😀 😀 😀 😀
DI Liam McLusky has returned to his job after a nine-week suspension, but is under warning from his boss that one step out of line will result in him being fired. But Liam is fundamentally a good cop so, despite the black cloud hanging over him, when a woman’s body is found in the canal he is put in charge of the case. A few days later another body is found, a man this time, and there are elements of the two murders that make Liam suspect they are linked, though he can’t see what the two victims have in common. Then a third man is abducted…
I recently enjoyed Peter’s Helton’s Indelible, a PI novel with a Golden Age feel about the setting, so I was intrigued to see how his style would work in the format of the police procedural. And I’m pleased to say the answer is – very well.
The book gets off to a good start with a nicely scary chapter about a woman sensing an intruder in her flat. It turns out this is part of a sub-plot about a sex-pest who is graduating from stealing underwear from clothesline to more serious offences, and this storyline runs in parallel with the murder mystery. We then meet Liam for the first time, in this book, at least – there have been earlier books, which I haven’t read, but this one works fine as a standalone. At this point Liam is still on suspension, is driving drunk and behaving like a stereotypical maverick, and my heart sank. However, I’m glad to say he improves on acquaintance – once he is back at work he proves to be a good detective and manages to remain sober. And although he has a string of failed relationships behind him, he hasn’t given up all hope of finding the right woman.
The main plot is complex enough to hold the reader’s interest throughout, even if it does require the odd bit of disbelief suspension. I admit I kinda guessed whodunit a good bit before the end, but not why, so it didn’t spoilt the suspense too much. And the sub-plot about the sex-pest is very well done, getting increasingly creepy and chilling as it goes along. Liam and his partner, DS James Austin, work as a good team and their interactions help to make both characters likeable and enjoyable. And oh joy! It’s written in the third person past tense!
I like Helton’s writing style. I could complain that the story was a bit over-padded, and I could have lived with fewer descriptions of Liam smoking, drinking coffee, eating chocolate bars etc. But, in contrast, the violence is gritty without being graphic, the dialogue is realistic without the constant use of bad language, there’s some humour that keeps the tone light, and the characterisation is very good throughout, and particularly of Liam himself. It all goes to show what a lottery crime writing is – I’d rate this book well above the average standard of most police procedurals out there, and better than many that have achieved a higher level of success. So if you’re in the market for a new author, here’s one I recommend.
NB This book was provided for review by the publisher, Severn House.