🙂 🙂 🙂
This is an anthology of twenty-seven stories first published in the long-running magazine Fantasy & Science Fiction and includes tales from some very well-known names – Robert A Heinlein, Brian W Aldiss etc. The stories are very evenly spaced over the last sixty years, with roughly a two or three year gap between each. This means it really gives a good impression of how the genre has developed over time, which oddly is both the main strength and main weakness of the book. Because what it seems to show is that somewhere round about the late ’70s/early ’80s, sci-fi morphed into fantasy and then gradually splintered off into subgenres like cyberpunk and even, to my great sadness, the hideousness of ‘magical realism’ (a term that should be taken out and shot at dawn for allowing authors to resolve plot problems by waving a literary magic wand and spouting a bit of mumbo-jumbo). Now, that’s all very well if you like that kind of thing, but frankly I don’t (as the discerning amongst you may already have spotted), and as a result I became increasingly disappointed as the book went on. Some of the stories were so far from being sci-fi or even fantasy that had they not been collected under this umbrella I’d have found it hard to classify them at all.
That’s not to say the stories are bad. A few of them are excellent and many are good. But a few are a bit dull and several seemed to me to be far too long for their content – perhaps a throwback to the days when writers were paid to write to a given length. A couple of the more modern ones I abandoned as we gradually sank into the modern habit of replacing adjectives with profanities and imagination with drugs and violence.
There are some standout stories in the collection, including CM Kornbluth’s The Cosmic Expense Account, which I have reviewed separately as a Transwarp Tuesday! story. Here’s a flavour of a few of the other goodies –
Damon Knight’s The Country of the Kind is a dark story about a society where no-one commits crime any longer – except for one man, our narrator. The society has developed to think that traditional punishments are abhorrent, but the method they find to control the criminal through total social isolation drives him to extreme lengths to find company in his criminality…
Robert A Heinlein’s All You Zombies is considered a classic of time-travel paradox stories. Clever and complicated, Heinlein uses the paradox to take a sideways look at what it is to be ‘different’ in society. If you can get past the sexism and near-misogyny, this is a well written and thought-provoking story.
Sundance by Robert Silverberg is a fabulous story, showing man repeating the horrors of the real-life destructions of aboriginal races as they begin to colonise new planets. But it’s done imaginatively – he alternates between first, second and third person, he blurs the lines between reality and insanity, he gives us lots of symbolism, but he leaves the central questions unanswered – the reader has to decide. Brilliantly written and intensely moving, and a fine example of how transplanting a story to a sci-fi setting can give an author room to explore a deeply human question.
So there’s plenty of good stuff in here, but overall the variability in quality combined with the drift in genres as it progresses means I find it hard to recommend it wholeheartedly. Interesting to die-hard sci-fi/fantasy fans or for someone like myself who’s looking to see what happened to the genre over the years, but I’m not convinced by the ‘Very Best’ claim – there’s plenty of older stuff that’s better than most of this and I’m still hoping to find better new stuff too.
NB This book was provided for review by the publisher, Tachyon Publications.