Cold War spy fiction is usually an almost entirely male preserve (with the exception of the occasional sexy femme fatale) and the Cambridge spy ring has been examined many times in fiction and fact, so to a degree Simon’s and Giles’ stories are familiar territory, though rarely in my experience told with such exceptional depth and credibility of character. But what really makes this book stand out from the crowd is the inclusion of Simon’s wife and family.
Lily is intelligent and loving, never once doubting her husband’s innocence and fiercely protective of her children. But her childhood was filled with experiences that give her particular cause to fear and distrust the shady world of intelligence and security – a past she now fears may come back to damage Simon and the children. Dunmore brilliantly shows how Lily’s early experiences are both her weakness and her strength when she must start making decisions for her family.
Peter is the eldest son but still only a boy on the cusp of his teen years when the story begins. With his sister, at first his head is full of adventure stories, such as the aforementioned Railway Children, where somehow the children will find a clue that will save their father, or be able to survive on their own if, as they fear, both their parents are arrested. Dunmore again gives a superb portrayal of Peter suddenly being forced to grow up before his time and take on some of the responsibilities of the man of the family. Lily finds herself reluctantly leaning on her son’s strength, but simultaneously regretting that he is now losing his childhood too early, as she herself had done.
The family is at the heart of the book, but the spy story is excellent too. Giles is a low-level spy, once a golden boy but now his constant drinking making him something of a liability. We see the coldness at the heart of the spy ring – the readiness of each level of the organisation to sacrifice the people lower down in order to protect themselves. But Dunmore also takes us back to the time when Simon and Giles met, so that we can see how their relationship developed and understand why Simon still retains feelings of loyalty to this rather sad and broken older man who has dragged him into a situation that is destroying him and the people he most loves.
To understand the Cambridge spy ring, it’s necessary to understand the society of the time, so different to today’s. Dunmore’s depiction feels perfect – at no point did I have that jarring sensation of tripping over an anachronism. The physical stuff – furniture, cigarettes, food etc – is used skilfully to put us into this time period, without ever being overdone. But even more, she reproduces the social and emotional aspects of the time with great authenticity, especially with regard to the two aspects most closely associated with the Cambridge spies – the old boys’ network of class and social background, and society’s attitudes to homosexuality. Her characters’ reactions are always true to the period – no 21st century political correctness creeping in at inappropriate moments. I think the best compliment I can pay her is to say that the book reads as if it could have been written contemporaneously.
And so, when the end plays out with all the drama and suspense of any good spy thriller, it nonetheless all has a feeling of inevitability and truthfulness – none of her carefully developed characters could have acted in ways other than they do. A wonderful book, one of the best of the year for me, and I shall certainly be reading more of Dunmore’s books soon.
NB This book was provided for review by the publisher, Random House Cornerstone.
This is Book 1 of my 20 Books of Summer.